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In architectural heritage research, rituals and human activities are often overlooked but are crucial for maintaining authenticity and reflecting various cultural values. In the Tibetan-Yi Corridor, one of China's most renowned heritage routes, rituals and behaviours around the central pillar or fire pit reflect the shared culture and history of Di-Qiang ethnic groups, serving as critical indicators in studying their origins. A scientific method linking physical spaces with intangible cultural information is essential to preserve these rituals or activities and understand their interactions with architectural spaces. This study introduces a method utilising HBIM technology to document and analyse the 3D structures of Di-Qiang ethnic architecture and the rituals. It deconstructs rituals into bodily movements represented within the BIM space to simulate the behaviours of various roles. This method visualises ritual types and critical information by encoding different rituals and movements through geometric shapes, sizes, and colours, effectively linking architectural spaces with intangible cultural elements. The study's two main contributions are (i) the HBIM archival method for Di-Qiang ethnic architecture, standardising geometric modelling and semantic information recording to digitise Di-Qiang architectural heritage, and forming a foundational 3D model library and semantic database; and (ii) the 3D representation method for ritual movements, which offers a way to manage intangible cultural information and spatially assess cultural behaviours, and evaluates the authenticity and quality of architectural heritage by analysing bodily rituals in space. This approach introduces a novel method for documenting and researching intangible heritage in cultural studies. Additionally, the digital technology-based research method offers a convenient platform for integrating and connecting digital heritage with digital humanities in the future. [ABSTRACT FROM AUTHOR]

Digitized heritage is regarded as an emerging field, with existing studies primarily focusing on one case study, technological aspect, or a methodological approach. Thus, there remains a notable gap in the literature regarding the understanding of how these technologies and methodologies can be utilized in smart heritage fruition. Approaches that harness technological advancements to enhance the decision-making process regarding the use of appropriate methodology at various heritage sites remain insufficiently explored. To address this gap, this study conducted a cross-case analysis to survey the use of heritage technologies across selected cases to find underlying trends and correlations related to the scale and methodology used. The findings of this study provide insights into the nexus of technology integration into heritage fruition, highlighting the role of tangible heritage documentation technologies. The present study concludes that smart fruition framework necessitates an ongoing process involving the integration of cultural heritage data, digital documentation, management, enhancement methodologies, and the Internet of Things (IoT). The IoT facilitates the connectivity of physical items to the internet thereby supporting the understanding of heritage knowledge. Such framework operates through a collaboration platform that engages experts, local communities, and tourists to ensure a meaningful and interactive interconnection. [ABSTRACT FROM AUTHOR]

Sustainable digital cultural heritage is now an essential aspect of our lives. The rapid development of 3D technology in the historic preservation industry provides the means of documenting, recovering, and presenting cultural heritage items. However, the digital transformation of 3D sculpture heritage is often led by technology without effective evaluation indicators as a guide. This study compares effective assessment methods for digital forms with traditional art. Our approach uses semantic differential scales and machine learning regression models to assess the importance of fifteen artistic attributes. The semantic differential scale is improved based on 15 artistic attributes and proves to be effective in evaluating the value of digital artwork. This research finds that digital artwork is significantly more popular among young people compared with elderly people, especially for attributes like colour variation, saturation, and texture. The research also finds that complexity and social attributes are more important in predicting the value of the digital 3D model. Digital transformation is a viable method for preserving the artistic value of sculpture and improving cultural sustainability. [ABSTRACT FROM AUTHOR]

The metaverse, powered by XR technologies, enables human augmentation by enhancing physical, cognitive, and sensory capabilities. Cultural heritage sees the metaverse as a vehicle for expression and exploration, providing new methods for heritage fruition and preservation. This article proposes a metaverse application, inspired by the events of the Italian Resistance, promoting interactions between multiple users in an immersive VR experience while safeguarding intangible cultural assets according to an edutainment approach. The virtual environment, based on Ivrea's town hall square, provides in-depth information about the partisan's life and the historical value of its actions for the city. Furthermore, the application allows users to meet in the same virtual place and engage with one another in real time through the Spatial SDK. Before the public presentation, a heterogeneous group of thirty users underwent usability and engagement tests to assess the experience on both VR headsets and smartphones. Tests revealed statistically significant evidence that there is a genuine difference in users' perceptions of usability and engagement with different devices and types of interaction. This study highlights the effectiveness of adopting XR as a supporting technology to complement the real experience of cultural heritage valorization. [ABSTRACT FROM AUTHOR]

This study presents the background and the evaluation of integrating eXtended Reality (XR) in the permanent exhibition at the Tomato Industrial Museum "D. Nomikos". This paper firstly provides the context of this study by outlining the methodological, technological, and museological approaches undertaken to integrate XR in a quest to enhance visitors' meaningful engagement with the industrial heritage-related exhibition. Storytelling and narration are key elements of the museum's museological design through audio tours and interactive AR-based visualization n of the machinery's role and function. This paper presents and discusses the design of the evaluation methodology employed in the context of pertinent methods and approaches used in related research. This study investigates the effectiveness of XR for audience engagement and the added value that such technologies offer to the user experience as well as possible improvements. The main method adopted for gathering quantitative data is the User Experience Questionnaire (UEQ), and for qualitative data, through semi-structured interviews. Moreover, the findings are analyzed, interpreted, and discussed. Based on a case study, this paper offers a broader discussion of the challenges and prospects connected to the quest of employing emerging technologies and assessing their impact on visitors' museum experience, reaching conclusions for future directions in the field. [ABSTRACT FROM AUTHOR]

