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In this joint paper Laura Muñoz Pérez and Trevor Dadson will examine the possibilities women had when participating in the cultural life at court, showing the relationships of patronage between noblewomen, women writers and other writers, and how this was also a way of promotion. Tied in with this will be an examination of the role of noblewomen in society at large, in particular the fact that they had more power and influence than is usually ascribed to them, especially but not solely if they were widows, when they often ended up running vast estates in the name of their eldest son (if they had one). Also, as ladies at court (‘damas de la reina’) these noblewomen had another form of influence, as they often acted as the eyes and ears of their fathers, brothers and husbands. The largely female court established around the Empress María of Austria in the Descalzas Reales in the early seventeenth century has been the subject of study, but the royal court under Philip III and Philip IV and the powerful women there still requires attention. [ABSTRACT FROM PUBLISHER]

In this article the conflicts and alliances between different Dukes of Pastrana, lords of a Grandee household, and their relatives are analysed from two viewpoints. The first perspective shows how litigation between early-modern aristocratic siblings for family inheritance was a very common phenomenon. Secondly, litigious kin were allies in the political and social arena. With these features in mind, this paper provides an explanation of aristocratic behaviour as the consequence of the composite nature of aristocratic identity and the two juridical bodies used by the elites. According to this juridical theory, sovereigns were juridically composed of two bodies. The first one was political, representing eternal royalty. The second one was natural, meaning the physical person of each king. As will be stated in the article, this royal conception of the two bodies was adopted by the nobility and played an important role in aristocratic family conflicts. [ABSTRACT FROM AUTHOR]