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The article focuses on Johnathan Blake, a drummer and composer, exploring his musical journey and the profound influence of mentors such as Charles Mingus, Pharoah Sanders, Roy Hargrove, and Ralph Peterson Jr. It delves into Blake's latest album "Passage," which pays homage to his late father, showcasing his personal storytelling through compositions that celebrate life rather than mourn loss, embodying the spirit of his influences and personal experiences.

The article highlights the uptempo and rhythmic drum playing by E. J. Strickland of the song "I Want More." It looks at defining aspects of the five eight-bar chunks on the drum solo, that include eight bars of saxophone over the A with drums taking the B section, set of eight that starts with stick pattern, solo bar that follows the piano, solo bars with triplet phrases applied with five-beat hemiola concept, and bars 73-80 in an eight-note trade between the hands and the bass drum.

The article focuses on Dafnis Prieto, a drummer, composer, music professor and jazz musician, and his efforts in fighting for originality. It refers to the songs "Humanoid, Funky Humanoid" and Alba" from Prieto's album "3 Sides of the Coin" as demonstration of the influence of artificial intelligence (AI) and its potential outcomes for musicians. It also raises Prieto's concern for music content creators about the use of AI tools.

The article focuses on Norwegian drummer Paal Nilssen-Love and his celebration of the 10th anniversary of his big band Large Unit, featuring international collaborations and dynamic performances. Topics include the challenges of leading a large ensemble, the evolution of Large Unit's music, and Nilssen-Love's commitment to global music and cultural exchange through his music.

The article presents an interview with American drummer Kendrick Scott's new album "Corridors" which features a saxophone trio and explores the theme of loss and stagnation during the pandemic. Topics include Scott's decision to create a saxophone trio album, the creative process behind the music, and the emotional impact of the pandemic on the album's composition.

The article discuses the works and experiences of Peruvian-American drummer Alex Acuña in the jazz music industry. The journey of his childhood struggles, details of his current album "Gifts" and how he came to jazz music are discussed which include learning to read by himself, being a house drummer to several popular artists like Diana Ross and Elvis Presley and recording albums with artists Shorter and Zawinul.

An interview with AI Foster, master drummer of jazz music industry, is presented. When asked about if he ever met Lester Young, he expresses that he grieves not meeting him and Billie Holiday also. When asked about his first solo performance he shares that it was when he saw Count Basie live with Sonny Payne at a theatre.

The article reports that DownBeat Five staff has been working with European writers with European acts as groups and artists exemplify the breadth and beauty of Europe's improvised music scene. Topics include work that combines Afrobeat with Caribbean and West African melody, frenetic electronics and jazz improvisation; and drummer Sarathy Korwar's music to the genre-eating, improvised output of musical influences with different music genre.

The article provides reviews of various drum products, including the Drum Kits from Rogers the Metal Snare Drums from Pacific Drums and Percussion (PDP), and the Nylon Brushes for Drums from ProMark.

The article offers information on several work of American drummer Terri Lyne Carrington. Topics include examines that in the 2020 periodical critics poll, Social Science topped the Jazz Group category, and Waiting Game, its debut recording, was voted Jazz Album of the Year; and considered that she become singular figure among jazz musicians in the movement for gender parity, by her Concord albums "The Mosaic Project" (2011) and ''The Mosaic Project: Love And Soul'' (2015).

An interview is presented with drummer-composer Antonio Sánchez and vocalist Thana Alexa. Topics discussed include the orchestrations for the band ONA and for the band Migration; performance of the duo at the 2020 National Association of Music Merchants (NAMM) Show and digital manipulation as a device for zeroing.

The author focuses on consideration of perspective as drummer's advantage on bandstand and mentions cohesion among many distinctive artists with such distinctive sounds. Topics discussed include drummers who changed the name as bandleaders such as Art Blakey and Roy Haynes, helping other artists bring their visions to life and journey of author in practice room.

