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A marvelously illustrated look at everything we now know about the fearsome king of the dinosaursTyrannosaurus rex is the world's favorite dinosaur, adored by the public and the subject of intense study and debate by paleontologists. This stunningly illustrated book brings together everything we have learned about T. rex—the “King of the Tyrant Lizards”—since it was first given its famous name in 1905. It presents these creatures as science knows them rather than the version portrayed in movies, revealing them to be dramatically different, and far more amazing, than ever imagined. With numerous original paintings and diagrams by the author, King Tyrant draws on the latest discoveries to offer a modern understanding of Tyrannosaurus, pulling back the curtain of media hype that often obscures these extraordinary extinct animals while cementing their reputation as the most formidable carnivores of the Mesozoic.Features more than 150 breathtaking illustrations, photos, and diagramsCovers everything from the research history of T. rex to their anatomy, physiology, biomechanics, behavior, and extinctionReveals how the Tyrannosaurus known to science is characterized as much by radical changes in body form throughout its growth as its enormous size and powerful jawsDiscloses details about their lifestyles and behavior evidenced from fossils, from violent face-biting between rivals to their capacity to literally pull the heads off Triceratops carcassesGets to the bottom of the many controversies surrounding T. rex, such as: Was there really more than one species of Tyrannosaurus? Did they live and hunt in groups? How fast could they run and how hard could they bite? Can we truly distinguish males from females?Discusses T. rex in popular culture, showing how our love for this dinosaur has both helped and hindered research

How ideas and experiences of beauty informed human relationships with the divine in ancient GreeceBeginning with the earliest Greek literature, the epics of Homer and Hesiod, beauty was seen as having a special connection with the divine. The gods of ancient Greece were defined by their exceptional beauty; even today, ‘to look like a Greek god'is proverbial for human beauty. In Beauty and the Gods, Hugo Shakeshaft explores the relationship between the beautiful and divine in ancient Greece, principally in the Archaic period (ca. 750–480 BCE). Analysing evidence that ranges from poetry, art, and philosophical texts to architecture and the natural landscape, Shakeshaft shows how ideas and experiences of beauty shaped Greek relations with the divine.With a powerful call for the place of beauty and aesthetics in the writing of history, Shakeshaft uncovers the cultural dialogue between beauty and the gods in a variety of contexts in the Archaic Greek world: in forms of divine worship; in poetry, music, and dance; in attitudes to the natural environment; and in architecture and art. This early chapter of Greek history, he argues, holds an unrecognised key to understanding some long-running threads in the histories of religion, art, and aesthetics, from Plato's aesthetic theories to beauty's status in contemporary discourse. Beauty's deep past and divine connection in ancient Greece can help us see beauty now in sharper focus.

A wide-ranging and dramatic account of the Antonine plague, the mysterious disease that struck the Roman Empire at its pinnacleIn the middle of the second century AD, Rome was at its prosperous and powerful apex. The emperor Marcus Aurelius reigned over a vast territory that stretched from Britain to Egypt. The Roman-made peace, or Pax Romana, seemed to be permanent. Then, apparently out of nowhere, a sudden sickness struck the legions and laid waste to cities, including Rome itself. This fast-spreading disease, now known as the Antonine plague, may have been history's first pandemic. Soon after its arrival, the Empire began its downward trajectory toward decline and fall. In Pox Romana, historian Colin Elliott offers a comprehensive, wide-ranging account of this pivotal moment in Roman history.Did a single disease—its origins and diagnosis still a mystery—bring Rome to its knees? Carefully examining all the available evidence, Elliott shows that Rome's problems were more insidious. Years before the pandemic, the thin veneer of Roman peace and prosperity had begun to crack: the economy was sluggish, the military found itself bogged down in the Balkans and the Middle East, food insecurity led to riots and mass migration, and persecution of Christians intensified. The pandemic exposed the crumbling foundations of a doomed Empire. Arguing that the disease was both cause and effect of Rome's fall, Elliott describes the plague's “preexisting conditions” (Rome's multiple economic, social, and environmental susceptibilities); recounts the history of the outbreak itself through the experiences of physician, victim, and political operator; and explores postpandemic crises. The pandemic's most transformative power, Elliott suggests, may have been its lingering presence as a threat both real and perceived.

How Romans coped with the anxieties and risks of childbirthAcross the vast expanse of the Roman Empire, anxieties about childbirth tied individuals to one another, to the highest levels of imperial politics, even to the movements of the stars. Birthing Romans sheds critical light on the diverse ways pregnancy and childbirth were understood, experienced, and managed in ancient Rome during the first three centuries of the Common Era.In this beautifully written book, Anna Bonnell Freidin asks how inhabitants of the Roman Empire—especially women and girls—understood their bodies and constructed communities of care to mitigate and make sense of the risks of pregnancy and childbirth. Drawing on medical texts, legal documents, poetry, amulets, funerary art, and more, she shows how these communities were deeply human yet never just human. Freidin demonstrates how patients and caregivers took their place alongside divine and material agencies to guard against the risks inherent to childbearing. She vividly illustrates how these efforts and vital networks offer a new window onto Romans'anxieties about order, hierarchy, and the individual's place in the empire and cosmos.Unearthing a risky world that is both familiar and not our own, Birthing Romans reveals how mistakes, misfortunes, and interventions in childbearing were seen to have far-reaching consequences, reverberating across generations and altering the course of people's lives, their family histories, and even the fate of an empire.

A sweeping new account of ancient Greek culture and its remarkable diversityCovering the whole of the ancient Greek experience from its beginnings late in the third millennium BCE to the Roman conquest in 30 BCE, Out of One, Many is an accessible and lively introduction to the Greeks and their ways of living and thinking. In this fresh and witty exploration of the thought, culture, society, and history of the Greeks, Jennifer Roberts traces not only the common values that united them across the seas and the centuries, but also the enormous diversity in their ideas and beliefs.Examining the huge importance to the Greeks of religion, mythology, the Homeric epics, tragic and comic drama, philosophy, and the city-state, the book offers shifting perspectives on an extraordinary and astonishingly creative people. Century after century, in one medium after another, the Greeks addressed big questions, many of which are still very much with us, from whether gods exist and what happens after we die to what political system is best and how we can know what is real. Yet for all their virtues, Greek men set themselves apart from women and foreigners and profited from the unpaid labor of enslaved workers, and the book also looks at the mixed legacy of the ancient Greeks today.The result is a rich, wide-ranging, and compelling history of a fascinating and profoundly influential culture in all its complexity—and the myriad ways, good and bad, it continues to shape us today.