Numerous digital media repositories have been set up during recent decades, each containing plenty of data about historic cityscapes. In contrast, digital 3D reconstructions of no longer extant cityscapes have so far almost solely been performed for specific cases and via manual modelling techniques. Within the Jena4D research group, we are investigating and developing methods and technologies for transferring historical media and their contextual information into 4D models. The next step will be to automate this process and extend it to the world scale. Our team are working on different facets of that endeavor: retrieving images, text, and object data from public sources; crowdsourcing and collecting qualitative data from contests and pupil labs; processing historical plans and photographs to extract spatial data; location-based mobile visualization; and collection-browsing interfaces. This article is intended to highlight (1) current challenges, (2) the state of the art, (3) our approach to 4D modelling and visualization on the world scale, and (4) results from testing demo cases in Dresden, Jena, and Amsterdam. [ABSTRACT FROM AUTHOR]

This article aims to find out the process for achieving smartness in urban architectural heritage conservation, maintenance, and operation and identify characteristics of the so-called smartness. It seeks to provide an example of introducing smart ideas into architectural heritage while encouraging more conservation. The discussions among architectural heritage conservation under the smart discourse are scattered in virtual applications, digital involvements, tourism, etc., and an integration method is worth considering. This article selected a platform for architectural heritage conservation and management of the Shanghai Federation of Literary and Art Circles (SFLAC), China. An integrated literature review is conducted to locate knowledge gaps. Thematic analysis is used for data analysis to develop the practising procedure and smart heritage features. Current practices lack a systematic consideration based on the perspective of conservation and management, which details applications for various groups in correspondence to stages. Interviews and policy document analysis were conducted to support the investigation. Smartness for architectural heritage should include policy guidance, digitalisation, platform integration, applications, and optimisations and has the feature of evolvement. Its practice should first promote heritage preservation and consider the benefits of different users, cultural inheritance, and urban regeneration based on different time durations. [ABSTRACT FROM AUTHOR]

Since the 2010s, various national and pan-European public infrastructures have been emerging around aggregation, viewing, and 3D heritage model collection. The purpose of this article is to focus on the current state and ecosystem for 3D models in Europe through (a) a review of published studies on users, objects, and demands (b) and an overview of the ecosystem for 3D heritage data. As part of the German distributed infrastructure, the DFG 3D Viewer Jena experimental repository serves as a testbed for technology prototyping and testing. Based on the findings of the European ecosystem, we used this repository to test a prototypic approach to (c) acquiring 3D data from multiple sources, (d) enriching data quality, and (e) enabling indexing, searching, and viewing functionalities. [ABSTRACT FROM AUTHOR]

Digital technologies are becoming increasingly relevant in the processes of documenting, surveying, enhancing, and preserving cultural heritage, including through applications that are becoming more and more optimized and oriented toward new data management and accessibility processes. This great potential can find significant levels of application in the tourism sector, seeking new strategies to access, discover, and understand cultural assets. In this direction, many digital applications have already found interesting outcomes in the tourism sector, but there is large room for improvement in the applications for "minor", small, or neglected cultural sites, not included in conventional tourism routes, which play a key role in social inclusion and territorial cohesion, as well as for the development of social, economic, and environmental sustainability. The paper presents a conceptual framework or possible outline to foster the use of digital technologies through a set of integrated bottom-up and top-down actions, to facilitate connections of minor sites into larger networks, contributing to the search for new forms of sustainable and active fruition and social participation. [ABSTRACT FROM AUTHOR]

This research contributes to the discussion around the importance of the long-term preservation of non-fungible tokens (NFTs) and minted digital artworks. The paper is based on a review of the literature on blockchain in art and heritage management and conservation, with particular attention to references related to the production, marketing, maintenance, and distribution of NFT-based digital art. The aims of this paper involve anticipating potential problems in the oversight of NFTs and setting out good long-term management principles and practices as well as specific preservation strategies. Despite the fact that it also discusses issues over authorship, copyright, creative commons, and open access, the paper is particularly devoted to raising concerns about the high energy consumption associated with blockchain technology and its impact on climate change. It also highlights how the preservation of NFTs cannot be neglected, despite the belief that they last forever. Most studies dedicated to analysing the impact of blockchain technology on the cultural heritage sector ignore the most important issue: preserving not only the minted digital artworks themselves but also the respective blockchain networks. Overall, this paper seeks to foster a collective awareness of the need to reflect on blockchain-related art practices and their implications for the long-term protection of cultural property. [ABSTRACT FROM AUTHOR]

Presently, social cohesion (SC) is a priority at different levels. Cultural heritage is an ideal context to promote SC through interactive digital technologies designed to engage groups of visitors. The purpose of the present study is to identify how to design digital heritage applications for SC and how to measure it. The results are based on the design of a cultural probe kit used to identify the design elements on top of which a collaborative and hybrid prototype, the Brancacci POV, was developed. Here, we analysed the results of this prototype, which included 107 visitors with respective groups of 5 participants and guided by an expert. From this analysis, the possibility of strengthening SC when collaborative tasks are included emerged. Additionally, it appeared to be possible to shorten the distance between citizens and cultural institutions if "mediated dialogue" approaches were adopted and if focus, motivation, trust and "in-group" perception of inclusion emerge when digital heritage experiences were set in intimate and quiet environments. [ABSTRACT FROM AUTHOR]

