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The article approaches the social representations on national identity and migrant "culture" build that build teachers and members of the judiciary in Argentina, making visible the cultural "racism" that runs through such representations and relationships of conflict between natives and migrants, linked to access to rights. For the analysis were employed focus groups and individual interviews made to such institutional actors in Buenos Aires during the years 2008-2014. [ABSTRACT FROM AUTHOR]

It explores the presence and role of the concerns proper of post-colonial approaches present in the novel. It comes in evidence, how Mamita Yumai behind this economic politic approach of condemnation, as a global hierarchic context in which its plot is organized, allows us to glimpse the existence of a diversity of ethnic groups, nationalities and identities that converge in an exotic Costa Rica, far away from the one made by the imaginary plateau and that in middle of its ami- imperialist rhetoric, allows us to sense that in the fight against foreign and native plundering won't be achieved an effective integration of popular forces, if the specific nature and barriers that such diversity implies, are not overcome, respected and comprehended. [ABSTRACT FROM AUTHOR]