Search

The adventures of two men, one an atheist, the other a Catholic, who want to fight a duel over God and the Virgin Mary. The world thinks them both mad, of course, because they seem to be serious, and the story ends by shutting up in a lunatic asylum all the people who are sane enough to care one way or another about their quarrel.

Born in London, Chesterton was educated at St. Paul's, but never went to college. He went to art school. In 1900, he was asked to contribute a few magazine articles on art criticism, and went on to become one of the most prolific writers of all time. He wrote a hundred books, contributions to 200 more, hundreds of poems, including the epic Ballad of the White Horse, five plays, five novels, and some two hundred short stories, including a popular series featuring the priest-detective, Father Brown. In spite of his literary accomplishments, he considered himself primarily a journalist. He wrote over 4000 newspaper essays, including 30 years worth of weekly columns for the Illustrated London News, and 13 years of weekly columns for the Daily News. He also edited his own newspaper, G.K.'s Weekly. (To put it into perspective, four thousand essays is the equivalent of writing an essay a day, every day, for 11 years. If you're not impressed, try it some time. But they have to be good essays, all of them, as funny as they are serious, and as readable and rewarding a century after you've written them.) Chesterton was equally at ease with literary and social criticism, history, politics, economics, philosophy, and theology. His style is unmistakable, always marked by humility, consistency, paradox, wit, and wonder. His writing remains as timely and as timeless today as when it first appeared, even though much of it was published in throw away paper. This man who composed such profound and perfect lines as'The Christian ideal has not been tried and found wanting; it has been found difficult and left untried,'stood 6'4'and weighed about 300 pounds, usually had a cigar in his mouth, and walked around wearing a cape and a crumpled hat, tiny glasses pinched to the end of his nose, swordstick in hand, laughter blowing through his moustache. And usually had no idea where or when his next appointment was. He did much of his writing in train stations, since he usually missed the train he was supposed to catch. In one famous anecdote, he wired his wife, saying,'Am at Market Harborough. Where ought I to be?'His faithful wife, Frances, attended to all the details of his life, since he continually proved he had no way of doing it himself. She was later assisted by a secretary, Dorothy Collins, who became the couple's surrogate daughter, and went on to become the writer's literary executrix, continuing to make his work available after his death. This absent-minded, overgrown elf of a man, who laughed at his own jokes and amused children at birthday parties by catching buns in his mouth, was the man who wrote a book called The Everlasting Man, which led a young atheist named C.S. Lewis to become a Christian. This was the man who wrote a novel called The Napoleon of Notting Hill, which inspired Michael Collins to lead a movement for Irish Independence. This was the man who wrote an essay in the Illustrated London News that inspired Mahatma Gandhi to lead a movement to end British colonial rule in India. This was a man who, when commissioned to write a book on St. Thomas Aquinas (aptly titled Saint Thomas Aquinas), had his secretary check out a stack of books on St.

This little volume is chiefly composed of the rollicking, Bacchanalian and ironical songs from Mr. Chesterton's novel,'The Flying Inn', with certain additions. Sillince's drawings have obvious merits, but are far from obvious. The vigour, the derision, the sheer comicality are there, plus a lyrical touch that shows real understanding. The final drawings epitomise Chesterton's spirit and his work. Contents Include: The Englishman - Wine and Water - The Song Against Grocers - The Rolling English Road - The Song of Quoodle - Pioneers, O Pioneers - The Logical Vegetarian -'The Saracen's Head'- The Good Rich Man - The Song Against Songs - Me Heart - The Song of the Oak - The Road to Roundabout - The Song of the Strange Ascetic - The Song of Right and Wrong - Who Goes Home?

In the aptly titled treatise What's Wrong With the World, one of the twentieth century's most memorable and prolific writers takes on education, government, big business, feminism, and a host of other topics. A steadfast champion of the working man, family, and faith, Chesterton eloquently opposed materialism, snobbery, hypocrisy, and any adversary of freedom and simplicity in modern society. Culled from the thousands of essays he contributed to newspapers and periodicals over his lifetime, the critical works collected for this edition pulse with the author's unique brand of clever commentary. As readable and rewarding today as when they were written over a century ago, these pieces offer Chesterton's unparalleled analysis of contemporary ideals, his incisive critique of modern efficiency, and his humorous but heartfelt defense of the common man against trendsetting social assaults.

