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Copyright of Form@re is the property of Firenze University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Technological imagination and innovation processes have always been at the basis of economic growth and the expansion of human domination over other species. Nevertheless, something seems to have got stuck. Can the leaps in technological development that make it possible to "reset" the clock to start growing again in a sustained form really be infinite? Or are we facing something different, a limit in the structural stability of the ecosystem itself? The worsening of the polycrisis - certainly also energetic - will require drastic solutions but should also finally allow the (re)emergence of radical ideas of renewal and transformation, as well as concrete proposals for spatial organisation associated with the new lifestyles they prefigure. [ABSTRACT FROM AUTHOR]

Copyright of Societá Mutamento Politica is the property of Firenze University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In the last few years, artists' archives have gained a central role in the debate on the nature, treatment and valorization of 20th century and contemporary archives. They are fascinating and precious aggregations, characterized by a plurality of documentary typologies and by specific requirements for their description. Starting from the definition of personal archives, the paper proposes a definition of artists' archives and then attempts to indicate their main characteristics, contents and elements of complexity. Finally, the paper attempts to establish a dialogue between archivists and artists, collectors, gallery owners, critics and curators in order to find common elements and differences in their actions. [ABSTRACT FROM AUTHOR]

Copyright of Rivista Italiana di Educazione Familiare is the property of Firenze University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Form@re is the property of Firenze University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Form@re is the property of Firenze University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Form@re is the property of Firenze University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Donald A. Norman Vivere con la complessità Torino, Milano: Addison Wesley Pearson, 2011 ISBN 9788871926469 pp. 272, 16,00 euro

The topic of project as product of research for the Area of Architecture can be considered therefore central for tradition, for the recognized value on social, economic and environmental effects of the works of architecture and, finally, for the declared accreditation from scientific bodies and evaluation structures of Athenaeums. As it is not reasonable to imagine an automatic correspondence between project and its research value, such value is clearly verifiable when for it are underlined specific qualifications in base to genetic peculiarity, to particular operational developments, to exemplary modes of production, to evident cultural, social, economic and environmental effects. Within the various components of the design introduced recently by the CUN (National University Council), the reference of technological design to the problem solving field, in which it is possible to organize decision-making abilities and manage information for the project success, refers to the knowledge fields and to the activities that interact with the know-how, with the method and with the simultaneity of theoretical and practical knowledge. [ABSTRACT FROM AUTHOR]

Copyright of Ri-vista: Ricerche per la progettazione del paesaggio is the property of Firenze University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)