A leading art historian presents a new grammar for understanding the meaning and significance of printIn process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today.The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptual concerns at the heart of modern and contemporary art. Exploring transformations such as reversal, separation, and interference, Jennifer Roberts explores these dynamics in the work of Christiane Baumgartner, David Hammons, Edgar Heap of Birds, Jasper Johns, Corita Kent, Glenn Ligon, Julie Mehretu, Robert Rauschenberg, and many other leading artists who work at the edge of the medium and beyond.Focusing on the material and spatial transformations of the printmaking process rather than its reproducibility, this beautifully illustrated book explores the connections between print, painting, and sculpture, but also between the fine arts, industrial arts, decorative arts, and domestic arts. Throughout, Roberts asks what artists are learning from print, and what we, in turn, can learn from them.Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington

Why melancholia is a vital form of social critique and a catalyst for political renewalMelancholia is wrongly condemned as a condition of withdrawal and despair that alienates its sufferer from community. Countering that misconception, A Politics of Melancholia reclaims an understanding of melancholia not as an affliction in need of a remedy but as an affirmative stance toward decay and ruination in political life, and restores the melancholic figure—by turns inventive and destructive, outraged and inspired—to their rightful place as the poet of political thought.George Edmondson and Klaus Mladek identify pivotal moments of political melancholia in ancient and modern texts, offering new perspectives on the death of Socrates in Plato's dialogues, the fratricide in Hamlet, Woyzeck's killing of Marie in Georg Büchner's Woyzeck, the murder of Moses in Freud's thought, and the betrayal of the revolutionary idea that Hannah Arendt identifies in her critique of eighteenth-century revolutions. Melancholia emerges here as a disposition that is mournful but also jubilant, a mood of unbending disconsolation that remains faithful to a scene of downfall, to events that cannot be forgotten, and to things that cannot be governed.Recovering a tradition of thought that is both affirmative and hopeful, this eloquent book reveals how political melancholia embodies a shared condition of discontent that binds communities together and inspires change.

How a new “woke” elite uses the language of social justice to gain more power and status—without helping the marginalized and disadvantagedSociety has never been more egalitarian—in theory. Prejudice is taboo, and diversity is strongly valued. At the same time, social and economic inequality have exploded. In We Have Never Been Woke, Musa al-Gharbi argues that these trends are closely related, each tied to the rise of a new elite—the symbolic capitalists. In education, media, nonprofits, and beyond, members of this elite work primarily with words, ideas, images, and data, and are very likely to identify as allies of antiracist, feminist, LGBTQ, and other progressive causes. Their dominant ideology is “wokeness” and, while their commitment to equality is sincere, they actively benefit from and perpetuate the inequalities they decry. Indeed, their egalitarian credentials help them gain more power and status, often at the expense of the marginalized and disadvantaged.We Have Never Been Woke details how the language of social justice is increasingly used to justify this elite—and to portray the losers in the knowledge economy as deserving their lot because they think or say the “wrong” things about race, gender, and sexuality. Al-Gharbi's point is not to accuse symbolic capitalists of hypocrisy or cynicism. Rather, he examines how their genuine beliefs prevent them from recognizing how they contribute to social problems—or how their actions regularly provoke backlash against the social justice causes they champion.A powerful critique, We Have Never Been Woke reveals that only by challenging this elite's self-serving narratives can we hope to address social and economic inequality effectively.

The first major history of photography from coastal East AfricaThe ports of the Swahili coast—Zanzibar and Mombasa among them—have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. The Surface of Things examines the complex maritime dynamics that shaped the photography of coastal Africa, exploring the pleasure and power of beautiful things and the ways people and their pictures transcended the boundaries of the colonial world.Immersing readers in the globally interconnected networks of eastern Africa's port cities, Prita Meier demonstrates how photographs are not static images but mobile objects with remarkable shape-shifting qualities. Beginning with the earliest photographs introduced through seaborne commerce, the medium's integration into the cultural landscape was swift. Photographs functioned as objects of decoration, good taste, and cosmopolitanism, but were also used by local elites and foreigners to coerce and objectify enslaved people. Meier uncovers the oppressive agenda behind postcards and other popular images while describing African strategies of subversion and rebellion, revealing the performative authority that individuals exerted over their photographic likenesses.Featuring more than two hundred images published here for the first time, The Surface of Things repositions the continent's islands and archipelagos at the center of global photographic histories and shows how the people of the African Indian Ocean world experienced photography as a force of both oppression and freedom.

The unknown history of economic conservatism in India after independenceNeoliberalism is routinely characterized as an antidemocratic, expert-driven project aimed at insulating markets from politics, devised in the North Atlantic and projected on the rest of the world. Revising this understanding, Toward a Free Economy shows how economic conservatism emerged and was disseminated in a postcolonial society consistent with the logic of democracy.Twelve years after the British left India, a Swatantra (“Freedom”) Party came to life. It encouraged Indians to break with the Indian National Congress Party, which spearheaded the anticolonial nationalist movement and now dominated Indian democracy. Rejecting Congress's heavy-industrial developmental state and the accompanying rhetoric of socialism, Swatantra promised “free economy” through its project of opposition politics.As it circulated across various genres, “free economy” took on meanings that varied by region and language, caste and class, and won diverse advocates. These articulations, informed by but distinct from neoliberalism, came chiefly from communities in southern and western India as they embraced new forms of entrepreneurial activity. At their core, they connoted anticommunism, unfettered private economic activity, decentralized development, and the defense of private property.Opposition politics encompassed ideas and practice. Swatantra's leaders imagined a conservative alternative to a progressive dominant party in a two-party system. They communicated ideas and mobilized people around such issues as inflation, taxation, and property. And they made creative use of India's institutions to bring checks and balances to the political system.Democracy's persistence in India is uncommon among postcolonial societies. By excavating a perspective of how Indians made and understood their own democracy and economy, Aditya Balasubramanian broadens our picture of neoliberalism, democracy, and the postcolonial world.

An acclaimed art historian explains how to identify excellence in artIn this book, Jakob Rosenberg takes up the timeless problem of how to make a valid judgment about artistic quality. In his search for criteria of excellence in art, Rosenberg examines both the achievements and failures of other critics from the Renaissance to modern times, including Giorgio Vasari, Roger de Piles, Sir Joshua Reynolds, Théophile Thoré, and Roger Fry. Drawing vital lessons from these critics'writings, Rosenberg charts an effective approach to the challenges of judging quality in works of art by analyzing master drawings from the fifteenth to twentieth centuries and comparing them with examples of followers or minor contemporaries. The result is a set of practical criteria that are applicable across diverse periods and styles. Brimming with insights from a legendary art critic and historian, On Quality in Art sheds invaluable light on drawings by artists ranging from Dürer, Raphael, Leonardo, Rubens, Rembrandt, Watteau, Degas, and van Gogh to Matisse, Picasso, and Marin.

From the award-winning biographer of Chaucer, the story of his most popular and scandalous character, from the Middle Ages to #MeTooEver since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers—from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath, Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter.A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women—from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers.Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers.