Journalist, novelist, poet, artist and art critic, essayist, theologian, propagandist, philosopher, and creator of the wily old Father Brown - G. K. Chesterton is one of the most beguiling authors of the early twentieth century. When asked to perform a lecture tour in 1921, Chesterton was in a slump of depression. He had recently lost his brother to the First World War and his wavering faith in the face of the horrors of the conflict only intensified his malaise.'What I Saw in America'tells us as much about the author and his particular views as it does about his destination. Indeed, Chesterton's personalised observations - his aversion to imperialism, capitalism, Anglo-Americanism and his commitment to democracy and fraternity - are distinguished by the piercing wit for which he is famed. Many of Chesterton's reflections are timeless and startlingly prescient. He was highly critical of both the naive immigration policies and the grinding dehumanisation brought about by the growth of the economy. Nonetheless, he was enthralled by the glorious ideals of the nation - founded on principles of equality, democracy and freedom - even if the essence of these ideals had been lost somewhere along the way.'What I Saw in America'ranks among the finest of Chesterton's works, containing all of the author's virtues and vices: his wry humour, sympathy and intelligence playing devilishly against an irrepressible mischievousness.

These essays, with some alterations & additions, are reprinted from the Daily News & the Speaker. The 1st 12 were published in London, by A.L. Humphreys, 1903, as Twelve Types. Charlie Brontë William Morris & his school The optimism of Byron Pope & the art of satire Francis Rostand Charles II Stevenson Thomas Carlyle Tolstoy & the cult of simpliccity The position of Sir Walter Scott Bret Harte Alfred the great Maeterlinck Ruskin Queen Victoria The German emperor Tennyson Elizabeth Barrett Browning

G. K. Chesterton's biographical essays provide unique portraits of 12 of Europe's most defining figures. Written by one of the world's master essayists, this collection richly expresses Chesterton's thoughts on Charlotte Brontë, William Morris, Byron, Pope, St. Francis of Assisi, Rostand, Charles II, Stevenson, Thomas Carlyle, Tolstoy, Savonarola, and Sir Walter Scott. The book is a perfect companion for any literature, politics, or history course dealing with European history. It is also an excellent addition to any personal or scholarly library.

Born in London, Chesterton was educated at St. Paul's, but never went to college. He went to art school. In 1900, he was asked to contribute a few magazine articles on art criticism, and went on to become one of the most prolific writers of all time. He wrote a hundred books, contributions to 200 more, hundreds of poems, including the epic Ballad of the White Horse, five plays, five novels, and some two hundred short stories, including a popular series featuring the priest-detective, Father Brown. In spite of his literary accomplishments, he considered himself primarily a journalist. He wrote over 4000 newspaper essays, including 30 years worth of weekly columns for the Illustrated London News, and 13 years of weekly columns for the Daily News. He also edited his own newspaper, G.K.'s Weekly. (To put it into perspective, four thousand essays is the equivalent of writing an essay a day, every day, for 11 years. If you're not impressed, try it some time. But they have to be good essays, all of them, as funny as they are serious, and as readable and rewarding a century after you've written them.) Chesterton was equally at ease with literary and social criticism, history, politics, economics, philosophy, and theology. His style is unmistakable, always marked by humility, consistency, paradox, wit, and wonder. His writing remains as timely and as timeless today as when it first appeared, even though much of it was published in throw away paper. This man who composed such profound and perfect lines as'The Christian ideal has not been tried and found wanting; it has been found difficult and left untried,'stood 6'4'and weighed about 300 pounds, usually had a cigar in his mouth, and walked around wearing a cape and a crumpled hat, tiny glasses pinched to the end of his nose, swordstick in hand, laughter blowing through his moustache. And usually had no idea where or when his next appointment was. He did much of his writing in train stations, since he usually missed the train he was supposed to catch. In one famous anecdote, he wired his wife, saying,'Am at Market Harborough. Where ought I to be?'His faithful wife, Frances, attended to all the details of his life, since he continually proved he had no way of doing it himself. She was later assisted by a secretary, Dorothy Collins, who became the couple's surrogate daughter, and went on to become the writer's literary executrix, continuing to make his work available after his death. This absent-minded, overgrown elf of a man, who laughed at his own jokes and amused children at birthday parties by catching buns in his mouth, was the man who wrote a book called The Everlasting Man, which led a young atheist named C.S. Lewis to become a Christian. This was the man who wrote a novel called The Napoleon of Notting Hill, which inspired Michael Collins to lead a movement for Irish Independence. This was the man who wrote an essay in the Illustrated London News that inspired Mahatma Gandhi to lead a movement to end British colonial rule in India. This was a man who, when commissioned to write a book on St. Thomas Aquinas (aptly titled Saint Thomas Aquinas), had his secretary check out a stack of books on St.

