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The integration of digital technology, particularly virtual reality, is proving to be a pivotal tool in preserving and sharing the rich cultural heritage found within Cave art sites. This article deliberates on the use and application of digital technology in the field of cave painting conservation that provides an authentic and effective method of Cave art preservation for the future. Employing advanced techniques of photogrammetry, terrestrial laser scanning, structured light scanning, and high-resolution photography can digitally preserve the intricate details of Cave art, while the utilization of humidity, temperature, and CO2 sensors may provide a comprehensive digital monitoring system to track the condition of Cave art over time. This paper deals with the evolving landscape of technologies and their application to safeguard Cave art from environmental degradation and anthropogenic factors. The digitization of cave art has the potential to accurately conserve a site if used in an effective manner while also allowing visitors to experience this art form in ways never before feasible. The application of advanced digital technology in cave art conservation is not merely a choice but a necessity, considering the impermanent nature of these paintings in their natural environment. This paper underscores the urgency and significance of leveraging digital tools to ensure the enduring legacy of Cave art, an example of how digital technologies, as they evolve, will play an increasingly essential role in the conservation and dissemination of our world's extraordinary cultural heritage. [ABSTRACT FROM AUTHOR]

[Display omitted] Computed Tomography (CT) has proven itself as a powerful technique for analysing the internal structure of cultural heritage objects. The process followed by conservators and technical art historians for investigating an object is explorative: each time a new question is asked based on the outcome of the previous investigation. This workflow however conflicts with the static nature of CT imaging, where the planning, execution and image analysis for a single CT scan can take days, or even weeks. A new question often requires conducting a new experiment, repeating the process of planning, execution and image analysis. This means that the time that is needed to complete the investigation is often longer than originally anticipated. In addition, it brings up more practical challenges such as the transportation of the object, facility availability and dependence on the imaging operator, as well as the cost of running additional experiments. A much needed interactive imaging process, where the user can adapt the CT scanning process based on the insights discovered on the spot, is hard to accomplish. Therefore, in this paper we show how a time-efficient explorative workflow can be created for CT investigation of art objects, where the object can be inspected in 3D while still in the scanner, and based on the observations and the resulting new questions, the scanning procedure can be iteratively refined. We identify the technical requirements for a CT scanner that can address the diversity in cultural heritage objects (size, shape, material composition), and the need for adaptive steering of the scanning process required for an explorative workflow. Our approach has been developed through the interdisciplinary research projects The See-Through Museum and Impact4Art. We demonstrate the key concepts by showing results of art objects scanned at the FleX-ray Laboratory at CWI, Amsterdam. [ABSTRACT FROM AUTHOR]