One of the major public health measures to manage and contain the outbreak of the COVID-19 pandemic was to engage in systematic contact tracing, which required gastronomy, community and sporting venues to keep patron registers. Stand-alone and web-based applications, developed by a range of private IT providers, soon replaced pen-and-paper lists. With the introduction of a uniform, state-wide, mandatory data collection system, these private applications became obsolete. Although only active for four months, these applications paved the way for the public acceptance of state-administered collection systems that allowed for an unprecedented, centralized tracking system of the movements of the entire population. This paper discusses the cultural significance of these applications as a game changer in the debate on civil liberties, and addresses the question of how the materiality, or lack thereof, of this digital heritage affects the management of ephemeral smartphone applications, and its preservation for future generations. [ABSTRACT FROM AUTHOR]

In the field of digital cultural heritage (DCH), 2D/3D digitization strategies are becoming more and more complex. The emerging trend of multimodal imaging (i.e., data acquisition campaigns aiming to put in cooperation multi-sensor, multi-scale, multi-band and/or multi-epochs concurrently) implies several challenges in term of data provenance, data fusion and data analysis. Making the assumption that the current usability of multi-source 3D models could be more meaningful than millions of aggregated points, this work explores a "reduce to understand" approach to increase the interpretative value of multimodal point clouds. Starting from several years of accumulated digitizations on a single use-case, we define a method based on density estimation to compute a Multimodal Enhancement Fusion Index (MEFI) revealing the intricate modality layers behind the 3D coordinates. Seamlessly stored into point cloud attributes, MEFI is able to be expressed as a heat-map if the underlying data are rather isolated and sparse or redundant and dense. Beyond the colour-coded quantitative features, a semantic layer is added to provide qualitative information from the data sources. Based on a versatile descriptive metadata schema (MEMoS), the 3D model resulting from the data fusion could therefore be semantically enriched by incorporating all the information concerning its digitization history. A customized 3D viewer is presented to explore this enhanced multimodal representation as a starting point for further 3D-based investigations. [ABSTRACT FROM AUTHOR]

The reconstruction of 3D geometries starting from reality-based data is challenging and time-consuming due to the difficulties involved in modeling existing structures and the complex nature of built heritage. This paper presents a methodological approach for the automated segmentation and classification of surveying outputs to improve the interpretation and building information modeling from laser scanning and photogrammetric data. The research focused on the surveying of reticular, space grid structures of the late 19th–20th–21st centuries, as part of our architectural heritage, which might require monitoring maintenance activities, and relied on artificial intelligence (machine learning and deep learning) for: (i) the classification of 3D architectural components at multiple levels of detail and (ii) automated masking in standard photogrammetric processing. Focusing on the case study of the grid structure in steel named La Vela in Bologna, the work raises many critical issues in space grid structures in terms of data accuracy, geometric and spatial complexity, semantic classification, and component recognition. [ABSTRACT FROM AUTHOR]

We propose a semi-automatic Scan-to-BIM reconstruction approach, making the most of Artificial Intelligence (AI) techniques, for the classification of digital architectural heritage data. Nowadays, Heritage- or Historic-Building Information Modeling (H-BIM) reconstruction from laser scanning or photogrammetric surveys is a manual, time-consuming, overly subjective process, but the emergence of AI techniques, applied to the realm of existing architectural heritage, is offering new ways to interpret, process and elaborate raw digital surveying data, as point clouds. The proposed methodological approach for higher-level automation in Scan-to-BIM reconstruction is threaded as follows: (i) semantic segmentation via Random Forest and import of annotated data in 3D modeling environment, broken down class by class; (ii) reconstruction of template geometries of classes of architectural elements; (iii) propagation of template reconstructed geometries to all elements belonging to a typological class. Visual Programming Languages (VPLs) and reference to architectural treatises are leveraged for the Scan-to-BIM reconstruction. The approach is tested on several significant heritage sites in the Tuscan territory, including charterhouses and museums. The results suggest the replicability of the approach to other case studies, built in different periods, with different construction techniques or under different states of conservation. [ABSTRACT FROM AUTHOR]

This study aims to enable users of digitized cultural heritage artefacts to understand the correlation between artefacts and their context, discover new knowledge, and gain inspiration. We have developed data labelling and visualization technologies specific to cultural heritage so that users, such as curators, cultural heritage experts, and museum visitors, can easily and quickly access the information that they want through the correlation between artefacts. We came up with a web-based labelling tool for cultural heritage data and applied it to data on 45,692 artefacts from the National Museum of Korea. We also invented a web-based visualization tool that converts lists of attribute information in Excel spreadsheets into visualized content and edits the attributes. The meanings of thumbnails of visualized cultural heritage and that of connected lines, a search function, and visualized cultural heritage will allow users to quickly and easily access the cultural heritage information they are looking for. [ABSTRACT FROM AUTHOR]

This article aims to investigate how participatory design influences interdisciplinary relationships in digital heritage projects. In particular, the article reflects on opportunities and challenges of interdisciplinary encounters in participatory design, with the cross-border project "Terra Mosana" as a case study, which aims to investigate, digitalize, and communicate the shared heritage of the Meuse–Rhine Euregion (EMR). Terra Mosana is a collaboration between multiple partners from municipalities, museums, cultural heritage sites, and universities in different EMR cities. Partners of the project have different backgrounds that vary from archaeologists, historians, and heritage professionals to computer scientists, developers, and communication specialists. My role in this project focused on designing and organizing several participatory design workshops with citizens of the EMR, aiming to empower and enable them to share their views about their shared history, and what they want from museums and other cultural institutions. Those workshops play a crucial role in the project by creating meaningful connections across the different disciplines involved in the project. In this article, I focus on the negotiation processes between the partners involved: What challenges were they confronted with? How did they arrive at creative solutions, and which issues remained unresolved? My analysis does not draw only on my participatory observation of workshops, but also on a focus group discussion that invited the partners to reflect on and assess the collaborative process. [ABSTRACT FROM AUTHOR]