'I was born a Victorian; and sympathise not a little with the serious Victorian Spirit.'In this engaging and extremely personal account G K Chesterton expounds his views on Victorian literature. Many of his opinions reflect the conventions of the age; however of the Victorian novel he refreshingly comments'it is an art in which women are quite beyond controversy'. Equally uncompromising about poets and poetry he does not hesitate to call Tennyson'a provincial Virgil'. This book is an important landmark in our understanding of an age which produced some of Britain's most widely enjoyed literature.

'We wish you'd get rid of what you've got here, sir,'he observed, digging doggedly.'Nothing'll grow right with them here.''Shrubs'said the Squire, laughing.'You don't call the peacock trees shrubs, do you? Fine tall trees -- you ought to be proud of them.''Ill weeds grow apace,'observed the gardener.'Weeds can grow as houses when somebody plants them.'Then he added:'Him that sowed tares in the Bible, Squire.''Oh, blast your --'began the Squire, and then replaced the more apt and alliterative word'Bible'by the general word'superstition.'He was himself a robust rationalist, but he went to church to set his tenants an example. Of what, it would have puzzled him to say.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as'liberal'or'conservative,'for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the'prince of paradox,'and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Almost a century ago, Chesteron wrote a series of articles-collected in this replica 1920 volume-decrying the rise in divorce and exploring, from a sociological standpoint, the impact he believed it would have on Western civilization. His conclusions are seen by some as prophetic, but whether one agrees with his cynical stance or not, this is a fascinating work of modern cultural criticism.

G.K. Chesterton's collected essays on subjects ranging from detective stories and penny dreadfuls to heraldry and patriotism. The essays originally appeared in'The Speaker'but were edited and revised for republication.

Born in London, Chesterton was educated at St. Paul's, but never went to college. He went to art school. In 1900, he was asked to contribute a few magazine articles on art criticism, and went on to become one of the most prolific writers of all time. He wrote a hundred books, contributions to 200 more, hundreds of poems, including the epic Ballad of the White Horse, five plays, five novels, and some two hundred short stories, including a popular series featuring the priest-detective, Father Brown. In spite of his literary accomplishments, he considered himself primarily a journalist. He wrote over 4000 newspaper essays, including 30 years worth of weekly columns for the Illustrated London News, and 13 years of weekly columns for the Daily News. He also edited his own newspaper, G.K.'s Weekly. (To put it into perspective, four thousand essays is the equivalent of writing an essay a day, every day, for 11 years. If you're not impressed, try it some time. But they have to be good essays, all of them, as funny as they are serious, and as readable and rewarding a century after you've written them.) Chesterton was equally at ease with literary and social criticism, history, politics, economics, philosophy, and theology. His style is unmistakable, always marked by humility, consistency, paradox, wit, and wonder. His writing remains as timely and as timeless today as when it first appeared, even though much of it was published in throw away paper. This man who composed such profound and perfect lines as'The Christian ideal has not been tried and found wanting; it has been found difficult and left untried,'stood 6'4'and weighed about 300 pounds, usually had a cigar in his mouth, and walked around wearing a cape and a crumpled hat, tiny glasses pinched to the end of his nose, swordstick in hand, laughter blowing through his moustache. And usually had no idea where or when his next appointment was. He did much of his writing in train stations, since he usually missed the train he was supposed to catch. In one famous anecdote, he wired his wife, saying,'Am at Market Harborough. Where ought I to be?'His faithful wife, Frances, attended to all the details of his life, since he continually proved he had no way of doing it himself. She was later assisted by a secretary, Dorothy Collins, who became the couple's surrogate daughter, and went on to become the writer's literary executrix, continuing to make his work available after his death. This absent-minded, overgrown elf of a man, who laughed at his own jokes and amused children at birthday parties by catching buns in his mouth, was the man who wrote a book called The Everlasting Man, which led a young atheist named C.S. Lewis to become a Christian. This was the man who wrote a novel called The Napoleon of Notting Hill, which inspired Michael Collins to lead a movement for Irish Independence. This was the man who wrote an essay in the Illustrated London News that inspired Mahatma Gandhi to lead a movement to end British colonial rule in India. This was a man who, when commissioned to write a book on St. Thomas Aquinas (aptly titled Saint Thomas Aquinas), had his secretary check out a stack of books on St.

