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1. Introduction: The Witch Institute.

2. Appendix: The Witch Institute Symposium Schedule.

3. Re-enacting/mediating/activating: Towards a collaborative feminist approach to research-creation.

4. Algorithmic bias in anthropomorphic artificial intelligence: Critical perspectives through the practice of women media artists and designers.

5. Shifting towards decoloniality: Transfronteriza nepantlera rasquache tactics in new media art and expanded animation.

6. The Medium Is the Environment : Digital materialism, climate crisis and digital art as pedagogy.

7. Welcome to the glitch and make some noise: Understanding media through audio hacking.

8. 'Compression makes every movie a melodrama': A conversation with Laura U. Marks on the Small File Media Festival.

9. Unsettling 'we're all mixed-race': Métis.se /colonial futurity, settler colonialism and the countering of Kanak sovereignty.

10. Cabinet of precariousness: From the ephemeral image to the eternal image.

11. KIMA: Voice : The human voice as embodied presence.

12. Spacemakers: Speculative design, public space and monuments.

13. Practice as research in animation: A provisional engagement.

14. Lab report: Balance-Unbalance. Ecology and citizenship.

15. Ontophany and transimmanence in the experience of contemporary media artworks.

16. The microbiome biosphere as an artistic resource.

17. Marnie Ellen Hertzler, Hi I Need To Be Loved.

18. Artists’ Moving Image: South Asian Trajectories.

19. From the ego to the alter ego – interacting with the self image through Neuro Mirror.

20. Avoid setup: Insights and implications of generative cinema.

21. Meta-reference in media arts and the interactive instantiation of non-digital artworks.

22. Ekphrasis.

23. Capricious creatures: Animal behaviour as a model for robotic art.

24. Pou Rewa, the Liquid Post, M?ori Go Digital?

25. Deciphering the Refusal of the Digital and Binary Codes of Sovereignty/Self-Determination and Civilized/Savage.

26. Artwork.

27. Games as Enduring Presence.

28. Transmissions: The Future Possibilities of Indigenous Digital and New Media Art.

29. LEFT_CHANNEL.

30. A Brief (Media) History of the Indigenous Future.

31. Mobilities, aesthetics and civic engagement: Getting at-risk youth to look at their communities.

32. Book Reviews.

33. Curating Massive Media.

34. Exhibition Histories and New Media Behaviours.

35. Digital art in China.

36. Emotion as media - out of the lab.

37. SHAN Audio Visual lab.

38. Multilingualism, visual integration and transculturalism.

39. The myth of immateriality - presenting new media art.

40. New-media art and the renewal of the cinematic imaginary.

41. The social properties of media arts in an open source era.

42. Exhibition 3: Rare Film and Audio Art.

43. Exhibition 2: Prime Mover: Conceptualism in Motion.

44. Exhibition 5: Cinema and its Others.

45. Exhibition 1: Still/Moving.

46. Exhibition 4: Real Time, Flux and Modernity.

47. Catch and release: Artworks inspiring insight into environmental issues.

48. Films for empty rooms.

49. Digital productivism: New participatory mass culture.

50. Hilary Lloyd.

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