How evangelical churches in the United States convert migrant distress into positive religious devotionWhy do migrants become more deeply evangelical in the United States and how does this religious identity alter their self-understanding? In the Hands of God examines this question through a unique lens, foregrounding the ways that churches transform what migrants feel. Drawing from her extensive fieldwork among Brazilian migrants in the Washington, DC, area, Johanna Bard Richlin shows that affective experience is key to comprehending migrants'turn toward intense religiosity, and their resulting evangelical commitment.The conditions of migrant life—family separation, geographic isolation, legal precariousness, workplace vulnerability, and deep uncertainty about the future—shape specific affective maladies, including loneliness, despair, and feeling stuck. These feelings in turn trigger novel religious yearnings. Evangelical churches deliberately and deftly articulate, manage, and reinterpret migrant distress through affective therapeutics, the strategic “healing” of migrants'psychological pain. Richlin offers insights into the affective dimensions of migration, the strategies pursued by evangelical churches to attract migrants, and the ways in which evangelical belonging enables migrants to feel better, emboldening them to improve their lives.Looking at the ways evangelical churches help migrants navigate negative emotions, In the Hands of God sheds light on the versatility and durability of evangelical Christianity.

A marvelously illustrated reference to the natural wonders of one of the most spectacular places on earthSeparated from Africa's mainland for tens of millions of years, Madagascar has evolved a breathtaking wealth of biodiversity, becoming home to thousands of species found nowhere else on the planet. The New Natural History of Madagascar provides the most comprehensive, up-to-date synthesis available of this island nation's priceless biological treasures. Now fully revised and expanded, this beautifully illustrated compendium features contributions by more than 600 globally renowned experts who cover the history of scientific exploration in Madagascar, as well as the island's geology and soils, climate, forest ecology, human ecology, marine and coastal ecosystems, plants, invertebrates, fishes, amphibians, reptiles, birds, and mammals. This invaluable two-volume reference also includes detailed discussions of conservation efforts in Madagascar that showcase several successful protected area programs that can serve as models for threatened ecosystems throughout the world.Provides the most comprehensive overview of Madagascar's rich natural historyCoedited by 18 different specialistsFeatures hundreds of new contributions by world-class expertsIncludes hundreds of new illustrationsCovers a broad array of topics, from geology and climate to animals, plants, and marine lifeSheds light on newly discovered species and draws on the latest scienceAn essential resource for anyone interested in Madagascar or tropical ecosystems in general, from biologists and conservationists to ecotourists and armchair naturalists

A revelatory history of the first artist collective in the United States and its effort to reshape nineteenth-century art, culture, and politicsThe American Pre-Raphaelites founded a uniquely interdisciplinary movement composed of politically radical abolitionist artists and like-minded architects, critics, and scientists. Active during the Civil War, this dynamic collective united in a spirit of protest, seeking sweeping reforms of national art and culture. Painting Dissent recovers the American Pre-Raphaelites from the margins of history and situates them at the center of transatlantic debates about art, slavery, education, and politics.Artists such as Thomas Charles Farrer and John Henry Hill championed a new style of landscape painting characterized by vibrant palettes, antipicturesque compositions, and meticulous brushwork. Their radicalism, however, was not solely one of style. Sophie Lynford traces how the American Pre-Raphaelites proclaimed themselves catalysts of a wide-ranging reform movement that staged politically motivated interventions in multiple cultural arenas, from architecture and criticism to collecting, exhibition design, and higher education. She examines how they publicly rejected their prominent contemporaries, the artists known as the Hudson River School, and how they offered incisive critiques of antebellum society by importing British models of landscape theory and practice.Beautifully illustrated and drawing on a wealth of archival material, Painting Dissent transforms our understanding of how American artists depicted the nation during the most turbulent decades of the nineteenth century.

A fascinating portrait of a radical age through the writers associated with a London publisher and bookseller—from William Wordsworth and Mary Wollstonecraft to Benjamin FranklinOnce a week, in late eighteenth-century London, writers of contrasting politics and personalities gathered around a dining table. The veal and boiled vegetables may have been unappetising but the company was convivial and the conversation brilliant and unpredictable. The host was Joseph Johnson, publisher and bookseller: a man at the heart of literary life. In this book, Daisy Hay paints a remarkable portrait of a revolutionary age through the connected stories of the men and women who wrote it into being, and whose ideas still influence us today.Johnson's years as a publisher, 1760 to 1809, witnessed profound political, social, cultural and religious changes—from the American and French revolutions to birth of the Romantic age—and many of his dinner guests and authors were at the center of events. The shifting constellation of extraordinary people at Johnson's table included William Blake, William Wordsworth, Samuel Taylor Coleridge, Benjamin Franklin, the scientist Joseph Priestly and the Swiss artist Henry Fuseli, as well as a group of extraordinary women—Mary Wollstonecraft, the novelist Maria Edgeworth, and the poet Anna Barbauld. These figures pioneered revolutions in science and medicine, proclaimed the rights of women and children and charted the evolution of Britain's relationship with America and Europe. As external forces conspired to silence their voices, Johnson made them heard by continuing to publish them, just as his table gave them refuge.A rich work of biography and cultural history, Dinner with Joseph Johnson is an entertaining and enlightening story of a group of people who left an indelible mark on the modern age.

Finalist for the National Book Critics Circle Award in BiographyA double portrait of two of America's most influential writers that reveals the surprising connections between them—and their uncanny relevance to our age of crisisUp from the Depths tells the interconnected stories of two of the most important writers in American history—the novelist and poet Herman Melville (1819–1891) and one of his earliest biographers, the literary critic and historian Lewis Mumford (1895–1990). Deftly cutting back and forth between the writers, Aaron Sachs reveals the surprising resonances between their lives, work, and troubled times—and their uncanny relevance in our own age of crisis.The author of Moby-Dick was largely forgotten for several decades after his death, but Mumford helped spearhead Melville's revival in the aftermath of World War I and the 1918–1919 flu pandemic, when American culture needed a forebear with a suitably dark vision. As Mumford's career took off and he wrote books responding to the machine age, urban decay, world war, and environmental degradation, it was looking back to Melville's confrontation with crises such as industrialization, slavery, and the Civil War that helped Mumford to see his own era clearly. Mumford remained obsessed with Melville, ultimately helping to canonize him as America's greatest tragedian. But largely forgotten today is one of Mumford's key insights—that Melville's darkness was balanced by an inspiring determination to endure.Amid today's foreboding over global warming, racism, technology, pandemics, and other crises, Melville and Mumford remind us that we've been in this struggle for a long time. To rediscover these writers today is to rediscover how history can offer hope in dark times.

The definitive biography of a pivotal figure in American literary historyA major poet, Paul Laurence Dunbar (1872–1906) was one of the first African American writers to garner international recognition in the wake of emancipation. In this definitive biography, the first full-scale life of Dunbar in half a century, Gene Andrew Jarrett offers a revelatory account of a writer whose Gilded Age celebrity as the “poet laureate of his race” hid the private struggles of a man who, in the words of his famous poem, felt like a “caged bird” that sings.Jarrett tells the fascinating story of how Dunbar, born during Reconstruction to formerly enslaved parents, excelled against all odds to become an accomplished and versatile artist. A prolific and successful poet, novelist, essayist, playwright, and Broadway librettist, he was also a friend of such luminaries as Frederick Douglass and Orville and Wilbur Wright. But while audiences across the United States and Europe flocked to enjoy his literary readings, Dunbar privately bemoaned shouldering the burden of race and catering to minstrel stereotypes to earn fame and money. Inspired by his parents'survival of slavery, but also agitated by a turbulent public marriage, beholden to influential benefactors, and helpless against his widely reported bouts of tuberculosis and alcoholism, he came to regard his racial notoriety as a curse as well as a blessing before dying at the age of only thirty-three.Beautifully written, meticulously researched, and generously illustrated, this biography presents the richest, most detailed, and most nuanced portrait yet of Dunbar and his work, transforming how we understand the astonishing life and times of a central figure in American literary history.

