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2. Temperament; Or, The Division of the Octave.
3. On a Suggested Simplification of the Established Pitch-Notation.
4. On the Fallacies of Dr. Day's Theory of Harmony, With a Brief Outline of the Elements of a New System.
5. On Musical Nomenclature.
6. On the Principles of Musical Notation.
7. Rules.
8. Sessional Arrangements.
9. Illustrations of Just and Tempered Intonation.
10. Musical Association FOR THE INVESTIGATION AND DISCUSSION OF SUBJECTS CONNECTED WITH THE ART AND SCIENCE OF MUSIC.
11. On Musical Criticism.
12. Rules and Regulations.
13. On the Graphic Method of Representing Musical Intervals. With Illustrations of the Construction of the Musical Scale.
14. Considerations on the History of Ecclesiastical Music of Western Europe.
15. On Kettledrums.
16. On Some Points in the Received Method of Writing An Orchestral Score.
17. On Standards of Musical Pitch.
18. On Our Perception of the Direotion of a Source of Sound.
19. On the Musical Inventions and Discoveries of the Late Sir Charles Wheatstone, F.R.S.
20. On Medical Science in Relation to the Voice as a Musical Instrument.
21. Sessional Arrangements.
22. Report of the Committee.
23. On the Sensitiveness of the Ear to Pitch and Change of Pitch in Music.
24. Rules and Regulations.
25. On Henry Purcell and His Family.
26. Bach's ‘art of Fugue’.
27. On the Philosophy of Harmony.
28. Music in Cathedrals.
29. On the Gymnastic Training of the Hand for Performing on Keyed Instruments.
30. On the English Language as a Language for Music.
31. On Improvements in the Trumpet.
32. Sessional Arrangements for 1876–77.
33. Report of the Committee.
34. The Formation of a National Musical Library.
35. On the Laws of Musical Expression, As Formulated by M. Lussy in His ‘traite De L'expression Musicale’.
36. Suggestions for a More Expeditious Mode of Writing the Time-Notes in Music.
37. Deferred Discussion on Mr. Blaiklet's Paper.
38. The Galin-Paris-Cheve Method of Teaching Considered as a Basis of Musical Education.
39. On a Suggested Improvement in Staff Notation.
40. Report of the Council.
41. On a Practical Method for Reading Harmony.
42. The Present Cultivation of Saored Music in England.
43. Rules and Regulations.
44. Sessional Arrangements for 1877–78.
45. The Recent Inventions for Reproducing the Sound of the Human Voice.
46. Rules and Regulations.
47. On the Determination of Absolute Pitch by the Common Harmonium.
48. On the Growth of the Modern Orchestra During the Past Century.
49. Berlioz.
50. On the Early Italian and Spanish Treatises on Counterpoint and Harmony.
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