As a result of the post-pandemic situation, enhancing digital heritage services has become one of the key issues for the recovery of tourism. Disruptive innovation in human–computer interaction technology has brought new opportunities for digitalization and intelligent transformation in the contemporary cultural tourism industry. Existing research on the adoption behavior of digital heritage services primarily focuses on users' assessments of behavior results. There is a considerable gap in research about the interaction and value co-creation between users and digital intelligence services and users' cognitive construction logic of digital heritage services. Following reciprocal determinism, we propose a conceptual model to deconstruct the detailed transmission path of interactive affordance and sensory affordance to digital heritage adoption. In Study 1, a lab experiment in an AI-assisted smart screen digital heritage service context revealed that interactive affordance and user adoption of digital heritage services were partially mediated by psychological distance. Findings from a between-subject online experiment in Study 2 confirmed that embodied cognition and psychological distance play a parallel intermediary role in the impact of sensory affordance on adoption. In Study 3, a lab experiment in a VR-based digital museum context further verified that information overload moderates the influence of embodied cognition on psychological distance. This research reveals the deep-bounded, rational decision-making logic of digital heritage service adoption and provides significant practical enlightenment for the optimization of the affordance experience. [ABSTRACT FROM AUTHOR]

The objective of this article is to generate and validate a workflow that allows us to print physical twins (models) from digital twins obtained from unique buildings of our architectural heritage. These physical twins will guarantee the preservation and diffusion of the cultural asset, and will promote new pedagogical ways to spread the heritage. In addition, these physical cufflinks are an interesting tool to guarantee universal accessibility through low-cost and rapid distribution typological models. We can overcome physical barriers and reach many more users, regardless of their economic, physical, or location conditions. To obtain this workflow, digital twins of architectural elements of high cultural value obtained by photogrammetry or terrestrial laser scanner will be used. The digital twin will be optimized through different platforms, and an optimized exchange file will be generated for its dissemination and printing. A digital platform will be proposed that guarantees the free distribution of these digital twins to any user. Finally, the physical twins will be obtained. For the development of this work, we have chosen to use 3D resin printers with SLA technology (selective laser exposure to light by laser) due to their performance and high quality in the models obtained. [ABSTRACT FROM AUTHOR]

Many researchers in the field of cultural heritage point to the justification of the use of extended reality to present digital heritage. Research studies, but mainly user reactions, have responded to experiences with extended reality with a positive response. Technological research in the field of extended reality is advancing rapidly. In this review, we will cover the current possibilities and trends of extended reality. Specifically, we will focus on the application in creating interactive multimedia exhibitions in museums and galleries and presenting 3D digital heritage. We believe the practical examples shown will be an inspiration for application developers, content creators, and exhibition curators. Awareness of the possibilities and limits of the current state of technological progress is an essential requirement for utilisation of the full potential of extended reality. [ABSTRACT FROM AUTHOR]

Augmented reality is a mature technology that uses the real world as a substrate and extends it by overlaying computer-generated information. It has been applied to several domains. In particular, the technology was proven to be useful for the management and preservation of Cultural Heritage. This study provides an overview of the last decade of the use of augmented reality in cultural heritage through a detailed review of the scientific papers in the field. We analyzed the applications published on Scopus and Clarivate Web of Science databases over a period of 9 years (2012–2021). Bibliometric data consisted of 1201 documents, and their analysis was performed using various tools, including ScientoPy, VOS Viewer, and Microsoft Excel. The results revealed eight trending topics of applying augmented reality technology to cultural heritage: 3D reconstruction of cultural artifacts, digital heritage, virtual museums, user experience, education, tourism, intangible cultural heritage, and gamification. Each topic is discussed in detail in the article sections, providing insight into existing applications and research trends for each application field. [ABSTRACT FROM AUTHOR]

In recent decades, a growing number of museums have adopted digital media, both as an enhancement of exhibitions of real artifacts and as an alternative to traditional display methods. The digital acquisition of artifacts generates accurate 3D replicas that can be displayed via different digital media. With an increase in immersive technologies in the cultural heritage (CH) domain, it is common to see digital artifacts presented in Virtual Reality (VR) and Augmented Reality (AR). This paper presents two user studies conducted in different locations evaluating the use of an AR application in the portrayal of the Mjällby Crucifix artifact. This paper presents the overall results from both user studies evaluating and discussing the AR application on a number of different aspects on a 7-point Likert scale: (1) understanding the artifact, (2) ease of use, (3) object feeling part of reality, (4) perceived visual quality of the object, (5) overall satisfaction experience, and (6) willingness to download the AR application. The results have been compared between genders, age groups, and previous experience with AR. Potential benefits and disadvantages of AR experiences in the context of a museum exhibition were also gathered in free text from the visitors. [ABSTRACT FROM AUTHOR]