Why you don't have a self—and why that's a good thingIn Losing Ourselves, Jay Garfield, a leading expert on Buddhist philosophy, offers a brief and radically clear account of an idea that at first might seem frightening but that promises to liberate us and improve our lives, our relationships, and the world. Drawing on Indian and East Asian Buddhism, Daoism, Western philosophy, and cognitive neuroscience, Garfield shows why it is perfectly natural to think you have a self—and why it actually makes no sense at all and is even dangerous. Most importantly, he explains why shedding the illusion that you have a self can make you a better person.Examining a wide range of arguments for and against the existence of the self, Losing Ourselves makes the case that there are not only good philosophical and scientific reasons to deny the reality of the self, but that we can lead healthier social and moral lives if we understand that we are selfless persons. The book describes why the Buddhist idea of no-self is so powerful and why it has immense practical benefits, helping us to abandon egoism, act more morally and ethically, be more spontaneous, perform more expertly, and navigate ordinary life more skillfully. Getting over the self-illusion also means escaping the isolation of self-identity and becoming a person who participates with others in the shared enterprise of life.The result is a transformative book about why we have nothing to lose—and everything to gain—by losing our selves.

A radical reinterpretation of Adam Smith that challenges economists, moral philosophers, political theorists, and intellectual historians to rethink him—and why he mattersAdam Smith has long been recognized as the father of modern economics. More recently, scholars have emphasized his standing as a moral philosopher—one who was prepared to critique markets as well as to praise them. But Smith's contributions to political theory are still underappreciated and relatively neglected. In this bold, revisionary book, Paul Sagar argues that not only have the fundamentals of Smith's political thought been widely misunderstood, but that once we understand them correctly, our estimations of Smith as economist and as moral philosopher must radically change.Rather than seeing Smith either as the prophet of the free market, or as a moralist who thought the dangers of commerce lay primarily in the corrupting effects of trade, Sagar shows why Smith is more thoroughly a political thinker who made major contributions to the history of political thought. Smith, Sagar argues, saw war, not commerce, as the engine of political change and he was centrally concerned with the political, not moral, dimensions of—and threats to—commercial societies. In this light, the true contours and power of Smith's foundational contributions to western political thought emerge as never before.Offering major reinterpretations of Smith's political, moral, and economic ideas, Adam Smith Reconsidered seeks to revolutionize how he is understood. In doing so, it recovers Smith's original way of doing political theory, one rooted in the importance of history and the necessity of maintaining a realist sensibility, and from which we still have much to learn.

The first comprehensive account of how and why architects learned to communicate through colorArchitectural drawings of the Italian Renaissance were largely devoid of color, but from the seventeenth century through the nineteenth, polychromy in architectural representation grew and flourished. Basile Baudez argues that colors appeared on paper when architects adapted the pictorial tools of imitation, cartographers'natural signs, military engineers'conventions, and, finally, painters'affective goals in an attempt to communicate with a broad public.Inessential Colors traces the use of color in European architectural drawings and prints, revealing how this phenomenon reflected the professional anxieties of an emerging professional practice that was simultaneously art and science. Traversing national borders, the book addresses color as a key player in the long history of rivalry and exchange between European traditions in architectural representation and practice.Featuring a wealth of previously unpublished drawings, Inessential Colors challenges the long-standing misreading of architectural drawings as illustrations rather than representations, pointing instead to their inherent qualities as independent objects whose beauty paved the way for the visual system architects use today.

A compelling exploration of how our pursuit of happiness makes us unhappyWe live in an age of unprecedented prosperity, yet everywhere we see signs that our pursuit of happiness has proven fruitless. Dissatisfied, we seek change for the sake of change—even if it means undermining the foundations of our common life. In Why We Are Restless, Benjamin and Jenna Storey offer a profound and beautiful reflection on the roots of this malaise and examine how we might begin to cure ourselves.Drawing on the insights of Montaigne, Pascal, Rousseau, and Tocqueville, Why We Are Restless explores the modern vision of happiness that leads us on, and the disquiet that follows it like a lengthening shadow. In the sixteenth century, Montaigne articulated an original vision of human life that inspired people to see themselves as individuals dedicated to seeking contentment in the here and now, but Pascal argued that we cannot find happiness through pleasant self-seeking, only anguished God-seeking. Rousseau later tried and failed to rescue Montaigne's worldliness from Pascal's attack. Steeped in these debates, Tocqueville visited the United States in 1831 and, observing a people “restless in the midst of their well-being,” discovered what happens when an entire nation seeks worldly contentment—and finds mostly discontent.Arguing that the philosophy we have inherited, despite pretending to let us live as we please, produces remarkably homogenous and unhappy lives, Why We Are Restless makes the case that finding true contentment requires rethinking our most basic assumptions about happiness.

How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetryIn his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from “the troublesome and modern bondage of Riming.” Despite his claim to be a pioneer, Milton was not initiating a new line of thought—English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth's reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse's complexities.Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser's sonnet rhymes stood as emblems of voluntary confinement, how John Donne's revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson's verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme's allures.Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading.

A spellbinding new biography of Stalin in his formative yearsThis is the definitive biography of Joseph Stalin from his birth to the October Revolution of 1917, a panoramic and often chilling account of how an impoverished, idealistic youth from the provinces of tsarist Russia was transformed into a cunning and fearsome outlaw who would one day become one of the twentieth century's most ruthless dictators.In this monumental book, Ronald Grigor Suny sheds light on the least understood years of Stalin's career, bringing to life the turbulent world in which he lived and the extraordinary historical events that shaped him. Suny draws on a wealth of new archival evidence from Stalin's early years in the Caucasus to chart the psychological metamorphosis of the young Stalin, taking readers from his boyhood as a Georgian nationalist and romantic poet, through his harsh years of schooling, to his commitment to violent engagement in the underground movement to topple the tsarist autocracy. Stalin emerges as an ambitious climber within the Bolshevik ranks, a resourceful leader of a small terrorist band, and a writer and thinker who was deeply engaged with some of the most incendiary debates of his time.A landmark achievement, Stalin paints an unforgettable portrait of a driven young man who abandoned his religious faith to become a skilled political operative and a single-minded and ruthless rebel.

