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Photo Response Non-Uniformity (PRNU) is reputed the most successful trace to identify the source of a digital video. However, its effectiveness is mainly limited by compression and the effect of recently introduced electronic image stabilization on several devices. In the last decade, several approaches were proposed to overcome both these issues, mainly by selecting those video frames which are considered more informative. However, the two problems were always treated separately, and the combined effect of compression and digital stabilization was never considered. This separated analysis makes it hard to understand if achieved conclusions still stand for digitally stabilized videos and if those choices represent a general optimum strategy to perform video source attribution. In this paper, we explore whether an optimum strategy exists in selecting frames based on their type and their positions within the groups of pictures. We, therefore, systematically analyze the PRNU contribute provided by all frames belonging to either digitally stabilized or not stabilized videos. Results on the VISION dataset come up with some insights into optimizing video source attribution in different use cases. [ABSTRACT FROM AUTHOR]

Millions of users share images and videos generated by mobile devices with different profiles on social media platforms. When publishing illegal content, they prefer to use anonymous profiles. Multimedia Forensics allows us to determine whether videos or images have been captured with the same device, and thus, possibly, by the same person. Currently, the most promising technology to achieve this task exploits unique traces left by the camera sensor into the visual content. However, image and video source identification are still treated separately from one another. This approach is limited and anachronistic, if we consider that most of the visual media are today acquired using smartphones that capture both images and videos. In this paper we overcome this limitation by exploring a new approach that synergistically exploits images and videos to study the device from which they both come. Indeed, we prove it is possible to identify the source of a digital video by exploiting a reference sensor pattern noise generated from still images taken by the same device. The proposed method provides performance comparable with or even better than the state-of-the-art, where a reference pattern is estimated from video frames. Finally, we show that this strategy is effective even in the case of in-camera digitally stabilized videos, where a non-stabilized reference is not available, thus solving the limitations of the current state-of-the-art. We also show how this approach allows us to link social media profiles containing images and videos captured by the same sensor. [ABSTRACT FROM AUTHOR]