1. Comparing Approaches to the Similarity of Musical Chord Sequences
- Author
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W.B. de Haas, Remco C. Veltkamp, Pierre Hanna, Matthias Robine, Frans Wiering, Department of Information and Computing Sciences [Utrecht], Utrecht University [Utrecht], Laboratoire Bordelais de Recherche en Informatique (LaBRI), Université de Bordeaux (UB)-Centre National de la Recherche Scientifique (CNRS)-École Nationale Supérieure d'Électronique, Informatique et Radiocommunications de Bordeaux (ENSEIRB), and Hanna, Pierre
- Subjects
Musical notation ,0303 health sciences ,InformationSystems_INFORMATIONINTERFACESANDPRESENTATION(e.g.,HCI) ,business.industry ,Speech recognition ,Pattern recognition ,02 engineering and technology ,[INFO.INFO-SD] Computer Science [cs]/Sound [cs.SD] ,03 medical and health sciences ,[INFO.INFO-SD]Computer Science [cs]/Sound [cs.SD] ,Chord sequence ,0202 electrical engineering, electronic engineering, information engineering ,Music information retrieval ,A priori and a posteriori ,Chord (music) ,020201 artificial intelligence & image processing ,Artificial intelligence ,business ,Musical harmony ,030304 developmental biology ,Mathematics - Abstract
We present a comparison between two recent approaches to the harmonic similarity of musical chords sequences. In contrast to earlier work that mainly focuses on the similarity of musical notation or musical audio, in this paper we specifically use on the symbolic chord description as the primary musical representation. For an experiment, a large chord sequence corpus was created. In this experiment we compare a geometrical and an alignment approach to harmonic similarity, and measure the effects of chord description detail and a priori key information on retrieval performance. The results show that an alignment approach significantly outperforms a geometrical approach in most cases, but that the geometrical approach is computationally more efficient than the alignment approach. Furthermore, the results demonstrate that a priori key information boosts retrieval performance, and that using a triadic chord representation yields significantly better results than a simpler or more complex chord representation.
- Published
- 2011
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