The objective of this article is to generate and validate a workflow that allows us to use virtual twins obtained from unique buildings of our architectural heritage. These twins will guarantee the preservation and dissemination of cultural assets and will promote universal accessibility through new technologies, such as databases, metaverses, virtual reality, augmented reality or gamification. This universal accessibility is based on new metaverses to offer experiences that allow us to overcome physical barriers and reach any user regardless of their economic or physical condition or their location. To obtain this workflow, we worked with digital twins obtained by photogrammetry. Different databases and metaverses were studied, understanding them as new systems for the representation and dissemination of architecture. These metaverses were critically assessed and screened, looking for the most suitable one to be integrated into an effective workflow that satisfies a series of imposed premises, such as being suitable for use in virtual reality and augmented reality environments. The ultimate goal is the aforementioned universal accessibility. [ABSTRACT FROM AUTHOR]

Changing weather patterns, increasing frequency and intensity of natural hazards, and rising sea levels associated with global climate change have the potential to threaten cultural heritage sites worldwide. This is especially the case for maritime heritage sites located in the low-lying coastal and delta regions of Asia. Maritime heritage can reflect both highly localized cultural products based on the coupling of people and maritime environments and the historic footprints of complex maritime networks that connect people, ideas, and material over vast distances, creating unique cultural spheres. Furthermore, maritime heritage sites potentially serve as or contain records of how past societies have been impacted by and adapted to past environmental stress. Therefore, their degradation threatens local/regional/global cultural patrimony as well as evidence of human resilience and fragility in the face of environmental change. This makes a strong case for urgent preservation. However, the possible damage caused by climate change and the scale of vulnerable maritime heritage pose seemingly insurmountable challenges. In this paper, we present the ways in which maritime heritage sites across Asia are vulnerable to environmental stresses, such as changing sea levels, coastal erosion, flooding, and storm surges. Our objective is to draw upon our experience documenting endangered cultural heritage across South and Southeast Asia to illustrate that there are unique conceptual and practical characteristics of maritime heritage that complicate effective management and conservation efforts on the scale required to prevent massive loss by climate change. We conclude by stressing the need to reconceptualize debates about the custody and stewardship of maritime heritage and the urgency of employing a wide range of innovative preservation solutions to ensure maritime patrimony is not lost to the rising tides. [ABSTRACT FROM AUTHOR]

In recent years, massive digitisation of cultural heritage (CH) assets has become a focus of European programmes and initiatives. Among CH settings, attention is reserved to the immense and precious museum collections, whose digital 3D reproduction can support broader non-invasive analyses and stimulate the realisation of more attractive and interactive exhibitions. The reconstruction pipeline typically includes numerous processing steps when passive techniques are selected to deal with object digitisation. This article presents some insights on critical operations, which, based on our experience, can rule the quality of the final models and the reconstruction times for delivering 3D heritage results, while boosting the sustainability of digital cultural contents. The depth of field (DoF) problem is explored in the acquisition phase when surveying medium and small-sized objects. Techniques for deblurring images and masking object backgrounds are examined relative to the pre-processing stage. Some point cloud denoising and mesh simplification procedures are analysed in data post-processing. Hints on physically-based rendering (PBR) materials are also presented as closing operations of the reconstruction pipeline. This paper explores these processes mainly through experiments, providing a practical guide, tricks, and suggestions when tackling museum digitisation projects. [ABSTRACT FROM AUTHOR]

Free hosting services have contributed to the development of the Internet or even acted as a catalyst thereof. This paper aims to answer the questions of what free hosting services represent for Internet users and why initiatives exist to archive content published on free servers. The empirical part of this study attempts to verify whether websites on free servers were designed in an archaic way, which could justify their discontinuation. Initiatives to preserve the content of vanishing web hosting sites are characterized based on a review of various source materials, including the academic literature and Internet resources. This empirical study involved 168 archaic websites, which were analyzed in three dimensions. Marketing components and design were assessed as well. Each assessment dimension was assigned diagnostic variables. The values of the diagnostic variables were standardized using zero unitarization. It was found that the owners of discontinued servers were not interested in creating and maintaining archives. Hence, numerous grassroots initiatives have emerged to salvage their content, although enthusiasm among the archive community seems to have dwindled. Many grassroots archives are available, but a considerable number are no longer supported. In this context, this paper proposes the term 'vanishing hosting'. It provides a nostalgic and sentimental perspective on the termination of free hosting services. The authors noted that free hosting services have largely lost their past import. It is demonstrated that free servers traditionally hosted archaic websites, which justified their deletion from a business perspective. Moreover, the paper presents an outline of a method to revitalize the tourism sector based on changes brought about by global technology to the digital ecosystem. It is proposed that changes in search engine algorithms vicariously contribute to the revitalization of the tourism sector since they often drive the replacement of old websites with newer versions (latest technology and better quality). This leads to the improved online presentation of tourism service portfolios and the general quality of the content in search engine results. [ABSTRACT FROM AUTHOR]

In Northern Cyprus, where there is a great potential for cultural tourism, transforming cultural heritage into digital heritage and preserving it, and making it sustainable by conveying it to future generations, are of great importance for the economic development of the island. For the said transformation to be carried out more sustainably and to contribute to cultural tourism, both the knowledge and opinions of those working in the field of tourism and the expectations of the tourists visiting the island are important. In this context, data were collected from both sides through the questions prepared by the researchers. In the collection of data, a semi-structured interview form consisting of nine open-ended questions for tourism professionals and seven open-ended questions for tourists visiting the island was used, four of which were common. The opinions of two experts were taken in the preparation of the interview form, which was created using the existing literature. In the analysis of the obtained data, descriptive analysis was used, while descriptive statistics were employed to quantify the collected data. Based on the research findings, it was concluded that there are important deficiencies in terms of technology, internet, and management when transferring cultural elements to digital media in Northern Cyprus and that the technological infrastructure should be developed first. In addition to the development of technology, organization, planning, and forming legal regulations at the ministerial level is also important. It was also determined in the study that tourists did not want to start and finish their touristic activities in the digital environment in a general sense. [ABSTRACT FROM AUTHOR]

