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The article focuses on Maggie Smith, an actress who embodied the quintessentially British character of the imperious, commanding woman, and became a national treasure through her iconic roles in film, theater, and television, despite her reluctance to embrace fame.

The article focuses on Jean-Paul Montanari's retirement as director of Montpellier Danse after 41 years, marking the end of an era closely associated with his influence on contemporary dance in France.

The article reviews theatrical production from March to April 2023 including "Parade" at Bernard B. Jacobs Theater in Manhattan, New York, "Life of Pi" at Gerald Schoefeld Theater in Manhattan and "The Thanksgiving Play" at Helen Hayes Theater in Manhattan.

The article focuses on John Neumeier, who after 51 years as director, is retiring from leading the Hamburg Ballet, leaving behind a legacy of transforming the company into a globally acclaimed institution known for his prolific and diverse ballet productions.

The article reviews the premiere of Wayne McGregor's "Deepstaria" at the Montpellier Dance Festival, highlighting its innovative use of Vantablack and complex choreography to explore themes of human fragility amidst otherworldly settings,.

The article reviews the performance of the Royal Ballet's "Ashton Celebrated" mini-festival in London, England, which highlighted Frederick Ashton's legacy from June 1 to 15, 2024.

The article focuses on the Yes festival in Derry, Northern Ireland, celebrating female artists and creativity inspired by James Joyce's novel "Ulysses," particularly highlighting Molly Bloom's iconic monologue and its influence on the festival's activities, including Molly Bloomsday.

The article focuses on the film "Firebrand," depicting the intense final months of King Henry VIII and his sixth wife Katherine Parr, highlighting their ideological clashes amid political intrigue and religious tensions in Tudor England.

The article analyzes the impact of Ncuti Gatwa's role as the new Doctor in "Doctor Who," noting his transformative effect on the long-running sci-fi series. It also discusses the show's evolution under Disney+ co-production, Gatwa's personal journey as the first Black actor to play the Doctor, and the emotional depth he brings to the character, emphasizing a shift towards more expressive storytelling in the series.

The article explores Benjamin Millepied's ambitious project, La Ville Dansee, featuring 12 choreographers interpreting the hidden histories of 10 Parisian sites through dance, aiming to unite diverse communities and amplify marginalized stories.

The article focuses on the character Noa in "Kingdom of the Planet of the Apes," highlighting his role as a young chimp navigating challenges similar to those faced by Caesar, reflecting on themes of peaceful coexistence between apes and humans.

The article focuses on the making of the visually sumptuous TV mini-series "Mary & George" on Starz, inspired by the book "The King's Assassin," depicting the mostly true tale of Mary Viltiers and her son George's ambitions and intrigues at the court of King James I.

The article focuses on choreographer Benjamin Millepied's recent endeavors in choreography, particularly his new work "Me. You. We. They" performed by the Los Angeles (L.A) Dance Project in Paris. Topics discussed include Millepied's multifaceted career, the success of his recent program at the Philharmonie de Paris, and the artistic elements of his choreographic works.

The article focuses on the comeback of singer-actor Nicole Scherzinger with the revival of the musical "Sunset Boulevard," wherein she plays the lead role of Norma Desmond. It shows the confidence of director Andrew Lloyd Webber in the capability of Scherzinger to portray the role. A background is provided on the earlier career of Scherzinger in theater and music including as member of the girl group Pussycat Dolls and appearances in the television shows "The X Factor" and "Dirty Dancing."

The article interviews original cast members of American ballet choreographer George Balanchine's "Jewels," often described as the first full-length plotless ballet. Topics discussed include recollection of dancer Mimi Paul about her first rehearsal, description of dancer Patricia McBride about Balanchine, and how dancer Suzanne Farrell remembered Balanchine.

An interview with David Hallberg, a resident guest principal at the Royal Ballet and a principal dancer with American Ballet Theater, is presented. He discussed whether he ever think about directing the Australian Ballet, elements of the job as artistic director of the Australian Ballet that surprised him, and what his life is like in Australia and whether he have explored the Australian dance scene.

The article focuses on Alina Cojocaru, a former principal dancer, and her ambitious venture as a freelance artist, commissioning and producing a full-length ballet titled "La Strada" based on Federico Fellini's 1954 film, with the premiere scheduled at Sadler's Wells in London.

The article focuses on Alexei Ratmansky's new ballet "Coppelia," performed by the La Scala Ballet, where the heroine Swanhilda takes on a more assertive role, cleverly confronting her romantic rival and manipulating the situation.

The article focuses on Es Devlin, a British designer known for her cross-disciplinary work, and her new monograph, "An Atlas of Es Devlin," which is an immersive artwork reflecting the intricacy of her creative processes, accompanied by an exhibition at the Cooper Hewitt.