From the celebrated author of American Philosophy: A Love Story and Hiking with Nietzsche, a compelling introduction to the life-affirming philosophy of William JamesIn 1895, William James, the father of American philosophy, delivered a lecture entitled'Is Life Worth Living?'It was no theoretical question for James, who had contemplated suicide during an existential crisis as a young man a quarter century earlier. Indeed, as John Kaag writes,'James's entire philosophy, from beginning to end, was geared to save a life, his life'—and that's why it just might be able to save yours, too. Sick Souls, Healthy Minds is a compelling introduction to James's life and thought that shows why the founder of pragmatism and empirical psychology—and an inspiration for Alcoholics Anonymous—can still speak so directly and profoundly to anyone struggling to make a life worth living.Kaag tells how James's experiences as one of what he called the'sick-souled,'those who think that life might be meaningless, drove him to articulate an ideal of'healthy-mindedness'—an attitude toward life that is open, active, and hopeful, but also realistic about its risks. In fact, all of James's pragmatism, resting on the idea that truth should be judged by its practical consequences for our lives, is a response to, and possible antidote for, crises of meaning that threaten to undo many of us at one time or another. Along the way, Kaag also movingly describes how his own life has been endlessly enriched by James.Eloquent, inspiring, and filled with insight, Sick Souls, Healthy Minds may be the smartest and most important self-help book you'll ever read.

A revelatory and deeply personal history of twentieth-century poetry by prize-winning poet and memoirist John BurnsidePoetry helps us to make sense of our world, transforming what the Russian poet Osip Mandelstam called the'noise of time'into a kind of music. The Music of Time is a unique history of twentieth-century poetry by one of today's most acclaimed poets, blending incandescent personal meditations with rare insights about a broad range of poets who distilled the essence of the moment, gave voice to our griefs and joys, and shaped our collective memory.Bringing together poets from times and places as diverse as Tsarist Russia, 1960s Harlem, and Ireland at the height of the Troubles, John Burnside reveals how poetry responded to the dramatic events of the century while shaping our impressions of them. He takes readers from the trenches of World War I to a prison cell in Nazi Germany, and from Rilke's grave in the Swiss Alps to Dylan Thomas's Welsh seaside. His luminous narrative is woven through with insights into the poet's creative process as well as lyrical and thought-provoking digressions on topics ranging from marriage to the Kennedy assassination.A spellbinding work of literary history, The Music of Time reveals how poets engaged with the most important issues and events of the twentieth century, and bears personal witness to the beauty and power of an art form unlike any other.

A bold new interpretation of Nat Turner and the slave rebellion that stunned the American SouthIn 1831 Virginia, Nat Turner led a band of Southampton County slaves in a rebellion that killed fifty-five whites, mostly women and children. After more than two months in hiding, Turner was captured, and quickly convicted and executed. In the Matter of Nat Turner penetrates the historical caricature of Turner as befuddled mystic and self-styled Baptist preacher to recover the haunting persona of this legendary American slave rebel, telling of his self-discovery and the dawning of his Christian faith, of an impossible task given to him by God, and of redemptive violence and profane retribution.Much about Turner remains unknown. His extraordinary account of his life and rebellion, given in chains as he awaited trial in jail, was written down by an opportunistic white attorney and sold as a pamphlet to cash in on Turner's notoriety. But the enigmatic rebel leader had an immediate and broad impact on the American South, and his rebellion remains one of the most momentous episodes in American history. Christopher Tomlins provides a luminous account of Turner's intellectual development, religious cosmology, and motivations, and offers an original and incisive analysis of the Turner Rebellion itself and its impact on Virginia politics. Tomlins also undertakes a deeply critical examination of William Styron's 1967 novel, The Confessions of Nat Turner, which restored Turner to the American consciousness in the era of civil rights, black power, and urban riots.A speculative history that recovers Turner from the few shards of evidence we have about his life, In the Matter of Nat Turner is also a unique speculation about the meaning and uses of history itself.

The life and times of a treasured book read by generations of Jewish families at the seder tableEvery year at Passover, Jews around the world gather for the seder, a festive meal where family and friends come together to sing, pray, and enjoy traditional food while retelling the biblical story of the Exodus. The Passover Haggadah provides the script for the meal and is a religious text unlike any other. It is the only sacred book available in so many varieties—from the Maxwell House edition of the 1930s to the countercultural Freedom Seder—and it is the rare liturgical work that allows people with limited knowledge to conduct a complex religious service. The Haggadah is also the only religious book given away for free at grocery stores as a promotion. Vanessa Ochs tells the story of this beloved book, from its emergence in antiquity as an oral practice to its vibrant proliferation today.Ochs provides a lively and incisive account of how the foundational Jewish narrative of liberation is remembered in the Haggadah. She discusses the book's origins in biblical and rabbinical literature, its flourishing in illuminated manuscripts in the medieval period, and its mass production with the advent of the printing press. She looks at Haggadot created on the kibbutz, those reflecting the Holocaust, feminist and LGBTQ-themed Haggadot, and even one featuring a popular television show, The Marvelous Mrs. Maisel. Ochs shows how this enduring work of liturgy that once served to transmit Jewish identity in Jewish settings continues to be reinterpreted and reimagined to share the message of freedom for all.

How a controversial biblical tale of conquest and genocide became a founding story of modern IsraelNo biblical text has been more central to the politics of modern Israel than the book of Joshua. Named after a military leader who became the successor to Moses, it depicts the march of the ancient Israelites into Canaan, describing how they subjugated and massacred the indigenous peoples. The Joshua Generation examines the book's centrality to the Israeli occupation today, revealing why nationalist longing and social reality are tragically out of sync in the Promised Land.Though the book of Joshua was largely ignored and reviled by diaspora Jews, the leaders of modern Israel have invoked it to promote national cohesion. Critics of occupation, meanwhile, have denounced it as a book that celebrates genocide. Rachel Havrelock looks at the composition of Joshua, showing how it reflected the fractious nature of ancient Israelite society and a desire to unify the populace under a strong monarchy. She describes how David Ben-Gurion, Israel's first prime minister, convened a study group at his home in the late 1950s, where generals, politicians, and professors reformulated the story of Israel's founding in the language of Joshua. Havrelock traces how Ben-Gurion used a brutal tale of conquest to unite an immigrant population of Jews of different ethnicities and backgrounds, casting modern Israelis and Palestinians as latter-day Israelites and Canaanites.Providing an alternative reading of Joshua, The Joshua Generation finds evidence of a decentralized society composed of tribes, clans, and woman-run households, one with relevance to today when diverse peoples share the dwindling resources of a scarred land.

How the new conspiracists are undermining democracy—and what can be done about itConspiracy theories are as old as politics. But conspiracists today have introduced something new—conspiracy without theory. And the new conspiracism has moved from the fringes to the heart of government with the election of Donald Trump. In A Lot of People Are Saying, Russell Muirhead and Nancy Rosenblum show how the new conspiracism differs from classic conspiracy theory, how it undermines democracy, and what needs to be done to resist it.