Biocultural heritage preservation relies on ethnobotanical knowledge and the paleoethnobotanical data used in (re)constructing histories of human–biota interactions. Biocultural heritage, defined as the knowledge and practices of Indigenous and local peoples and their biological relatives, is often guarded information, meant for specific audiences and withheld from other social circles. As such, these forms of heritage and knowledge must also be included in the ongoing data sovereignty discussions and movement. In this paper we share the process and design decisions behind creating an online database for ethnobotanical knowledge and associated paleoethnobotanical data, using a content management system designed to foreground Indigenous and local perspectives. Our main purpose is to suggest that the Mukurtu content management system, originally designed for physical items of cultural importance, be considered as a potential tool for digitizing and ethically circulating biocultural heritage, including paleoethnobotanical resources. With this database, we aim to create access to biocultural heritage and paleoethnobotanical considerations for a variety of audiences while also respecting the protected and sensitive natures of Indigenous and local knowledges. [ABSTRACT FROM AUTHOR]

In the 1980s, Polish schools hardly had access to computers, particularly at the primary and secondary levels. The main reasons were funds and shortage of qualified staff that could handle computer hardware. As a consequence, the youth first came across a computer, how to use it, service hardware, and write programs outside schools in the early 1980s. Often informal groups of hobbyists gathered around a single computer were the seeds of microcomputer clubs, which cropped up in huge numbers in Poland in the 1980s. The objective of the paper is to portray the role of microcomputer clubs in the process of shaping the youth and computer education in the 1980s in Poland compared to other countries. The conclusions are founded on a literature review. The analyzed material included an Internet Archive collection "The Computer Magazine Archives". The content of one of the first Polish computer magazines, Bajtek Magazine was analyzed in detail. It has been demonstrated that the Polish youth of the 1980s first came across a computer mainly outside schools, primarily in microcomputer clubs. It was the root of computer and information technology education in Poland. Moreover, microcomputer clubs were reported to provide education, as well as foster character education, aid socialization, and shape attitudes. [ABSTRACT FROM AUTHOR]

The article considers the social perception of artificial intelligence (AI) as an essential factor having an impact on the digitization, transfer, and popularization of cultural heritage. The article aims at the theoretical comprehension of the digital ontology and implementation of AI in the context of Russian realia. The research relies on comprehensive analysis based on statistical data, using descriptive and comparative methods. The interdisciplinary approach adopted includes reflexive analysis of both positive and negative consequences of the digitalization process. The article examines the peculiarities of the "digital ontology", deterritorization effect, new actors in the digital process, the effect of digital trust, and opposite views of AI-enthusiasts and AI-alarmists. The article describes objective and subjective reasons for the negative perception of digital artifacts, and states the need to consider the influence of key figures in digital ontology: influencers, stakeholders, and data scientists. The ambivalence of public perception of both artificial intelligence and digital cultural heritage is stated. The research reveals digitization frontiers, which involve three factors: the axiological factor, indicating the need for consistency between a human values system and AI development programs; the subject vector, emphasizing the role of a new type of digital heritage bearers and digital influence actors; ethical factor associated with the need to transform relations with information technologies in order to subordinate them to human reflection and comprehension. The authors conclude that cultural heritage digitization should be aimed at generating a human-centered future. [ABSTRACT FROM AUTHOR]

Digital 3D modelling and visualization technologies have been widely applied to support research in the humanities since the 1980s. Since technological backgrounds, project opportunities, and methodological considerations for application are widely discussed in the literature, one of the next tasks is to validate these techniques within a wider scientific community and establish them in the culture of academic disciplines. This article resulted from a postdoctoral thesis and is intended to provide a comprehensive overview on the use of digital 3D technologies in the humanities with regards to (1) scenarios, user communities, and epistemic challenges; (2) technologies, UX design, and workflows; and (3) framework conditions as legislation, infrastructures, and teaching programs. Although the results are of relevance for 3D modelling in all humanities disciplines, the focus of our studies is on modelling of past architectural and cultural landscape objects via interpretative 3D reconstruction methods. [ABSTRACT FROM AUTHOR]

The aim of this paper is to present the use of 3D models and augmented reality (AR) to study and communicate architectural and urban values and, therefore, favor the development of dedicated forms of "smart heritage". The study rises from a reflection on the concept of "heritage", as defined in the international documents, intended as an evolving idea that puts together tangible and intangible aspects. Moreover, digital technologies favor "phygital" applications where the digital dimension support the traditional ones. In this way, AR allows the superimposition of multimedia information to heritage, respecting the historical matter of the artefacts, and supporting a "smart heritage" application. In particular, mobile AR, with real-time and ubiquitous visualizations, offers the opportunity to show past urban and architectural configurations to investigate and describe the transformations that have led to the current configuration, and consequently highlighting the present historical and architectural values of the buildings. Two case studies are presented: the square of St. Basilio Monastery, with its historical transformations, and the Basilica of Collemaggio, a pivotal building in the rites of "Perdonanza Celestiniana". [ABSTRACT FROM AUTHOR]

