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After the national election win of the Liberal National Coalition in March 1996, Australia experienced more than ten years of contentious public debate. Discussions about Australia's history and future raged with an intensity that both highlighted and problematized the very notion of national identity. During this period, the television commercials for tea brand Bushells paralleled changes in Australia's political culture. In various ways, events of epochal significance, both in Australia and abroad, surfaced in the brand's promotions. These campaigns not only showed the increasing difficulty of picturing Australianness; they also showed that, no matter how fragmented Australian culture became, there remained a lingering bias to certain images, ideals and values. As the Australian electorate became more insular, parochial and conservative, Bushells followed suit. This article considers how Bushells drew symbolic markers from popular culture - the worlds of celebrity, sport, cinema and so on - in a bid to remain relevant, endearing and likeable. It therefore shows that, for a commodity as basic as tea, much can be gleaned about the contemporary political mood through the vernacular rhetoric of television advertising. [ABSTRACT FROM AUTHOR]

After the national election win of the Liberal National Coalition in March 1996, Australia experienced more than ten years of contentious public debate. Discussions about Australia's history and future raged with an intensity that both highlighted and problematized the very notion of national identity. During this period, the television commercials for tea brand Bushells paralleled changes in Australia's political culture. In various ways, events of epochal significance, both in Australia and abroad, surfaced in the brand's promotions. These campaigns not only showed the increasing difficulty of picturing Australianness; they also showed that, no matter how fragmented Australian culture became, there remained a lingering bias to certain images, ideals and values. As the Australian electorate became more insular, parochial and conservative, Bushells followed suit. This article considers how Bushells drew symbolic markers from popular culture - the worlds of celebrity, sport, cinema and so on - in a bid to remain relevant, endearing and likeable. It therefore shows that, for a commodity as basic as tea, much can be gleaned about the contemporary political mood through the vernacular rhetoric of television advertising. [ABSTRACT FROM AUTHOR]

Since the early 1990s, numerous corporations have signaled their social responsibility by marketing goods and services in ostensibly ethical terms. This phenomenon rests on the discourse of ethical consumption. The practice is predicated on consumers' interest in such matters, which are often of a humanitarian or environmentalist nature. In turn, consumers can either reward brands and businesses that are similarly inclined, or punish those that are not. This article considers both the efficacy and politics of such activity through the Green & Black's brand of organic, Fairtrade chocolate. This was the first Fairtrade product sold in the United Kingdom. The nuanced dynamics of the Green & Black's brand though underline the necessary compromise of ethical consumption, and reflect a complex grid of contingent ideals and institutionalized hurdles. This article shows how, in articulating a popularly agreeable narrative, the brand's ethics involves an inherent trade between quantitative gains at a qualitative cost. [ABSTRACT FROM AUTHOR]