The article discusses Ross Pederson's debut recording, 'Identity,' exploring his diverse musical influences and the challenges of being a sideman. As a drummer for Snarky Puppy and the Manhattan Transfer, Pederson decided to release the album independently, showcasing his broad musical tastes, blending jazz, pop, electronica, and hip-hop. The eclectic 'Identity' features contributions from acclaimed musicians and explores themes like stress release and adventure-seeking.

The article focuses on drummer composer and bandleader Matt Wilson. Topics include Wilson boys began playing duets at home on Saturday nights and eventually honed; his kit with assorted instruments, including a Brazilian tamborim, pan flute, wooden flutes and harmonica; and Wilson is able to pinpoint precise sounds coming from cymbals and drums.

The article profiles drummer Jonathan Blake. Topics include Blake's jazz education at William Paterson University and master's degree in composition from Rutgers University, career as drummer for the Mingus Big Band, and working relationship with saxophonist Chris Potter, who is on Blake's 2014 album "Gone But Not Forgotten."

The author talks about his home studio for music recording in Queens, New York and its importance for him in producing his jazz music. Topics discussed include the author's work as a drummer, including his album "Bad Hombre;" his album with the band Migration, "Lines In The Sand;" and the his work in the documentary film "Política, Manual de Instrucciones."

The article presents information related to the making of the album "Once Around the Room: A Tribute to Paul Motian" by jazz saxophonist Joe Lovano and guitrist Jakob Bro, dedicated to their trio's drummer Paul Motian. According to Lovano, the duo initially planned to create music influenced by Motian that transformed into a tribute. It highlights their challenge in bringing together seven musicians without any prior rehearsal to create a balanced close-knit music.

The article features Ralph Peterson, drummer, composer, bandleader, and educator. Topics mentioned include his work as educator at Berklee College of Music, his career development, and his mentors such as Michael Carvin and Paul Jeffrey. Also mentioned are his contribution in the promotion of jazz music and his contribution in the album "I Remember Bu."

An interview with drummer Joey Baron is presented. When asked about recording with musician Robyn Schulkowsky, he refers to have done a record called "Live at the Great American Music Hall," with her. He mentions about his two recent releases including "Now You Hear Me," and "Live!" He also talks about the importance of listening in the field of music.

The article discusses American-Cuban drummer, Dafnis Prieto and his intention to make a new big band album. It mentions his 2011 MacArthur 'Genius' award, the Dafnis Prieto Big Band's debut album, "Back to the Sunset" on Prieto's independent music label, Dafnison Music, and Prieto collaborating with Grammy and Latin Grammy-winning producer Eric Oberstein for the project.

The article discusses life and work of William "Willie" Jones, who was a jazz drummer. Topics discussed include Jones' style of playing drum which includes no muscle movement above his shoulders and impeccable time and a keen instinct for conjuring combinations of rhythm; his consequential touring with Arturo Sandoval; and release of his music album "My Point is..."

The article focuses on jazz music industry related experiences of master drummer Joe Farnsworth. It is discussed that he uses eighth notes in the second, third and fourth measures that creates an effect of upbeats under his syncopation. his methodology of playing with drums is explained which includes following jazz artist Alan Dawson's methods, shifting between notes and trading perfectly in chorus.

The article focuses on jazz music industry related experiences of drummer Ulysses Owens Jr. He shares that he has been producing jazz artists for past 15 years and has made 60 full-length records by UOJ Productions. He shares the techniques to be good at producing music which include being honest with oneself as an artist when producing music, putting music first and arranging, understanding and orchestration while playing drums. .

The article offers information on the jazz duo, Domi and JD Beck, consisting of French keyboardist DOMi Louna and American drummer JD Beck. It highlights how the noticeable characteristic of DOMi & JD BECK performance videos is the economy and simplicity of their musical concept without any loss of sonority. It also presents their views on not wanting to put any limitation on their music.

