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Article on an American Anti-Slavery Society periodical, the 'Slave's Friend,' which ran from 1836 to 1839. The author describes the abolitionist sentiment and the animal metaphor.

In “Pictures of Charlotte: The Illustrated Charlotte Temple and Her Readers” I examine the contribution of illustrated editions of Susannah Rowson’s 1791 novel Charlotte Temple to the novel’s curious afterlife. Reprinted in Philadelphia in 1794, Charlotte Temple became the object of a readerly cult that inspired visits to a gravesite in Trinity Churchyard as well as intimate engagements with the material object of the book itself. Through my analysis of portraits and tableaux illustrations that appeared in the novel between 1809 and 1905, along with evidence of readers’ devotional interactions with the portraits, I trace the integration of Charlotte Temple into the American national story as one of the best-loved icons of the Revolution.