Unless we are all mad, there is at the back of the most bewildering business a story: and if we are all mad, there is no such thing as madness. If I set a house on fire, it is quite true that I may illuminate many other people's weaknesses as well as my own. It may be that the master of the house was burned because he was drunk: it may be that the mistress of the house was burned because she was stingy, and perished arguing about the expense of a fire-escape. It is, nevertheless, broadly true that they both were burned because I set fire to their house. That is the story of the thing. The mere facts of the story about the present European conflagration are quite as easy to tell. -- G.K. Chesterton

By G.K. Chesterton The Ballad of the White Horse is one of the last great epic poems in the English language. On the one hand it describes King Alfred's battle against the Danes in 878. On the other hand it is a timeless allegory about the ongoing battle between Christianity and the forces of nihilistic heathenism. Filled with colorful characters, thrilling battles and mystical visions, it is as lively as it is profound. Chesterton incorporates brilliant imagination, atmosphere, moral concern, chronological continuity, wisdom and fancy. He makes his stanzas reverberate with sound, and hurries his readers into the heart of the battle. This deluxe volume is the definitive edition of the poem. It exactly reproduces the 1928 edition with Robert Austin's beautiful woodcuts, and includes a thorough introduction and wonderful endnotes by Sister Bernadette Sheridan, from her 60 years researching the poem. Illustrated.'When Chesterton writes poetry, he excels like no other modern writer. The rhyme, rhythm, alliteration and imagery are a complete joy to the ear. But The Ballad of the White Horse is not just a poem. It is a prophecy.'—Dale Ahlquist, President, The American Chesterton Society'Not only a charming poem and a great tale, this is a keystone work of Christian literature that will be read long after most of the books of our era are forgotten.'—Michael O'Brien, Author, Father Elijah

Born in London, Chesterton was educated at St. Paul's, but never went to college. He went to art school. In 1900, he was asked to contribute a few magazine articles on art criticism, and went on to become one of the most prolific writers of all time. He wrote a hundred books, contributions to 200 more, hundreds of poems, including the epic Ballad of the White Horse, five plays, five novels, and some two hundred short stories, including a popular series featuring the priest-detective, Father Brown. In spite of his literary accomplishments, he considered himself primarily a journalist. He wrote over 4000 newspaper essays, including 30 years worth of weekly columns for the Illustrated London News, and 13 years of weekly columns for the Daily News. He also edited his own newspaper, G.K.'s Weekly. (To put it into perspective, four thousand essays is the equivalent of writing an essay a day, every day, for 11 years. If you're not impressed, try it some time. But they have to be good essays, all of them, as funny as they are serious, and as readable and rewarding a century after you've written them.) Chesterton was equally at ease with literary and social criticism, history, politics, economics, philosophy, and theology. His style is unmistakable, always marked by humility, consistency, paradox, wit, and wonder. His writing remains as timely and as timeless today as when it first appeared, even though much of it was published in throw away paper. This man who composed such profound and perfect lines as'The Christian ideal has not been tried and found wanting; it has been found difficult and left untried,'stood 6'4'and weighed about 300 pounds, usually had a cigar in his mouth, and walked around wearing a cape and a crumpled hat, tiny glasses pinched to the end of his nose, swordstick in hand, laughter blowing through his moustache. And usually had no idea where or when his next appointment was. He did much of his writing in train stations, since he usually missed the train he was supposed to catch. In one famous anecdote, he wired his wife, saying,'Am at Market Harborough. Where ought I to be?'His faithful wife, Frances, attended to all the details of his life, since he continually proved he had no way of doing it himself. She was later assisted by a secretary, Dorothy Collins, who became the couple's surrogate daughter, and went on to become the writer's literary executrix, continuing to make his work available after his death. This absent-minded, overgrown elf of a man, who laughed at his own jokes and amused children at birthday parties by catching buns in his mouth, was the man who wrote a book called The Everlasting Man, which led a young atheist named C.S. Lewis to become a Christian. This was the man who wrote a novel called The Napoleon of Notting Hill, which inspired Michael Collins to lead a movement for Irish Independence. This was the man who wrote an essay in the Illustrated London News that inspired Mahatma Gandhi to lead a movement to end British colonial rule in India. This was a man who, when commissioned to write a book on St. Thomas Aquinas (aptly titled Saint Thomas Aquinas), had his secretary check out a stack of books on St.

1928. G.K. Chesterton was a journalist, poet, novelist, playwright, debater, and Catholic apologist in the early twentieth century. When Stevenson first appeared, Sir Edmund Gosse, England's leading literary critic, wrote: I have just finished reading the book in which you smite the detractors of R.L.S. hip and thigh. I cannot express without a sort of hyperbole, the sentiments which you have awakened; of joy, of satisfaction, of relief, of malicious and vindictive pleasure. We are avenged at last...It is and always since his death has been impossible for me to write anything which went below the surface of R.L.S. I loved him, and still love him, too tenderly to analyze him. But you, who have the privilege of not being dazzled by having known him, have taken the task into your strong competent hands. You could not have done it better. The latest survivor, the only survivor, of his little early circle of intimate friends thanks you from the bottom of his heart.

