1. From the Spanish Civil War to the ‘Nuclear Age’
- Author
-
Robert James Sutton
- Subjects
Government ,History ,Visual Arts and Performing Arts ,business.industry ,Welfare state ,Ancient history ,Nuclear power ,First world war ,Spanish Civil War ,Austerity ,Economic history ,Relation (history of concept) ,business ,Period (music) - Abstract
On 6 and 9 August 1945, the two atomic bombs codenamed ‘Little Boy’ and ‘Fat Man’ were dropped on the Japanese industrial cities of Hiroshima and Nagasaki. Their explosions represented both a fi ttingly devastating fi nal chapter to the all-encompassing world war of the preceding years and the opening salvo of what would become decades of nuclear uncertainty. Less than a decade earlier, on 26 April 1937, one of the fi rst comprehensive aerial bombings of any defenceless civilian population befell the historic town of Guernica in Spain’s Basque region during the Spanish Civil War. The number of people killed in the bombing of Guernica was placed at 1,645 by the Basque government, though modern fi gures suggest that between 153 and 400 civilians died. By contrast, at least 148,000 people were killed in the Japanese bombings before the effects of the spread of radiation are taken into account as recalled by Catherine Jolivette (218). That this short period of time saw such an escalation in the means of mass destruction is a mark of the events of the years that bridged the gap. But the atom bomb’s realization was only the most devastating and concrete example of the potential of nuclear power. Its development was a consequence of a longer history of advances in the fi elds of molecular and theoretical physics that were believed to be leading the way towards a better understanding of, and appreciation for, the physical world. That scientifi c ambition found its corollary in Britain after 1945 as the circumstances of war set the ground for the Labour Party to implement a wave of social reforms geared towards ‘building a better world’ from its ruins: the engines of what would become known as the Welfare State. Yet the continuing effects of austerity and the gradual decline into Cold War similarly undermined such efforts. This overlapping sense of hope and despair is mirrored in the artistic output of the years that span these two points, stretching before and beyond in either direction. As Carol Jacobi writes in her essay in British Art in the Nuclear Age concerned with the relation of artistic production in the early post-war years to the cultures of crisis and community engendered by the experience of war
- Published
- 2015