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Mental health challenges are common during the perinatal period, particularly following pregnancy loss. This longitudinal study investigates the role of self-compassion in the mental health of perinatal women having previously experienced (n = 45) or not having experienced (n = 123) pregnancy loss. Archival data was utilised to compare levels of perinatal depression, psychological distress, and self-compassion for women receiving psychological therapy at session one and session six. Results indicated that both participant groups reported similar levels on all variables at baseline. There were significant increases in self-compassion and decreases in perinatal depression and psychological distress after six sessions of therapy for both groups. A regression showed changes in self-compassion following six sessions of therapy was predictive of psychological distress, particularly for women who reported pregnancy loss. Self-compassion may represent a viable intervention for psychological distress in a perinatal population particularly following pregnancy loss. [ABSTRACT FROM AUTHOR]

How do movement and sound combine to produce an audiovisual aesthetics of dance? We assessed how audiovisual congruency influences continuous aesthetic and psychophysiological responses to contemporary dance. Two groups of spectators watched a recorded dance performance that included the performer's steps, breathing, and vocalizations but no music. Dance and sound were paired either as recorded or with the original soundtrack in reverse so that the performers' sounds were no longer coupled to their movements. A third group watched the dance video in silence. Audiovisual incongruency was rated as more enjoyable than congruent or silent conditions. In line with mainstream conceptions of dance as movement-to-music, arbitrary relationships between sound and movement were preferred to causal relationships in which performers produce their own soundtrack. Performed synchrony Granger caused changes in electrodermal activity only in the incongruent condition consistent with "aesthetic capture." Sound structures the perception of dance movement, increasing its aesthetic appeal. [ABSTRACT FROM AUTHOR]

Visual perception of human action involves both form and motion processing, which may rely on partially dissociable neural networks. If form and motion are dissociable during visual perception, then they may also be dissociable during their retention in visual short-term memory (VSTM). To elicit form-plus-motion and form-only processing of dance-like actions, individual action frames can be presented in the correct or incorrect order. The former appears coherent and should elicit action perception, engaging both form and motion pathways, whereas the latter appears incoherent and should elicit posture perception, engaging form pathways alone. It was hypothesized that, if form and motion are dissociable in VSTM, then recognition of static body posture should be better after viewing incoherent than after viewing coherent actions. However, as VSTM is capacity limited, posture-based encoding of actions may be ineffective with increased number of items or frames. Using a behavioural change detection task, recognition of a single test posture was significantly more likely after studying incoherent than after studying coherent stimuli. However, this effect only occurred for spans of two (but not three) items and for stimuli with five (but not nine) frames. As in perception, posture and motion are dissociable in VSTM. [ABSTRACT FROM PUBLISHER]