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In this article, we explore the potentials and possibilities in activating the silenced, discarded, misidentified, and unwelcome moving image artifacts relating to the film heritage of the Ottoman Empire. The [...]

In the current debate about restitution, which primarily evolves around archaeological and ethnographical collections in Europe, (1) the question of the audiovisual heritage of the Global South opens up the [...]

This article focuses on how audiovisual collections located in established or emerging archives in Latin America and the Caribbean are being activated or reactivated and how they handle keeping old [...]

Pam Wintle (1) is senior film archivist and founder of the Human Studies Film Archive (HSFA) atthe Smithsonian and founding board member for Northeast Historic Film. AMIA: Tell us about [...]

VICTORIA DUCKETT (VD): Thankyou, Sungji, for agreeingto this Zoom interview. I wanted to begin by asking what your role is at the Korean Film Archive. (1) SUNGJI OH (so): I've [...]

VICTORIA DUCKETT (VD): First, thank you for agreeing to talk with me. When I asked Jay [Weissberg, director of the Pordenone Silent Film Festival] whom I should contact for an [...]

It is ironic that on the day I have put aside to write a reflection on film archives in Asia for this second iteration of 'Conversations'--one with Shivendra Singh, founder [...]

As both filmmaker and film preservationist, I am especially aware of the perils and opportunities of this transitional era in moving image archiving. I understand that most avant-garde films, including [...]

With an increased number of local newspapers available online, and with numerous regional library collections now searchable from locations all over the world, investigating itinerant-produced films proves a rich and, [...]

PUBLICATIONS COMMITTEE The Publications Committee's primary charge is the journal. And we can now officially (with 19.2 under our belts along with the double issue you are holding) welcome our [...]