On the subject of Browning's work innumerable things have been said and remain to be said; of his life, considered as a narrative of facts, there is little or nothing to say. It was a lucid and public and yet quiet life, which culminated in one great dramatic test of character, and then fell back again into this union of quietude and publicity.

Chesterton's classic three-act fantasy play. This play was originally presented under the management of Kenelm Foss at The Little Theatre, London, on November 7, 1913.

Horatio Herbert Kitchener was Irish by birth but English by extraction, being born in County Kerry, the son of an English colonel. The fanciful might see in this first and accidental fact the presence of this simple and practical man amid the more mystical western problems and dreams which were very distant from his mind, an element which clings to all his career and gives it an unconscious poetry. He had many qualities of the epic hero, and especially this -- that he was the last man in the world to be the epic poet. There is something almost provocative to superstition in the way in which he stands at every turn as the symbol of the special trials and the modern transfiguration of England; from this moment when he was born among the peasants of Ireland to the moment when he died upon the sea, seeking at the other end of the world the other great peasant civilisation of Russia. Yet at each of these symbolic moments he is, if not as unconscious as a symbol, then as silent as a symbol; he is speechless and supremely significant, like an ensign or a flag. The superficial picturesqueness of his life, at least, lies very much in this -- that he was like a hero condemned by fate to act an allegory.

Mr. Chesterton's long essay on eugenics and other evils was written in 1922, just a few years after the close of the'Great War.'This war was not yet known as World War I, and it could not then be imagined that a greater calamity could be possible. Chesterton ends with the acidic observation that if his readers don't believe how toxic materialistic philosophies are,'neither would they believe though one rose from the dead.'Prophetic; Chesterton would die in 1936, a few short years before the horrors of World War II, carried out once again by the hands of those who rejected Christianity and embraced a secular humanism grounded in atheistic evolutionary theory. This deserves our careful consideration, and no author demands it with such wit, humor, and intellect.

Personal impressions of the author's visit to Ireland under the direction of the War Aims Committee. Mr. Chesterton understands teh Irish thoroughly and says many fine things finely in this refreshing and stimulating book.

G. K. Chesterton, the'Prince of Paradox,'is at his witty best in this collection of twenty essays and articles from the turn of the twentieth century. Focusing on'heretics'— those who pride themselves on their superiority to conservative views — Chesterton appraises prominent figures who fall into that category from the literary and art worlds. Luminaries such as Rudyard Kipling, George Bernard Shaw, H. G. Wells, and James McNeill Whistler come under the author's scrutiny, where they meet with equal measures of his characteristic wisdom and good humor. In addition to incisive assessments of well-known individuals ('Mr. Rudyard Kipling and Making the World Small'and'Mr. H. G. Wells and the Giants'), these essays contain observations on the wider world.'On Sandals and Simplicity,''Science and the Savages,''On Certain Modern Writers and the Institution of the Family,''On Smart Novelists and the Smart Set,'and'Slum Novelists and the Slums'reflect the main themes of Chesterton's life's work. Heretics roused the ire of some critics for censuring contemporary philosophies without providing alternatives; the author responded a few years later with a companion volume, Orthodoxy. Sardonic, jolly, and generous, both books are vintage Chesterton.

'Most people either say that they agree with Bernard Shaw or that they do not understand him. I am the only person who understands him, and I do not agree with him.'--G.K.C.

A critical study of Dickens, intended'as a general justification of that author, and of the whole of the gigantesque English humour of which he was the last and not the least gigantic survival.'

A critical study of Dickens, intended'as a general justification of that author, and of the whole of the gigantesque English humour of which he was the last and not the least gigantic survival.'