Bosnia and Herzegovina (BH) has a very picturesque past. Founded in 11th century, it has always been a crossroads of faiths and civilizations. Extended Reality (XR) technologies can finally take us to time travel into this history, enable us to experience past events and meet historical characters. In this paper, we overview the latest applications we developed that use Virtual Reality (VR) video, Virtual and Augmented Reality (AR) for interactive digital storytelling about BH history. "Nine dissidents" is the first BH VR documentary, tackling a still tricky subject of dissidents in the Socialist Yugoslavia, artists and writers falsely accused, persecuted and still forbidden. "Virtual Museum of Old Crafts" aims to present and preserve crafts intangible heritage through Virtual Reality. "Battle on Neretva VR" is recreating a famous WWII battle offering the users to experience it and meet comrade Tito, the commander of the Yugoslav Liberation Army. "Sarajevo 5D" shows the cultural monuments from Sarajevo that do not exist anymore in physical form using Augmented Reality. Through user experience studies, we measure the user immersion and edutainment of these applications and show the potential of XR for the presentation and preservation of cultural heritage. [ABSTRACT FROM AUTHOR]

PlugSonic is a suite of web- and mobile-based applications for the curation and experience of 3D interactive soundscapes and sonic narratives in the cultural heritage context. It was developed as part of the PLUGGY EU project (Pluggable Social Platform for Heritage Awareness and Participation) and consists of two main applications: PlugSonic Sample, to edit and apply audio effects, and PlugSonic Soundscape, to create and experience 3D soundscapes for headphones playback. The audio processing within PlugSonic is based on the Web Audio API and the 3D Tune-In Toolkit, while the mobile exploration of soundscapes in a physical space is obtained using Apple's ARKit. The main goal of PlugSonic is technology democratisation; PlugSonic users—whether cultural institutions or citizens—are all given the instruments needed to create, process and experience 3D soundscapes and sonic narratives; without the need for specific devices, external tools (software and/or hardware), specialised knowledge or custom development. The aims of this paper are to present the design and development choices, the user involvement processes as well as a final evaluation conducted with inexperienced users on three tasks (creation, curation and experience), demonstrating how PlugSonic is indeed a simple, effective, yet powerful tool. [ABSTRACT FROM AUTHOR]

Featured Application: An Augmented Reality application designed to allow on-the-spot museum visitors to navigate and view exhibitions using their own mobile devices by enjoying user experience multipliers like interactive content and mixed reality quiz games. Although Augmented Reality (AR) technology has entered many market and knowledge domains such as games and leisure activities, it remains rather limited in digital heritage. After studying the potentiality of using modern AR elements in a museum context, this paper proposes the use of additional game and educational elements in the core AR application in order to enhance the overall on-the-spot museum visitor's experience. An agile AR application design methodology was followed by taking into account the needs of small-to-medium sized real-world museums. Moreover, a heuristic evaluation protocol was applied by a group of experts in order to test the proof-of-concept AR application, in which some novel elements were proposed such as the AR quiz game. The main findings indicate that enhanced AR experiences in museum settings can make a nice fit with the user environment, physical and perceptual abilities, known metaphors, and user position and motion in 3D space. Moreover, AR services can be provided under a minimum distraction and physical effort. As a conclusion, AR technologies are mature enough to be standardized for museum usage, while the audience seems to be ready to take advantage of the related enhanced museum experiences to maximize both user satisfaction and learning outcomes. [ABSTRACT FROM AUTHOR]

Cultural heritage represents a reliable medium for history and knowledge transfer. Cultural heritage assets are often exhibited in museums and heritage sites all over the world. However, many assets are poorly labeled, which decreases their historical value. If an asset's history is lost, its historical value is also lost. The classification and annotation of overlooked or incomplete cultural assets increase their historical value and allows the discovery of various types of historical links. In this paper, we tackle the challenge of automatically classifying and annotating cultural heritage assets using their visual features as well as the metadata available at hand. Traditional approaches mainly rely only on image data and machine-learning-based techniques to predict missing labels. Often, visual data are not the only information available at hand. In this paper, we present a novel multimodal classification approach for cultural heritage assets that relies on a multitask neural network where a convolutional neural network (CNN) is designed for visual feature learning and a regular neural network is used for textual feature learning. These networks are merged and trained using a shared loss. The combined networks rely on both image and textual features to achieve better asset classification. Initial tests related to painting assets showed that our approach performs better than traditional CNNs that only rely on images as input. [ABSTRACT FROM AUTHOR]

A multitude of challenges comes into play when attempting to design (and evaluate) an interactive digital storytelling experience for use by visitors in a museum. This paper reports on the evaluation of the prototype mobile-based storytelling "guides" designed, developed and deployed as part of a research project at the Acropolis Museum in Athens, Greece. Experiences designed for different visitor profiles were evaluated several times throughout the iterative design process, in a number of on-site studies, and with more than 180 museum visitors of all ages (with this paper reporting on two studies conducted with a total of 53 users visiting individually or in pairs). The evaluation methods included ethnography (i.e., observation of visitors in the Museum's galleries), pre- and post-experience in-depth interviews and questionnaires to measure the Users' Experience (UX), as well as data logging. The analysis of the data focused on themes representing components of the experiences, such as interactive story plot and narration, staging and way-finding in the physical space, personalization and social interaction. Our findings confirmed that understanding UX and what makes it effective or not in the rich context of a cultural setting is a complex endeavor. The paper discusses our findings and proposes relevant recommendations for the design of digital experiences for cultural, educational, and recreational purposes. [ABSTRACT FROM AUTHOR]