A fundamentally new approach to the history of science and technologyThis book presents a new way of thinking about the history of science and technology, one that offers a grand narrative of human history in which knowledge serves as a critical factor of cultural evolution. Jürgen Renn examines the role of knowledge in global transformations going back to the dawn of civilization while providing vital perspectives on the complex challenges confronting us today in the Anthropocene—this new geological epoch shaped by humankind.Renn reframes the history of science and technology within a much broader history of knowledge, analyzing key episodes such as the evolution of writing, the emergence of science in the ancient world, the Scientific Revolution of early modernity, the globalization of knowledge, industrialization, and the profound transformations wrought by modern science. He investigates the evolution of knowledge using an array of disciplines and methods, from cognitive science and experimental psychology to earth science and evolutionary biology. The result is an entirely new framework for understanding structural changes in systems of knowledge—and a bold new approach to the history and philosophy of science.Written by one of today's preeminent historians of science, The Evolution of Knowledge features discussions of historiographical themes, a glossary of key terms, and practical insights on global issues ranging from climate change to digital capitalism. This incisive book also serves as an invaluable introduction to the history of knowledge.

How the new conspiracists are undermining democracy—and what can be done about itConspiracy theories are as old as politics. But conspiracists today have introduced something new—conspiracy without theory. And the new conspiracism has moved from the fringes to the heart of government with the election of Donald Trump. In A Lot of People Are Saying, Russell Muirhead and Nancy Rosenblum show how the new conspiracism differs from classic conspiracy theory, why so few officials speak truth to conspiracy, and what needs to be done to resist it.Classic conspiracy theory insists that things are not what they seem and gathers evidence—especially facts ominously withheld by official sources—to tease out secret machinations. The new conspiracism is different. There is no demand for evidence, no dots revealed to form a pattern, no close examination of shadowy plotters. Dispensing with the burden of explanation, the new conspiracism imposes its own reality through repetition (exemplified by the Trump catchphrase'a lot of people are saying') and bare assertion ('rigged!').The new conspiracism targets democratic foundations—political parties and knowledge-producing institutions. It makes it more difficult to argue, persuade, negotiate, compromise, and even to disagree. Ultimately, it delegitimates democracy.Filled with vivid examples, A Lot of People Are Saying diagnoses a defining and disorienting feature of today's politics and offers a guide to responding to the threat.

A novel interpretation of architecture, ugliness, and the social consequences of aesthetic judgmentWhen buildings are deemed ugly, what are the consequences? In Ugliness and Judgment, Timothy Hyde considers the role of aesthetic judgment—and its concern for ugliness—in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles's opinions about the National Gallery, Hyde uncovers a new story of aesthetic judgment, where arguments about architectural ugliness do not pertain solely to buildings or assessments of style, but intrude into other spheres of civil society.Hyde explores how accidental and willful conditions of ugliness—including the gothic revival Houses of Parliament, the brutalist concrete of the South Bank, and the historicist novelty of Number One Poultry—have been debated in parliamentary committees, courtrooms, and public inquiries. He recounts how architects such as Christopher Wren, John Soane, James Stirling, and Ludwig Mies van der Rohe have been summoned by tribunals of aesthetic judgment. With his novel scrutiny of lawsuits for libel, changing paradigms of nuisance law, and conventions of monarchical privilege, he shows how aesthetic judgments have become entangled in wider assessments of art, science, religion, political economy, and the state.Moving beyond superficialities of taste in order to see how architectural improprieties enable architecture to participate in social transformations, Ugliness and Judgment sheds new light on the role of aesthetic measurement in our world.

Comic elements in Shakespeare's tragedies have often been noted, but while most critics have tended to concentrate on humorous interludes or on a single play, Susan Snyder seeks a more comprehensive understanding of how Shakespeare used the conventions, structures, and assumptions of comedy in his tragic writing. She argues that Shakespeare's early mastery of romantic comedy deeply influenced his tragedies both in dramaturgy and in the expression and development of his tragic vision. From this perspective she sheds new light on Romeo and Juliet, Hamlet, Othello, and King Lear.The author shows Shakespeare's tragic vision evolving as he moves through three possibilities: comedy and tragedy functioning first as polar opposites, later as two sides of the same coin, and finally as two elements in a single compound.In the four plays examined here, Professor Snyder finds that traditional comic structures and assumptions operate in several ways to shape the tragedy: they set up expectations which when proven false reinforce the movement into tragic inevitability; they underline tragic awareness by a pointed irrelevance; they establish a point of departure for tragedy when comedy's happy assumptions reveal their paradoxical'shadow'side; and they become part of the tragedy itself when the comic elements threaten the tragic hero with insignificance and absurdity.Susan Snyder is Professor of English at Swarthmore College.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

As a law student and young lawyer in the 1760s, Thomas Jefferson began writing abstracts of English common law reports. Even after abandoning his law practice, he continued to rely on his legal commonplace book to document the legal, historical, and philosophical reading that helped shape his new role as a statesman. Indeed, he made entries in the notebook in preparation for his mission to France, as president of the United States, and near the end of his life. This authoritative volume is the first to contain the complete text of Jefferson's notebook. With more than 900 entries on such thinkers as Beccaria, Montesquieu, and Lord Kames, Jefferson's Legal Commonplace Book is a fascinating chronicle of the evolution of Jefferson's searching mind.Jefferson's abstracts of common law reports, most published here for the first time, indicate his deepening commitment to whig principles and his incisive understanding of the political underpinnings of the law. As his intellectual interests and political aspirations evolved, so too did the content and composition of his notetaking.Unlike the only previous edition of Jefferson's notebook, published in 1926, this edition features a verified text of Jefferson's entries and full annotation, including essential information on the authors and books he documents. In addition, the volume includes a substantial introduction that places Jefferson's text in legal, historical, and biographical context.

Volume Five of the definitive edition of Thomas Jefferson's papers from the end of his presidency until his death includes 592 documents from 1 May 1812 to 10 March 1813. America declares war on Great Britain on 18 June 1812. Jefferson counsels domestic reconciliation while suggesting that America recruit British incendiaries to burn London if British ships attack American cities. He passes on to President James Madison a long and discouraging letter from Isaac A. Coles describing American military bungling in the Niagara Campaign. An unofficial proposal that Jefferson return to public life as secretary of state does not gain the retired statesman's support. Jefferson receives many requests for governmental patronage, responds insightfully to a colorful assortment of authors and inventors, is mildly diverted by a fraudulent perpetual-motion machine, and spends considerable time on legal troubles. A dispute with David Michie over land in Albemarle County nearly leads to a duel between Michie and Jefferson's agent. A conflict with Samuel Scott over property in Campbell County further vexes Jefferson, who prepares an extensively researched answer to Scott's complaint. Despite the conflict, Jefferson graciously writes a letter of introduction for Scott's son. Jefferson remains accessible to the public, receives anonymous letters urging him to convert to Christianity, and settles a wager for one correspondent who asks if Jefferson ever met the British king. Jefferson gloomily observes that'the hand of age is upon me'and complains that his faculties are failing. He still has thirteen years to live.