Born in London, Chesterton was educated at St. Paul's, but never went to college. He went to art school. In 1900, he was asked to contribute a few magazine articles on art criticism, and went on to become one of the most prolific writers of all time. He wrote a hundred books, contributions to 200 more, hundreds of poems, including the epic Ballad of the White Horse, five plays, five novels, and some two hundred short stories, including a popular series featuring the priest-detective, Father Brown. In spite of his literary accomplishments, he considered himself primarily a journalist. He wrote over 4000 newspaper essays, including 30 years worth of weekly columns for the Illustrated London News, and 13 years of weekly columns for the Daily News. He also edited his own newspaper, G.K.'s Weekly. (To put it into perspective, four thousand essays is the equivalent of writing an essay a day, every day, for 11 years. If you're not impressed, try it some time. But they have to be good essays, all of them, as funny as they are serious, and as readable and rewarding a century after you've written them.) Chesterton was equally at ease with literary and social criticism, history, politics, economics, philosophy, and theology. His style is unmistakable, always marked by humility, consistency, paradox, wit, and wonder. His writing remains as timely and as timeless today as when it first appeared, even though much of it was published in throw away paper. This man who composed such profound and perfect lines as'The Christian ideal has not been tried and found wanting; it has been found difficult and left untried,'stood 6'4'and weighed about 300 pounds, usually had a cigar in his mouth, and walked around wearing a cape and a crumpled hat, tiny glasses pinched to the end of his nose, swordstick in hand, laughter blowing through his moustache. And usually had no idea where or when his next appointment was. He did much of his writing in train stations, since he usually missed the train he was supposed to catch. In one famous anecdote, he wired his wife, saying,'Am at Market Harborough. Where ought I to be?'His faithful wife, Frances, attended to all the details of his life, since he continually proved he had no way of doing it himself. She was later assisted by a secretary, Dorothy Collins, who became the couple's surrogate daughter, and went on to become the writer's literary executrix, continuing to make his work available after his death. This absent-minded, overgrown elf of a man, who laughed at his own jokes and amused children at birthday parties by catching buns in his mouth, was the man who wrote a book called The Everlasting Man, which led a young atheist named C.S. Lewis to become a Christian. This was the man who wrote a novel called The Napoleon of Notting Hill, which inspired Michael Collins to lead a movement for Irish Independence. This was the man who wrote an essay in the Illustrated London News that inspired Mahatma Gandhi to lead a movement to end British colonial rule in India. This was a man who, when commissioned to write a book on St. Thomas Aquinas (aptly titled Saint Thomas Aquinas), had his secretary check out a stack of books on St.

A collection of essays dealing with various topics, such as human nature, current affairs, science and religion

Born in London, Chesterton was educated at St. Paul's, but never went to college. He went to art school. In 1900, he was asked to contribute a few magazine articles on art criticism, and went on to become one of the most prolific writers of all time. He wrote a hundred books, contributions to 200 more, hundreds of poems, including the epic Ballad of the White Horse, five plays, five novels, and some two hundred short stories, including a popular series featuring the priest-detective, Father Brown. In spite of his literary accomplishments, he considered himself primarily a journalist. He wrote over 4000 newspaper essays, including 30 years worth of weekly columns for the Illustrated London News, and 13 years of weekly columns for the Daily News. He also edited his own newspaper, G.K.'s Weekly. (To put it into perspective, four thousand essays is the equivalent of writing an essay a day, every day, for 11 years. If you're not impressed, try it some time. But they have to be good essays, all of them, as funny as they are serious, and as readable and rewarding a century after you've written them.) Chesterton was equally at ease with literary and social criticism, history, politics, economics, philosophy, and theology. His style is unmistakable, always marked by humility, consistency, paradox, wit, and wonder. His writing remains as timely and as timeless today as when it first appeared, even though much of it was published in throw away paper. This man who composed such profound and perfect lines as'The Christian ideal has not been tried and found wanting; it has been found difficult and left untried,'stood 6'4'and weighed about 300 pounds, usually had a cigar in his mouth, and walked around wearing a cape and a crumpled hat, tiny glasses pinched to the end of his nose, swordstick in hand, laughter blowing through his moustache. And usually had no idea where or when his next appointment was. He did much of his writing in train stations, since he usually missed the train he was supposed to catch. In one famous anecdote, he wired his wife, saying,'Am at Market Harborough. Where ought I to be?'His faithful wife, Frances, attended to all the details of his life, since he continually proved he had no way of doing it himself. She was later assisted by a secretary, Dorothy Collins, who became the couple's surrogate daughter, and went on to become the writer's literary executrix, continuing to make his work available after his death. This absent-minded, overgrown elf of a man, who laughed at his own jokes and amused children at birthday parties by catching buns in his mouth, was the man who wrote a book called The Everlasting Man, which led a young atheist named C.S. Lewis to become a Christian. This was the man who wrote a novel called The Napoleon of Notting Hill, which inspired Michael Collins to lead a movement for Irish Independence. This was the man who wrote an essay in the Illustrated London News that inspired Mahatma Gandhi to lead a movement to end British colonial rule in India. This was a man who, when commissioned to write a book on St. Thomas Aquinas (aptly titled Saint Thomas Aquinas), had his secretary check out a stack of books on St.

