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An editorial is presented which delves into the evolving significance of access within the realms of art, science, and technology. It examines how the concept of access is being reimagined as a means of fostering new sensory possibilities for artistic experiences, particularly through initiatives like the E.A.A.T. program, which prototypes a new paradigm linking communities and institutions while embodying lived experiences of disability.

The article reports that Rene Tavares expresses his experience of the Tchiloli, a drama endemic to Sao Tome and Príncipe which is intertwined with his own artistic development. Topics include examines that work, paintings and drawings exchange roles in a continued masquerade spread across blank white pages where, like erratic thoughts, gestures interrupt each other, wander and digress into diluted stains of color; and reports that local sugar cane production introduced to the islands in 1493 was outcompeted by Brazilian exports in the seventeenth century, the islands subsisted mainly on sugar and cacao production and as a commercial hub for the slave trade.

e-MobiLArt was a project tailored around the process of collaboratively creating interactive installations. This paper presents an introductory overview of the most important activities of the e-MobiLArt project from the perspective of its organizers and briefly discusses the collaborative process that took place among participants, curatorial advisors and organizers. [ABSTRACT FROM AUTHOR]

The three curators of the eMobiLArt project developed collaboration within the curatorial group and with other people involved including participating artists and organizers. This article is focused on how the various tasks evolved during the project process. A reflection on the outcomes (artworks and exhibitions) and the role of curators in such a collaborative experimental project is also included. [ABSTRACT FROM AUTHOR]