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488 results on '"ART & literature"'

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1. Against illustration: towards a new field of inquiry in illustration studies.

2. Peripheral Networks: Canon-Formation in the Nineteenth-Century Reception of Regionalist Writers.

3. Jacques Rancière's Left-wing Literary Theory and Mao Zedong's Thought on Literature and Art.

4. A pro-American perspective on the American Revolution: Johann Heinrich Ramberg's (1763–1840) adaptations of illustrations by Daniel Chodowiecki.

5. 'The chicken or the egg?' Exploring the dynamics of an ekphrastic cycle.

6. Tomorrow and tomorrow and tomorrow: social justice and the rise of dystopian art and literature post-Arab Uprisings.

7. Transculturalism, Transformation and the Visual Arts in Contemporary British Women's Poetry.

8. The Importance of Being Oroonoko: An Art Historical Morality Play.

9. Commentary for Visual Studies.

10. Moral exemplification in narrative literature and art.

11. A note reconciling ANOVA tests under unequal error variances.

12. Forcing displacement: The postcolonial interventions of refugee literature and arts.

13. Sex 'n' Shopping: A "Novel" Approach to Consumer Research.

14. Frank O’Hara’s “Dictionary of Art”: a collaborative ekphrasis.

15. Crypt-Poesis: Writing as performance archaeology.

16. From Jay to Bee to Daughter Buffalo: Outlining ekphrasis in the work of Janet Frame.

17. Technological Poetry: Interconnections between Impegno , Media and Gender in Gruppo 70 (1963–1968).

18. Mythopoesis or Fiction as Mode of Existence: Three Case Studies from Contemporary Art.

19. Vividness, voice, and the imagination according to Petrarch.

20. Science and public understanding: the role of the historian of education.

21. Passeurs de douleurs chez Sylvie Germain.

22. Image and illusion in Francis Quarles’s emblems and pamphlets: duplication, duality, duplicity.

23. Writing (and reading) Silver with Sidonius: the material contexts of late antique texts.

24. Le Tout-Art d’Édouard Glissant.

25. Night Vision, Revision: How a Dream Became a Poem.

26. Re(a)d Work.

27. Freeze-framed: theorizing the historiated initials of the Régime du corps.

28. Paratext or imagetext? Interpreting the fictional map.

29. Pierre Lecuire: assessing the coexistence of the material and the virtual in his Modernist publishing project.

30. “Graphically individualized”: visual art and representation in Melvin Tolson’s early poetry.

31. ‘And now it is the serpent’s turn’: the rhetoric of the figura serpentinata in Frank O’Hara’s ‘In Memory of My Feelings’.

32. “Visibile Parlare”: Rauschenberg’s drawings for Dante’s Inferno.

33. Recovering Classical Philosophy in the Modern Context: The Work of Francis Slade.

34. Using Literature to Activate Critical Intention in Secondary Student Art.

35. The reading of triumphal entries’ emblems: emblems as footnotes.

36. ‘vocal illyrian avowals’: Herbert Read and Abstract poetry.

37. Félix Vallotton's Murderous Life.

38. ACCESS: Critical Perspectives on Communication, Cultural and Policy Studies incorporated with EPAT.

39. Katsushika Hokusai and a Poetics of Nostalgia.

40. All Things Out of Rule.

41. Some Notes on Poetics and Choreography.

42. Tongues of glaciers: sedimenting language in Roni Horn’s Vatnasafn/Library of Water and Anne Carson’s “Wildly Constant”.

43. Sticking Together: Ivan Vladislavić’s Collage Practice.

45. Towards an Understanding of the Transfiguration and Disfiguration of Romantic Art Suspended between Genesis and Apocalypse: An Anatomy of De-Composition in the Balzacian/ Baudelairian Corpus.

46. Chapter 5: Turning the colonial gaze.

47. Conclusion: A Canon of Art, a Politics of Ends.

48. Rewriting Gulliver’s Travels under the influence of J. J. Grandville’s illustrations.

49. For your immediate attention: Gertrude Stein, Andy Warhol, and Henry Geldzahler.

50. Secrets of paper.

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