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The objective of this paper is to analyze from a gender perspective how the process of insertion of Haitians that migrated to Brazil after the earthquake of 2010 occurred in the Brazilian job market. The theoretical background portrays the origins and causes of the migration movements and then discusses the process of migration, work and gender. The results indicated that the main positions occupied by women when they arrive in Brazil are in general services. Most men only manage to get manual jobs in awful working conditions and the women's situation is even more delicate as they face great difficulties in finding work that is flexible to take and pick up children in day care. [ABSTRACT FROM AUTHOR]

Unlike in other times, the immigrant today continues to maintain ties and close and continuous relationships with their country of origin, exerting an important psychosocial and cultural role in both countries. This paper examines, in particular, resonances of transnationalism in subjectivity, taking as object of analysis an Angolan song that portrays feelings of estrangement of a woman, because of the attitudes and behaviors of her husband, who had newly returned from Brazil. In the lyrics, the woman complains that her husband returned quite brazilianized, expressing in the relationship with her habits that she considers weird, inappropriate and offensive, according to local customs and morality. It is possible, according to this song, to see how the theme of emigration towards Brazil is present in the minds of Angolans and how they feel affected by the transubjectivity of their countrymen who return to home and instill foreign and transgressive elements in the innermost intimacy of their culture, here represented by the affective and sexual life of a couple. [ABSTRACT FROM AUTHOR]

Unlike in other times, the immigrant today continues to maintain ties and close and continuous relationships with their country of origin, exerting an important psychosocial and cultural role in both countries. This paper examines, in particular, resonances of transnationalism in subjectivity, taking as object of analysis an Angolan song that portrays feelings of estrangement of a woman, because of the attitudes and behaviors of her husband, who had newly returned from Brazil. In the lyrics, the woman complains that her husband returned quite brazilianized, expressing in the relationship with her habits that she considers weird, inappropriate and offensive, according to local customs and morality. It is possible, according to this song, to see how the theme of emigration towards Brazil is present in the minds of Angolans and how they feel affected by the transubjectivity of their countrymen who return to home and instill foreign and transgressive elements in the innermost intimacy of their culture, here represented by the affective and sexual life of a couple. [ABSTRACT FROM AUTHOR]