The article informs about the play "Covenant" by York Walker, a Southern gothic work set in 1930s Georgia, which explores themes of faith, darkness, and mythology. Topic include focuses on the relationships of four women who crave salvation and examines how their feelings become codified into mythology. The production is praised for its electric cast, design elements, and dialogue, making it an auspicious New York debut for the playwright.

The article previews the dance concert "From You Within Me," featuring dancers like Sara Mearns, to be performed in New York City Ballet theater starting May 5, 2023.

The article reviews theatrical productions from February to May 2023 including "Misty" by playwright Arinze Kene at the Shed, "Bees and Honey" by playwright Guadalis Del Carmen at MCC Theater, and "Dark Disabled Stories" at Public Theater by playwright Ryan J. Haddad.

The article focuses on Alessandra Ferri's unexpected appointment as the next artistic director of the Vienna State Ballet, despite her lack of prior affiliation with the company, and her experience as a renowned ballerina with a deep understanding of ballet and opera house systems.

The article discusses the significance and history of the "Balanchine Blue" backdrop in ballet performances and its connection to George Balanchine and New York City Ballet.

The article reviews a dance performance titled "Liberte Cathedrale" by Boris Charmatz, discussing its capacious and messy nature, the change in Tanztheater Wuppertal under Charmatz's direction, and the challenges in bridging the gap between site-specific installations and traditional theaters.

An interview with Sasha Waltz, a German choreographer is presented.

The article discusses Kayo Kouoh's transformative leadership as the visionary curator and executive director of the Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) in Cape Town, focusing on her efforts to make the museum a relevant and inclusive institution for African art on a global scale while engaging local communities and promoting Pan-African perspectives.

The article reports on the production of the film adaptation of Eugene O'Neill's autobiographical play "Long Day's Journey Into Night," directed by Jonathan Kent and starring Jessica Lange and Ed Harris, after weathering the storm and financial challenges. It shows the commitment of the crew and production team to the project and efforts to improve the storytelling of the movie. An overview of the actors' rehearsal for their roles and the difficulty of making the film is provided.

The article reports on updates in the activities of the German dance company Tanztheater Wuppertal under director Boris Charmatz, particularly its program for the 2023-2024 season celebrating its 50th anniversary.

The article focuses on Juliet Stevenson's role as neurosurgeon Ruth Wolff in the play "The Doctor." Topics include the play's exploration of medical ethics, religious affiliations, identity politics, and cancel culture; Stevenson's collaboration with director Robert Icke; and her reflections on women's roles in the entertainment industry and the importance of telling women's stories.

The article reviews Wayne McGregor's latest work, "Untitled, 2023," for the Royal Ballet at the Royal Opera House in London, highlighting McGregor's fascination with ballet technique as a system and technology, but noting that the piece feels diffuse and lacks coherence.

The article focuses on the ballet choreographer, Jerome Robbins and his work on the ballet "Brandenburg."

The article reports on the preparations to maintain tradition and continuity in the choreographed funeral of royal family members in Great Britain as seen in the funeral of the late Queen Elizabeth II. Also cited are the choreography of the funeral process starting with the discreet death notice by a palace official to the funeral, and the features of the ceremony like the use of stillness and silence.

The article highlights that the sky is overcast, thunder rumbles, and lightning flashes. A lone, silhouetted man enters the stage, moving his upper body in sinuous circles, entwining his arms, and gesturing slowly and thoughtfully while fragments of a sorrowful tune begin to emerge from the tutum. He then moves forward, opens his arms, and grinned slyly.

The article focuses on tenor Allan Clayton and his role in Brett Dean's opera "Hamlet" which is considered a natural extension of his personal character. A background on the education of Clayton including at Cambridge University and the Royal Academy of Music in England, as well as his early performances in opera like "Castor and Pollux" and "Written on Skin" is provided. It commends Clayton's characteristics including his physical and mental freedom and the strength and passion in his singing.

The article discusses the 50th Stravinsky Festival of ballet to be held by the City Ballet in New York City, New York in May 2022, which features the ballets of choreographer George Balanchine, Jerome Robbins, and Justin Peck.

An interview with choreographer Benjamin Millepied about his directing of the feature film "Carmen," the use of music and dance in the film, his approach to directing actors and the mixed reviews of the movie at the 2022 Toronto International Film Festival is presented.

The article informs about a dance performance "Cion" performed through April 23, 2023, at the Joyce Theater, in New York City, which is choreographed by Gregory Maqoma.

The article reviews the new work "Pit" by Bobbi Jene Smith and Or Schraiber, at the Paris Opera Ballet till March 30, 2023.

The article discusses the 2023 Vail Dance Festival, in Colorado, U.S., from July 28 to August 7, which will be featuring Kyle Abraham for dancers from five companies; pas de deux formed by Tiler Peck for the Ballet Theater stars Cory Stearns and Devon Teuscher.