G. K. Chesterton has committed a great sin; he has written a didactic poem, a work of art, and has called it history. It is no easy thing to give a list of all the complex sanctities that he has violated by this one act; as a mere incident in the accomplishment of his main purpose he has arrayed against himself anti-Catholics, materialists, aristocrats, plutocrats, and the whole tribe of scientific historians. But it is true of Chesterton's'History of England,'as it is true of any work of art, that the sanctities which it violates are not so important as the vision which inspires it. --The Dial, 1918

Covering topics ranging from literature to philosophy, history to social criticism, this is a snapshot of thought on 20th-century Europe (and the world) by one of Europe's sharpest wits and ablest pens. With chapter titles ranging from'The Miser and His Friends'to'The Red Reactionary,'from'The Separatist and Sacred Things'to'The New Theologian'and'The Romantic in the Rain,'this volume includes 39 brief sketches of individuals, each one of whom illustrates an aspect of contemporary society. Social, historical, and religious thought all figure prominently in this book, making it of great use in any study of the literary, religious, and social aspects of early 20th-century England and Europe generally. It will be of interest to students and scholars of the essay in English literature. It is a fine introduction to Chesterton's social criticism, which remains unique for its willingness to criticize some of the uncomfortable truths about capitalism without straying toward an inhuman bureaucratic socialism.

Born in London, Chesterton was educated at St. Paul's, but never went to college. He went to art school. In 1900, he was asked to contribute a few magazine articles on art criticism, and went on to become one of the most prolific writers of all time. He wrote a hundred books, contributions to 200 more, hundreds of poems, including the epic Ballad of the White Horse, five plays, five novels, and some two hundred short stories, including a popular series featuring the priest-detective, Father Brown. In spite of his literary accomplishments, he considered himself primarily a journalist. He wrote over 4000 newspaper essays, including 30 years worth of weekly columns for the Illustrated London News, and 13 years of weekly columns for the Daily News. He also edited his own newspaper, G.K.'s Weekly. (To put it into perspective, four thousand essays is the equivalent of writing an essay a day, every day, for 11 years. If you're not impressed, try it some time. But they have to be good essays, all of them, as funny as they are serious, and as readable and rewarding a century after you've written them.) Chesterton was equally at ease with literary and social criticism, history, politics, economics, philosophy, and theology. His style is unmistakable, always marked by humility, consistency, paradox, wit, and wonder. His writing remains as timely and as timeless today as when it first appeared, even though much of it was published in throw away paper. This man who composed such profound and perfect lines as'The Christian ideal has not been tried and found wanting; it has been found difficult and left untried,'stood 6'4'and weighed about 300 pounds, usually had a cigar in his mouth, and walked around wearing a cape and a crumpled hat, tiny glasses pinched to the end of his nose, swordstick in hand, laughter blowing through his moustache. And usually had no idea where or when his next appointment was. He did much of his writing in train stations, since he usually missed the train he was supposed to catch. In one famous anecdote, he wired his wife, saying,'Am at Market Harborough. Where ought I to be?'His faithful wife, Frances, attended to all the details of his life, since he continually proved he had no way of doing it himself. She was later assisted by a secretary, Dorothy Collins, who became the couple's surrogate daughter, and went on to become the writer's literary executrix, continuing to make his work available after his death. This absent-minded, overgrown elf of a man, who laughed at his own jokes and amused children at birthday parties by catching buns in his mouth, was the man who wrote a book called The Everlasting Man, which led a young atheist named C.S. Lewis to become a Christian. This was the man who wrote a novel called The Napoleon of Notting Hill, which inspired Michael Collins to lead a movement for Irish Independence. This was the man who wrote an essay in the Illustrated London News that inspired Mahatma Gandhi to lead a movement to end British colonial rule in India. This was a man who, when commissioned to write a book on St. Thomas Aquinas (aptly titled Saint Thomas Aquinas), had his secretary check out a stack of books on St.

What is it that angers Chesterton and fills him with grim forebodings for the future of his island? Many things and, especially, many persons. But chiefly the capitalists, the upper middle class, the usurers, or however they be termed, and the fear of the servile state, the state in which art and literature and science and efficiency and morality and everything else that has value in the eyes of mortal man become the humble servants of the money-changers, in short, the'utopia of usurers.'--The Dial, 1918.

