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The correspondence exchanged between Captain John Blake, John Bradby Blake, and their associates offers a valuable insight into the sociable world of Enlightenment botany. By considering these sources alongside the records of other contemporary scholars of botany, this paper examines the composition of the community of plant collectors and botanical scholars with whom father and son were interacting in the 1760s and 1770s. The documents also reveal the ways in which botanical knowledge circulated among the members of these communities. Amateur botany, it turns out, was deeply linked to gardening and to the emerging trade in horticultural plants, yet the contributions made by gardeners and nurserymen have been largely overlooked. In sum, the Blake collection at Oak Spring helps to answer larger questions about the nature of Enlightenment sociability, about diversity within botanical networks, and about the ways in which that social diversity affected botanical collecting. [ABSTRACT FROM AUTHOR]

In the last quarter of the 18th century, Joseph Banks came into possession of a set of botanically accurate, western‐influenced, drawings of Chinese plants, executed in Canton by a Chinese artist and supervised by John Bradby Blake, an East India Company supercargo. Banks realized that these drawings, now in the Natural History Museum, London, would help his collectors in Canton accurately identify the Chinese species he sought as living plants for the Royal Gardens at Kew. Banks commissioned a collector's manual whose illustrations were based on the Blake drawings. In the early 19th century, William Kerr used this manual (now unfortunately lost) to continue the Blake practice – these drawings are at the Royal Botanic Gardens, Kew. John Reeves, many of whose drawings are at the Royal Horticultural Society, used Kerr's commissions to produce the next generation of botanical art in Canton. [ABSTRACT FROM AUTHOR]

John Bradby Blake (1745–1773) first visited Canton as a supercargo for the British East India Company in 1767/68. He returned as a resident supercargo in July 1769. Between then and his untimely death in 1773, in collaboration with one or more Chinese artists, he produced over 150 paintings of Chinese plants, many of which are illustrated in exquisite botanical detail. These paintings and the associated archives in the Oak Spring Garden Library at the Oak Spring Garden Foundation (OSGF) provide a detailed glimpse into an interesting life and a previously little known dimension of the social and scientific interactions between the British and Chinese in the late 18th century. [ABSTRACT FROM AUTHOR]