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This article deals with Huth & Co.'s activities in Chile during the 1820s-1850s. Huth was the only London merchant-banker that decided to go global before 1850, and also the only one to open a branch in Chile. The analysis of how his branches operated should take this into account, yet Huth's activities in Chile have only previously been examined using a bilateral approach to examine the economic relations between Chile and Britain. This situation was mainly due to the fact that the richest collection of primary material on Huth & Co. (the Huth papers at University College London) had been ignored by scholars working on Anglo-Chilean economic relations during the first half of the nineteenth-century. The main focus of this paper is on the information that we were made unaware of due to this restricted investigative approach. Among them are the connections established between Huth's branches in Chile and the USA, Asia, continental Europe and the rest of Latin America; and the important trade in Spanish quicksilver. [ABSTRACT FROM AUTHOR]

This article analyzes the role of exploitable nature in the International Exhibition held in Chile in 1875. Based on documentation from the organization and development of the even such as letters, catalogs, newspapers and visitor reports the article examines first, the ways in which the countries' exploitable nature related to agriculture and mining was represented in this event. This paper looks to examine the base upon which objectives and models were exhibited, and at the same time examines how the representation of this nature could imply its denaturalization, by strictly presenting it as rational and almost artificial. Second the article analyzes how some parts of nature represented in the exhibition could have been appropriated, at least provisionally, within national criteria in the Chilean case. In relation to the aforementioned, the article focuses on problems such as the agricultural dimension of the country, the centralization of knowledge about nature and the construction and contrast of "national nature" during the Exhibition. [ABSTRACT FROM AUTHOR]

This paper deals with the construction of Chilean image in Andres Sabella's works, focusing on his university lectures, conferences and articles, unedited or unknown. For this purpose, two topics are analyzed: the sense of equalitarianism in history and literature and the national archetype- the Chilean "roto" and his daily image, from the XVI century to the mid-XX century. [ABSTRACT FROM AUTHOR]