A groundbreaking account of how the Book of Exodus shaped fundamental aspects of Judaism, Christianity, and IslamThe Book of Exodus may be the most consequential story ever told. But its spectacular moments of heaven-sent plagues and parting seas overshadow its true significance, says Jan Assmann, a leading historian of ancient religion. The story of Moses guiding the enslaved children of Israel out of captivity to become God's chosen people is the foundation of an entirely new idea of religion, one that lives on today in many of the world's faiths. The Invention of Religion sheds new light on ancient scriptures to show how Exodus has shaped fundamental understandings of monotheistic practice and belief.Assmann delves into the enduring mythic power of the Exodus narrative, examining the text's compositional history and calling attention to distinctive motifs and dichotomies: enslavement and redemption; belief and doubt; proper worship and idolatry; loyalty and betrayal. Revelation is a central theme--the revelation of God's power in miracles, of God's presence in the burning bush, and of God's chosen dwelling among the Israelites in the vision of the tabernacle. Above all, it is God's covenant with Israel—the binding obligation of the Israelites to acknowledge God as their redeemer and obey His law—that is Exodus's most encompassing and transformative idea, one that challenged basic assumptions about humankind's relationship to the divine in the ancient world.The Invention of Religion is a powerful account of how ideas of faith, revelation, and covenant, first introduced in Exodus, shaped Judaism and were later adopted by Christianity and Islam to form the bedrock of the world's Abrahamic religions.

How moving beyond GDP will improve well-being and sustainabilityNever before in human history have we produced so much data, and this empirical revolution has shaped economic research and policy profoundly. But are we measuring, and thus managing, the right things—those that will help us solve the real social, economic, political, and environmental challenges of the twenty-first century? In Measuring Tomorrow, Éloi Laurent argues that we need to move away from narrowly useful metrics such as gross domestic product and instead use broader ones that aim at well-being, resilience, and sustainability. By doing so, countries will be able to shift their focus away from infinite and unrealistic growth and toward social justice and quality of life for their citizens.The time has come for these broader metrics to become more than just descriptive, Laurent argues; applied carefully by private and public decision makers, they can foster genuine progress. He begins by taking stock of the booming field of well-being and sustainability indicators, and explains the insights that the best of these can offer. He then shows how these indicators can be used to develop new policies, from the local to the global.An essential resource for scholars, students, and policymakers, Measuring Tomorrow covers all aspects of well-being—including health, education, and the environment—and incorporates a broad range of data and fascinating case studies from around the world: not just the United States and Europe but also China, Africa, the Middle East, and India.

Volume 14, from October 1788 through April 1789, continues and almost completes Jefferson's stay in France as American minister.

A major new history of capitalism from the perspective of the indigenous peoples of Mexico, who sustained and resisted it for centuriesThe Mexican Heartland provides a new history of capitalism from the perspective of the landed communities surrounding Mexico City. In a sweeping analytical narrative spanning the sixteenth century to today, John Tutino challenges our basic assumptions about the forces that shaped global capitalism—setting families and communities at the center of histories that transformed the world.Despite invasion, disease, and depopulation, Mexico's heartland communities held strong on the land, adapting to sustain and shape the dynamic silver capitalism so pivotal to Spain's empire and world trade for centuries after 1550. They joined in insurgencies that brought the collapse of silver and other key global trades after 1810 as Mexico became a nation, then struggled to keep land and self-rule in the face of liberal national projects. They drove Zapata's 1910 revolution—a rising that rattled Mexico and the world of industrial capitalism. Although the revolt faced defeat, adamant communities forced a land reform that put them at the center of Mexico's experiment in national capitalism after 1920. Then, from the 1950s, population growth and technical innovations drove people from rural communities to a metropolis spreading across the land. The heartland urbanized, leaving people searching for new lives—dependent, often desperate, yet still pressing their needs in a globalizing world.A masterful work of scholarship, The Mexican Heartland is the story of how landed communities and families around Mexico City sustained silver capitalism, challenged industrial capitalism—and now struggle under globalizing urban capitalism.

An authoritative and accessible introduction to the concepts and tools needed to make ecology a more predictive scienceEcologists are being asked to respond to unprecedented environmental challenges. How can they provide the best available scientific information about what will happen in the future? Ecological Forecasting is the first book to bring together the concepts and tools needed to make ecology a more predictive science.Ecological Forecasting presents a new way of doing ecology. A closer connection between data and models can help us to project our current understanding of ecological processes into new places and times. This accessible and comprehensive book covers a wealth of topics, including Bayesian calibration and the complexities of real-world data; uncertainty quantification, partitioning, propagation, and analysis; feedbacks from models to measurements; state-space models and data fusion; iterative forecasting and the forecast cycle; and decision support.Features case studies that highlight the advances and opportunities in forecasting across a range of ecological subdisciplines, such as epidemiology, fisheries, endangered species, biodiversity, and the carbon cycle Presents a probabilistic approach to prediction and iteratively updating forecasts based on new dataDescribes statistical and informatics tools for bringing models and data together, with emphasis on:Quantifying and partitioning uncertaintiesDealing with the complexities of real-world data Feedbacks to identifying data needs, improving models, and decision supportNumerous hands-on activities in R available online

How American respectability has been built by maligning those who don't make the gradeHow did Americans come to think of themselves as respectable members of the middle class? Was it just by earning a decent living? Or did it require something more? And if it did, what can we learn that may still apply?The quest for middle-class respectability in nineteenth-century America is usually described as a process of inculcating positive values such as honesty, hard work, independence, and cultural refinement. But clergy, educators, and community leaders also defined respectability negatively, by maligning individuals and groups—“misfits”—who deviated from accepted norms.Robert Wuthnow argues that respectability is constructed by “othering” people who do not fit into easily recognizable, socially approved categories. He demonstrates this through an in-depth examination of a wide variety of individuals and groups that became objects of derision. We meet a disabled Civil War veteran who worked as a huckster on the edges of the frontier, the wife of a lunatic who raised her family while her husband was institutionalized, an immigrant religious community accused of sedition, and a wealthy scion charged with profiteering.Unlike respected Americans who marched confidently toward worldly and heavenly success, such misfits were usually ignored in paeans about the nation. But they played an important part in the cultural work that made America, and their story is essential for understanding the “othering” that remains so much a part of American culture and politics today.

A richly nuanced cultural history of the Great Mississippi floodThe Great Mississippi Flood of 1927, which covered nearly thirty thousand square miles across seven states, was the most destructive river flood in U.S. history. Due to the speed of new media and the slow progress of the flood, this was the first environmental disaster to be experienced on a mass scale. As it moved from north to south down an environmentally and technologically altered valley, inundating plantations and displacing more than half a million people, the flood provoked an intense and lasting cultural response. The Flood Year 1927 draws from newspapers, radio broadcasts, political cartoons, vaudeville, blues songs, poetry, and fiction to show how this event took on public meanings.Americans at first seemed united in what Herbert Hoover called a'great relief machine,'but deep rifts soon arose. Southerners, pointing to faulty federal levee design, decried the attack of Yankee water. The condition of African American evacuees in “concentration camps” prompted pundits like W.E.B. Du Bois and Ida B. Wells to warn of the return of slavery to Dixie. And environmentalists like Gifford Pinchot called the flood “the most colossal blunder in civilized history.” Susan Scott Parrish examines how these and other key figures—from entertainers Will Rogers, Miller & Lyles, and Bessie Smith to authors Sterling Brown, William Faulkner, and Richard Wright—shaped public awareness and collective memory of the event.The crises of this period that usually dominate historical accounts are war and financial collapse, but The Flood Year 1927 enables us to assess how mediated environmental disasters became central to modern consciousness.

