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The article reviews the art exhibition titled "New Red Order Presents: One if by Land, Two if by Sea" at Kunsthal Charlottenborg in Copenhagen, Denmark from March 23 to August 7, 2022.

The article presents an interview with Allan McCollum, an artist. Topics include curious about the process of gathering all of the projects for the retrospective each having hundreds or thousands of parts; collaborating with a team of scientists for producing a fulgurite; and looking like similar economic model which being a kind of home shop.

The article offers information on several art works displayed by J. Hoberman. Topics include reports that art informs culture that reports politics, and art criticism is considered as direct form of political critique; and shows several art history and influences where movies and critiques are identified as several themes.

The article reviews the exhibition "Art and China after 1989: Theater of the World" at Museum of Modern Art in San Francisco, California from November 10, 2018–February 24, 2019.

Information about the Ringer Annual Report 2007 designed by the Swiss artist duo Peter Fischli and David Weiss, is presented. It mentions that the volume consists almost completely of magazine ads that has been pulled from recent mass market print magazines with a global range of target audiences in Australia. Among other things, it outlines the financial performance of media company Ringer AG for fiscal year 2007.

The article reviews the exhibition "Danh Vo: Take My Breath Away" at the Solomon R. Guggenheim Museum, New York from February 9 to May 9, 2018.

The article presents several two-dimensional sketches from various artists. Topics discussed include the sketch of a red shoe from artist Danielle Dean, which is used in a hand-drawn digital animation; a sketch by artist Jonathan Billet; and a digital rendering by Maria Petschnig for a new video. Also presented are sketches by artists such as Lucy Raven, Liz Magic Laser and Jon Rafman.

The article reviews the exhibition "Mastry" featuring works of art by Kerry James Marshall at Museum of Contemporary Art in Los Angeles from March 12 to July 3, 2017.

The article reviews the installation art exhibition "Thomas Hirschhorn: Stand-alone" at the Mistake Room in Los Angeles, California from October 7 to December 17, 2016.

The article reviews the exhibitions "Ten Paintings," featuring the paintings of Laura Owens, at the California College of the Arts (CCA) Wattis Institute in San Francisco, California from April 28 to July 23, 2016, and "Magic Mountain," featuring the sound and visual installations of Lutz Bacher, at Mission Road in Los Angeles, California from May 21 to July 31, 2016.

The article reviews the exhibition "Uh-OH: Frances Stark 1991-2015" on view at the Hammer Museum of Art, Los Angeles, California from October 11, 2015 to January 24, 2016.

The article reviews the exhibition "Trisha Donnelly" at Matthew Marks Gallery in Los Angeles, California from September 26 to November 7, 2015.

The article reviews the exhibition "Then They Form Us" at the Museum of Contemporary Art in Santa Barbara, California from August 8 to October 25, 2015 featuring the works of several artists including Constant Dullaart, Cecile B. Evans, and Devin Kenny.

The article reviews the exhibition "Charles Gaines: Gridwork 1974-1989" at the Armand Hammer Museum of Art & Cultural Center in Los Angeles, California from February 7 to May 24, 2015.

The article reviews the exhibition "The Human Potential Movement," by Matt Siegle in Park View, Los Angeles from August 11-15, 2014.

The article reviews the exhibition "The Real Estate Show Was Then: 1980" held at 125 Delancey in New Jersey in 2014.

The article reviews the exhibition "Fast, Flat & Out of Control," by Sean Kennedy, at the Thomas Duncan Gallery in Los Angeles, California from September 7 to October 26, 2013.

The article offers information on the Trespass Parade, an art parade throughout Los Angeles (L.A.), California which was organized by Arto Lindsay, Rirkrit Tiravanija, and West of Rome Public Projects. It says that it was called parade but it is formally aligned with the protest. It states that the annual parade started at the L.A. Mart and ended at the Museum of Contemporary Art. It adds that it is a mobile zone of art, action, sex, and revolution.

An introduction is presented which discusses history of the journal and reports on artists.