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The disruptions of life in late modernity render self-identity fragile. Consequently, individuals must reflexively manage their emotions and periodically reinvent themselves to maintain a coherent narrative of the self. The rise of psychology as a discursive regime across the 20th century, and its intersections with a plethora of wellness industries, has furnished a new language of selfhood and greater public attention to emotions and personal narratives of suffering. Celebrities, who engage in public identity work to ensure their continued relatability, increasingly provide models for navigating emotional trials. In this article we explore representations of selfhood and identity work in celebrity interviews. We focus on media veterans Nigella Lawson and Ruby Wax, both of whom are skilled in re-storying the self after personal crises. We argue that interpretive capital as a peculiarly late modern resource confers emotional advantages and life chances on individuals as they navigate upheavals, uncertainties, and intimate dilemmas.

The ongoing massification of higher education has entailed a changing relationship between higher education providers and students. While scholars have been quick to identify the political implications of the quasi-market model for the student-customer, there has been significantly less focus on the role that advertising plays in facilitating a student-consumer culture. This article uses an analysis of advertisements directed towards potential domestic university students in Australia to explore how the idea of a university ‘experience’ and meaningful work are discursively constructed within late modernity. Many advertisements draw on existential themes of living a meaningful, authentic or exceptional life and finding a fulfilling career, mythologising the role of the university within an idealised social order. This study highlights the need to understand the economic value of higher education as embedded in cultural economy, as well as the value of this framework for researching student experiences and marketing.

As the Covid-19 pandemic caused schools, workplaces, and childcare centres to close, pressures in the home increased. Much of the additional unpaid work required under these conditions was done by women. Most women's magazines at this time urged women to stay positive and develop wellbeing routines to help them flourish. This approach reinforces normative neoliberal subjectivity with its roots in therapeutic culture and the happiness industry. While the focus on self-care may seem empowering, it puts more pressure on women in times of upheaval. Based on a thematic analysis of pandemic-related content in Australia's most popular women's magazine, The Australian Women's Weekly, we identified three key themes: ‘finding the silver lining’, ‘making lifestyle choices’, and ‘recognising hardships and social divides’. While self-responsibilising discourses were prominent, some articles acknowledged the broader structural issues impacting women, revealing a tension between competing discourses.