Focusing on the vexed friendship between Hart Crane and Allen Tate, this book examines twentieth-century American poetry's progress toward institutional sanction and professional organization, a process in which sexual identities, poetic traditions, and literary occupations were in question and at stake. Langdon Hammer combines biography and formalist analysis to argue that American modernism was a Janus-faced phenomenon, at once emancipatory and elitist, which simultaneously attacked traditional cultural authority and reconstructed it in new forms. Hammer shows how Crane and Tate, working in relation to each other and to T. S. Eliot, created for themselves the competing roles of'genius'and'poet-critic.'Crane embraced the self-authorizing powers of the individual talent at the cost of standing outside the emerging consensus of high modernist literary culture, an aesthetic isolation which converged with his social isolation as a gay man. Tate, turning against Crane, linked the modernist defense of tradition to an embattled heterosexual masculinity, while he adapted Eliot's stance to a career sustained by criticism and teaching. Ending his book with a discussion of Robert Lowell's career, Hammer maintains that Lowell's'confessional'poetry recapitulates the conflict enacted by Crane and Tate.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A bold new literary history that says women's writing is defined less by domestic concerns than by an engagement with public lifeIn a bold and sweeping reevaluation of the past two centuries of women's writing, At Home in the World argues that this body of work has been defined less by domestic concerns than by an active engagement with the most pressing issues of public life: from class and religious divisions, slavery, warfare, and labor unrest to democracy, tyranny, globalism, and the clash of cultures. In this new literary history, Maria DiBattista and Deborah Epstein Nord contend that even the most seemingly traditional works by British, American, and other English-language women writers redefine the domestic sphere in ways that incorporate the concerns of public life, allowing characters and authors alike to forge new, emancipatory narratives.The book explores works by a wide range of writers, including canonical figures such as Jane Austen, Charlotte Brontë, George Eliot, Harriet Jacobs, Edith Wharton, Virginia Woolf, Willa Cather, Gertrude Stein, and Toni Morrison; neglected or marginalized writers like Mary Antin, Tess Slesinger, and Martha Gellhorn; and recent and contemporary figures, including Nadine Gordimer, Anita Desai, Edwidge Danticat, and Jhumpa Lahiri. DiBattista and Nord show how these writers dramatize tensions between home and the wider world through recurrent themes of sailing forth, escape, exploration, dissent, and emigration. Throughout, the book uncovers the undervalued public concerns of women writers who ventured into ever-wider geographical, cultural, and political territories, forging new definitions of what it means to create a home in the world.The result is an enlightening reinterpretation of women's writing from the early nineteenth century to the present day.

A concise and accessible introduction to the classic Buddhist textThe Lotus Sutra is arguably the most famous of all Buddhist scriptures. Composed in India in the first centuries of the Common Era, it is renowned for its inspiring message that all beings are destined for supreme enlightenment. Here, Donald Lopez provides an engaging and accessible biography of this enduring classic.Lopez traces the many roles the Lotus Sutra has played in its travels through Asia, Europe, and across the seas to America. The story begins in India, where it was one of the early Mahayana sutras, which sought to redefine the Buddhist path. In the centuries that followed, the text would have a profound influence in China and Japan, and would go on to play a central role in the European discovery of Buddhism. It was the first Buddhist sutra to be translated from Sanskrit into a Western language—into French in 1844 by the eminent scholar Eugène Burnouf. That same year, portions of the Lotus Sutra appeared in English in The Dial, the journal of New England's Transcendentalists. Lopez provides a balanced account of the many controversies surrounding the text and its teachings, and describes how the book has helped to shape the popular image of the Buddha today. He explores how it was read by major literary figures such as Henry David Thoreau and Gustave Flaubert, and how it was used to justify self-immolation in China and political extremism in Japan.Concise and authoritative, this is the essential introduction to the life and afterlife of a timeless masterpiece.

Based upon the London edition of 1834, this text uses a copy annotated, underlined, and marginally marked by Byron's last mistress, Countess Teresa Guiccioli.Originally published in 1969.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

How two extraordinary women crossed the Victorian class divide to put Christian teachings into practice in the slums of East LondonNellie Dowell was a match factory girl in Victorian London who spent her early years consigned to orphanages and hospitals. Muriel Lester, the daughter of a wealthy shipbuilder, longed to be free of the burden of money and possessions. Together, these unlikely soulmates sought to remake the world according to their own utopian vision of Christ's teachings. The Match Girl and the Heiress paints an unforgettable portrait of their late-nineteenth-century girlhoods of wealth and want, and their daring twentieth-century experiments in ethical living in a world torn apart by war, imperialism, and industrial capitalism.In this captivating book, Seth Koven chronicles how each traveled the globe—Nellie as a spinster proletarian laborer, Muriel as a well-heeled tourist and revered Christian peacemaker, anticolonial activist, and humanitarian. Koven vividly describes how their lives crossed in the slums of East London, where they inaugurated a grassroots revolution that took the Sermon on the Mount as a guide to achieving economic and social justice for the dispossessed. Koven shows how they devoted themselves to Kingsley Hall—Gandhi's London home in 1931 and Britain's first'people's house'founded on the Christian principles of social sharing, pacifism, and reconciliation—and sheds light on the intimacies and inequalities of their loving yet complicated relationship.The Match Girl and the Heiress probes the inner lives of these two extraordinary women against the panoramic backdrop of shop-floor labor politics, global capitalism, counterculture spirituality, and pacifist feminism to expose the wounds of poverty and neglect that Christian love could never heal.

A compelling intellectual and literary history of midcentury AmericaIn a midcentury American cultural episode forgotten today, intellectuals of all schools shared a belief that human nature was under threat. The immediate result was a glut of dense, abstract books on the'nature of man.'But the dawning'age of the crisis of man,'as Mark Greif calls it, was far more than a historical curiosity. In this ambitious intellectual and literary history, Greif recovers this lost line of thought to show how it influenced society, politics, and culture before, during, and long after World War II.During the 1930s and 1940s, fears of the barbarization of humanity energized New York intellectuals, Chicago protoconservatives, European Jewish émigrés, and native-born bohemians to seek're-enlightenment,'a new philosophical account of human nature and history. After the war this effort diffused, leading to a rebirth of modern human rights and a new power for the literary arts.Critics'predictions of a'death of the novel'challenged writers to invest bloodless questions of human nature with flesh and detail. Hemingway, Faulkner, and Richard Wright wrote flawed novels of abstract man. Succeeding them, Ralph Ellison, Saul Bellow, Flannery O'Connor, and Thomas Pynchon constituted a new guard who tested philosophical questions against social realities—race, religious faith, and the rise of technology—that kept difference and diversity alive.By the 1960s, the idea of'universal man'gave way to moral antihumanism, as new sensibilities and social movements transformed what had come before. Greif's reframing of a foundational debate takes us beyond old antagonisms into a new future, and gives a prehistory to the fractures of our own era.