Born in London, Chesterton was educated at St. Paul's, but never went to college. He went to art school. In 1900, he was asked to contribute a few magazine articles on art criticism, and went on to become one of the most prolific writers of all time. He wrote a hundred books, contributions to 200 more, hundreds of poems, including the epic Ballad of the White Horse, five plays, five novels, and some two hundred short stories, including a popular series featuring the priest-detective, Father Brown. In spite of his literary accomplishments, he considered himself primarily a journalist. He wrote over 4000 newspaper essays, including 30 years worth of weekly columns for the Illustrated London News, and 13 years of weekly columns for the Daily News. He also edited his own newspaper, G.K.'s Weekly. (To put it into perspective, four thousand essays is the equivalent of writing an essay a day, every day, for 11 years. If you're not impressed, try it some time. But they have to be good essays, all of them, as funny as they are serious, and as readable and rewarding a century after you've written them.) Chesterton was equally at ease with literary and social criticism, history, politics, economics, philosophy, and theology. His style is unmistakable, always marked by humility, consistency, paradox, wit, and wonder. His writing remains as timely and as timeless today as when it first appeared, even though much of it was published in throw away paper. This man who composed such profound and perfect lines as'The Christian ideal has not been tried and found wanting; it has been found difficult and left untried,'stood 6'4'and weighed about 300 pounds, usually had a cigar in his mouth, and walked around wearing a cape and a crumpled hat, tiny glasses pinched to the end of his nose, swordstick in hand, laughter blowing through his moustache. And usually had no idea where or when his next appointment was. He did much of his writing in train stations, since he usually missed the train he was supposed to catch. In one famous anecdote, he wired his wife, saying,'Am at Market Harborough. Where ought I to be?'His faithful wife, Frances, attended to all the details of his life, since he continually proved he had no way of doing it himself. She was later assisted by a secretary, Dorothy Collins, who became the couple's surrogate daughter, and went on to become the writer's literary executrix, continuing to make his work available after his death. This absent-minded, overgrown elf of a man, who laughed at his own jokes and amused children at birthday parties by catching buns in his mouth, was the man who wrote a book called The Everlasting Man, which led a young atheist named C.S. Lewis to become a Christian. This was the man who wrote a novel called The Napoleon of Notting Hill, which inspired Michael Collins to lead a movement for Irish Independence. This was the man who wrote an essay in the Illustrated London News that inspired Mahatma Gandhi to lead a movement to end British colonial rule in India. This was a man who, when commissioned to write a book on St. Thomas Aquinas (aptly titled Saint Thomas Aquinas), had his secretary check out a stack of books on St.

Father Brown is an unlikely amateur detective. Short, stumpy, and angelic, he carries a huge umbrella and has a natural ability to intuit the solutions to criminal mysteries. The twelve tales in this book follow him through France, England, and Italy, as he gets caught up in cases involving everything from murder to treason.

The dreary succession of randomly selected Kings of England is broken up when Auberon Quin, who cares for nothing but a good joke, is chosen. To amuse himself, he institutes elaborate costumes for the provosts of the districts of London. All are bored by the King's antics except for one earnest young man who takes the cry for regional pride seriously - Adam Wayne, the eponymous Napoleon of Notting Hill.

Twelve mysteries featuring Father Brown, the short, stumpy Catholic priest with'uncanny insight into human evil.'

Extravagant, satirical, amusing to those who can read in the spirit in which it is written, and these will be fewer than the readers who enjoyed Manalive. The characters are caricatures who so approach possible types that they are convincing in their very impossibility. They are the means of attacking most of the foibles of the day.

The Club of Queer Trades is a collection of stories by G. K. Chesterton first published in 1905. Each story in the collection is centered on a person who is making his living by some novel and extraordinary means. To gain admittance one must have invented a unique means of earning a living and the subsequent trade being the main source of income.

Contents Include: Three Dedications To Edmund Clerihew Bentley To Hilaire Belloc To M.E.W War Poems Lepanto The March of the Black Mountain 1913 Blessed are the Peacemakers The Wife of Flanders The Crusader Returns from Captivity LOVE POEMS: Glencoe Love's Trappist Confessional Music The Deluge The Strange Music The Great Minimum The Mortal Answers The Marriage Song Bay Combe RELIGIOUS POEMS: The Wise Men The House of Christmas A Song of gifts to God The Kingdom of Heaven A Hymn for the Church Militant The Beatific Vision The Truce of Christmas A Hymn A Christmas Song for Three Guilds The Nativity A Child of the Snows A Word RHYMES FOR THE TIMES: Antichrist, or the Reunion of Christendom An Ode The Revolutionist, or Lines to a Statesman The Shakespeare Memorial The Horrible History of Jones The New Freethinker In Memoriam P.D Sonnet with the Compliments of the Season A Song of Swords A Song of Defeat Sonnet Africa The Dead Hero An Election Echo The Song of the Wheels The Secret People MISCELLANEOUS POEMS: Lost Ballad of the Sun Translation from Du Bellay The Higher Unity The Earth's Vigil On Righteous Indignation When I Came Back to Fleet Street A Cider Song The Last Hero BALLADES: Ballade D'Une Grande Dame A Ballade of an Anti-Puritan A Ballade of a Book Reviewer A Ballade of Suicide A Ballade of the First Rain