This paper presents the methodological approach and the actual workflow for creating the 3D digital reconstruction in time of the ancient Roman Circus of Milan, which is presently covered completely by the urban fabric of the modern city. The diachronic reconstruction is based on a proper mix of quantitative data originated by current 3D surveys and historical sources, such as ancient maps, drawings, archaeological reports, restrictions decrees, and old photographs. When possible, such heterogeneous sources have been georeferenced and stored in a GIS system. In this way the sources have been analyzed in depth, allowing the deduction of geometrical information not explicitly revealed by the material available. A reliable reconstruction of the area in different historical periods has been therefore hypothesized. This research has been carried on in the framework of the project Cultural Heritage Through Time--CHT2, funded by the Joint Programming Initiative on Cultural Heritage (JPI-CH), supported by the Italian Ministry for Cultural Heritage (MiBACT), the Italian Ministry for University and Research (MIUR), and the European Commission. [ABSTRACT FROM AUTHOR]

The term Inuinnaqtun is often used in reference to a dialect of Inuktut spoken by Inuinnait (Copper Inuit) of the Central Canadian Arctic. The broader meaning of Inuinnaqtun, however, is to speak, to create, to practice, to do, to think, to be, like an Inuinnaq (a human being). Inuinnaqtun was once its own robust ecosystem, with Inuinnait physically immersed in a landscape and way of life that nourished a fluent and full language, supported human relationships, and maintained a sophisticated body of cultural knowledge. The Inuinnait journey into the 21st century has challenged the practice of Inuinnaqtun, along with the connectivity of its ecosystem. How can an integrated Inuinnaqtun ecosystem be restored in contemporary Inuinnait society? In this paper, we outline the decade-long development of a digital mapping program to document traditional forms of engagement between Inuinnait people, language and land, and facilitate the continued circulation of knowledge that underlies these relationships. In reviewing its various successes and challenges, we critically question digital technology's ability to digitally represent Inuinnaqtun ontology, in addition to the role that digital technologies can play in facilitating the local relocation of knowledge, objects and relationships dispersed into global contexts. [ABSTRACT FROM AUTHOR]

Based on the use of automatic photogrammetry, different researchers made evident that the level of overlap between adjacent photographs directly affects the uncertainty of the 3D dense cloud originated by the Structure from Motion/Image Matching (SfM/IM) process. The purpose of this study was to investigate if, in the case of a convergent shooting typical of close-range photogrammetry, an optimal lateral displacement of the camera for minimizing the 3D data uncertainty could be identified. We examined five different test objects made of rock, differing in terms of stone type and visual appearance. First, an accurate reference data set was generated by acquiring each object with an active range device, based on pattern projection (σz = 18 µm). Then, each object was 3D-captured with photogrammetry, using a set of images taken radially, with the camera pointing to the center of the specimen. The camera–object minimum distance was kept at 200 mm during the shooting, and the angular displacement was as small as π/60. We generated several dense clouds by sampling the original redundant sequence at angular displacements (nπ/60, n = 1, 2, ... 8). Each 3D cloud was then compared with the reference, implementing an accurate scaling protocol to minimize systematic errors. The residual standard deviation of error made consistently evident a range of angular displacements among images that appear to be optimal for reducing the measurement uncertainty, independent of each specimen shape, material, and texture. Such a result provides guidance about how best to arrange the cameras' geometry for 3D digitization of a stone cultural heritage artifact with several convergent shots. The photogrammetric tool used in the experiments was Agisoft Metashape. [ABSTRACT FROM AUTHOR]

With the rapid development of technology and the increasing use of social networks, many opportunities for the design and deployment of interconnected systems arise that could enable a paradigm shift in the ways we interact with cultural heritage. The project described in this paper aims to create a new type of conceptually led environment, a kind of Cyber–Physical–Social Eco-Society (CPSeS) system that would seamlessly blend the real with virtual worlds interactively using Virtual Reality, Robots, and Social Networking technologies, engendered by humans' interactions and intentions. The project seeks to develop new methods of engaging the current generation of museum visitors, who are influenced by their exposure to modern technology such as social media, smart phones, Internet of Things, smart devices, and visual games, by providing a unique experience of exploring and interacting with real and virtual worlds simultaneously. The research envisions a system that connects visitors to events and/or objects separated either in time or in space, or both, providing social meeting points between them. To demonstrate the attributes of the proposed system, a Virtual Museum scenario has been chosen. The following pages will describe the RoboSHU: Virtual Museum prototype, its capabilities and features, and present a generic development framework that will also be applicable to other contexts and sociospatial domains. [ABSTRACT FROM AUTHOR]

The photogrammetric acquisition of 3D object models can be achieved by Structure from Motion (SfM) computation of photographs taken from multiple viewpoints. All-around 3D models of small artefacts with complex geometry can be difficult to acquire photogrammetrically and the precision of the acquired models can be diminished by the generic application of automated photogrammetric workflows. In this paper, we present two versions of a complete rotary photogrammetric system and an automated workflow for all-around, precise, reliable and low-cost acquisitions of large numbers of small artefacts, together with consideration of the visual quality of the model textures. The acquisition systems comprise a turntable and (i) a computer and digital camera or (ii) a smartphone designed to be ultra-low cost (less than $150). Experimental results are presented which demonstrate an acquisition precision of less than 40 μ m using a 12.2 Megapixel digital camera and less than 80 μ m using an 8 Megapixel smartphone. The novel contribution of this work centres on the design of an automated solution that achieves high-precision, photographically textured 3D acquisitions at a fraction of the cost of currently available systems. This could significantly benefit the digitisation efforts of collectors, curators and archaeologists as well as the wider population. [ABSTRACT FROM AUTHOR]