The article focuses on renowned drummer Joey Baron's participation in the publisher's Blindfold Test where he listens to and provides insights on various jazz recordings. Topics include his observations on the precision and storytelling in the music, his admiration for drummer Bill Stewart's approach, and his appreciation for the soulfulness and engagement in the performances of the John Patitucci Trio and Terri Lyne Carrington.

The article focuses on drummer Vince Ector's debut album "LIVE @ The Side Door" recorded in January 2020 and dedicated to the memory of organist Joey DeFrancesco. Topics include Ector's connection to The Side Door Jazz Club, the lineup of his Organatomy Trio+ with special guest Justin Jones, and the significance of releasing the album independently.

The article focuses on the views of drummer/vibraphonist Jason Marsalis on different songs from various music recordings, presented during a live blindfold listening test to identify music recordings and its musicians. Marsalis comments on the song "Glitteragbas Solo" from "Bittersweet in the Ozone," by Bob Moses as overdubbing music including vibraphone, xylophone and some glockenspiel.

The article focuses on the career of drummer Leon Ndugu Chancler as of June 2015. It cites several musicians who played with Chancler, including Gerald Wilson, Freddie Hubbard, and Carlos Santana. Also presented are some songs co-written by Chancler like "Dance Sister Dance," "Let It Whip," and "Billie Jean," as well as Chancler's performances with musicians Alice Coltrane and Reggie Workman.

The article focuses on the efforts of big band drummers and small group drummers to improve the quality of drumming. It reports on the use of baritone saxophone and bass trombone in music ensembles in big band drumming. It highlights the importance of sound of drums in big musical bands, as of August 2021.

The article presents the profile of the drummer Jonathan Barber. It informs that he attended the jazz studies program at the University of Hartford in Connecticut. It mentions about his music group, Jonathan Barber & Vision Ahead, consisting of guitarist Andrew Renfroe, pianist Taber Gable, bassist Matt Dwonszyk, and saxophonist Godwin Louis. It talks about their third studio album, "Poetic." It also presents his views on adding commentary to their music as a drummer.

The article offers musicians briefs, which include Norah Jones reprised her first ever appearance on national television by returning to perform on 'The Tonight Show Staring Jimmy Fallon'; and Alliance Française of Chicago, the French General Consul Yannick Tagand awarded drummer Mike Reed.

The article reports that Marco Benevento, a keyboardist, developed a jazz/rock solo affair of rambunctious and off-kilter experimentation in music composition. Topics include information on his trio of bassist Reed Mathisand drummer Matt Chamberlain scored some impressive gigs, including the Newport Jazz Festival and opening for Jamie Cullum at Carnegie Hall; and string of adventurous Benevento albums, as well as a roster expansion of a range of music from fringe jazz.

The article offers information on drummer Buddy Rich and offer insights to his life. Topics discussed include his work with CBS network's "The Marge and Gower Champion Show," his guest appearances on "The Tonight Show" and his appearance in the films "Ship Ahoy" and "Du Berry Was a Lady." It mentions that Rich has also embraced rock music of the bands, The Beatles and The Doors.

The article features American jazz drummer and composer Mark Guiliana. Topics discussed include the influence of electronic music style drum 'n' bass which had a watershed year in 1996 on Guiliana, the impact of his style on Guiliana's drumming and his approach to composition, and the founding of his own music label Beat Music Productions in 2013. Also mentioned are his albums that feature electro-acoustic sounds including "Life Starts Now" and "Beat Music: The Los Angeles Improvisations."

The article offers information on jazz drummer Billy Hart. Topics include his composition untitled "Teule's Redemption" which has remained unreleased, his recording contract with recording company ECM, and his albums "One Is the Other" released on March 4, 2014 and "All Our Reasons" which has been released in 2013.

The article presents an interview with jazz pianist George Colligan. He reveals that his first real musical interest was the trumpet, but did not commit to music until middle school. Colligan relates what prompted him to stop traveling and concentrate on teaching jobs. He talks about his experience of being a member of the band of American jazz drummer, pianist, and composer Jack DeJohnette.

The article discusses developments in the musical instrument industry as of November 2013, particularly on drums. According to Ludwig Drums design engineer Josh Allen, there are various types of drummers who look for different kind of sound. It features several companies that manufacture drum set made of wood, including Chicago Drum and Restoration, Yamaha, and Pearl.

This article features jazz musician and drummer Jaimeo Brown and his debut solo album "Transendence." Brown's inspiration for recording the album was the Gee's Bend Singers, a group of African American singers and quilters. Brown talks about his first live show with the Gee's Bend samples. Information on Brown's personal life and career is presented. INSET: Brown's Drums.

The article features drummer and multidimensional jazz artist Jack DeJohnette. It describes the personality of DeJohnette, as evident with the way he dresses and mingles with people. DeJohnette launched his album "Sound Travels" in 2012, and was named as the 2012 National Endowment for the Arts (NEA) Jazz Master. The accomplishments and contributions of DeJohnette are also highlighted.

The article focuses on drummer and percussion professor Ralph Peterson and his commitment to protecting the truth about the source of music. Petersen refers to the artwork for the music release "The Duality Perspective" to demonstrate his thoughts about protecting the truth. He drew on lessons learned during late 1980s engagements with experimentalists in coming up with "Presents The Fo'tet" and "Ornettology." He also documented his recovery efforts in "The Reclamation Project."

The article profiles jazz drummer and composer John Hollenbeck. Hollenbeck is nominated for Best Instrumental Composition in the 2012 Grammy Awards for the recording "Falling Men" from the album "Shut Up and Dance." He reveals that he got involved in the project "What Is Beautiful?," which focuses on sung poetry from the works of poet Kenneth Patchen after he received a call from Richard Peek of Rush Rhees Library. Singers Kurt Elling and Theo Bleckmann were also part of the project.

The article profiles Cuban drummer Dafnis Prieto. Prieto studied the distinctions between the drum languages of India and his native Cuba. He confesses manipulating Cuban rhythms during his concert in New York using the North Indian technique called tihais. His formative years in the predominantly African American Condado district of Santa Clara, California shaped his heritage and modernity aesthetic outlook on music. He refined his instrumental voice taking into account Cuban raw materials.

The article features jazz drummer Roy Haynes. The drummer recalls his experience of performing with musician Lester Young in 1947. According to the author, the music produced by Haynes is difficult to categorize because he is an original thinker. Information on the music release "A Life in Time," which is a collection of the recordings of Haynes, is presented. Jazz guitarist Pat Metheny shares her views on Haynes.

The article features Gerry Hemingway, drummer, music teacher at Hochschule Luzern in Switzerland, collector and archivist. According to Hemingway, he conducted research and accumulated a strong body of work in preparation for his large lecture classes at the university. He mentions that he started thinking about writing music after he met piano player Anthony Braxton. He cites the appeal of the elastic capability of a group of musicians built around alto saxophonist Michael Moore and trombonist Wolter Wierbos, among others.

An interview with drummer T.S. Monk Jr. is presented. When asked about what he feels as the son of celebrity jazz musician Thelonious Sphere Monk while growing up, he replies that he is awed at the legacy of his father because of the talents he mentored and is gratified at the time he spent with his family. He relates an incident that ignited his interest in photography. He recalls the comment of his father about self-esteem and his inheritance in the music world.

The article features drummer Eric Harland. He established himself in the music scene when he collaborated with Charles Lloyd. His projects with the SFJAZZ Collective, the Overtone Quartet with Jason Moran and James Farm further heightened his career. Harland also gained a special citation for Outstanding Musicianship from the International Association of Jazz Educators.

The article features the late American jazz drummer Art Blakey. Several musicians he has worked with are cited. It notes how Blakey has become an inspiration to generations of jazz bandleaders. According to trumpeter Don Sickler, Blakey liked the musicians to understand the heritage and play the music of those people who came before them, and also encouraged them to bring new materials themselves.