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An interview with musician Curt Cacioppo is presented. He talks about the origins for the project-Womb of the Sacred Mountains, inspired by the culture and religious practices of the Navajo people, on the occasion of a 25th anniversary release of all four quartets. When asked about his interest in this culture originate, he recalls his childhood; shares native sources for his material- researching the transcribed sources, like those in Dee Brown's book.

An interview with violinist Sherban Lupu is presented. It mentions violinist Lupu has recorded a selection of works for violin and piano by Ysaÿe, and the Violin Concerto in G Minor in a new orchestration by Sabin Pautza, and how beautiful the results are. It further discusses Maestro Lupu's these works.

The article presents an interview with composer Charles Roland Berry. It discusses his Idea of , Listen Large that is a way of combining Millennials' crowd-funding idealism with their love of film music and the talents of contemporary composers to generate orchestral works of broad audience appeal.

The article presents an interview with American composer Joel Feigin, who talks about his background and music. Topics discussed include his educational background of piano studies at Juilliard School, mentions his views on studies to write in 12-tone or other avant-garde styles; and also mentions his thoughts on practice Zen Buddhism.

The article presents an interview with violinist, Marcio Candido about standard disc of music from Brazil and Argentina. It mentions the realm of general compositional style, Miguéz that understood being associated with the Wagnerian aesthetic. It discusses about the sonata for violin and piano in a major by Leopoldo Miguéz.

The article presents an interview with the Leon Botstein, president of Bard College and developing an important career as a conductor. It mentions the Botstein's fundamental decision to pursue music as a central part of his life and work. It discusses the Botstein's standard approach to the history of music.

The article presents an interview with pianist Marija Ilić. Topics discussed include his participation in a recording of works by contemporary American composer Michael Vincent Waller; and his work with contemporary composers, such as William Bolcom, George Crumb, Oliver Knussen, Joan Tower, and Meredith Monk, and collaborated with artists such as violist Lawrence Dutton of the Emerson Quartet.

The article comments on the six compact discs (CDs) of 20th century music, which were all played by the Cleveland Chamber Symphony (CCS). The issued CDs cover a wide range and are eloquent testimony to the CCS casting. In the album, the Concerto for Violin and Chamber Orchestra by Richard Hervig begins with a call to attention from side drum and bass, which is described as a mock fanfare.

Recordings of two classical music collections composed by Igor Stravinsky, conducted by Andrew Litton and Iván Fischer, respectively, are reviewed.

The article reviews the music release "4 Last Songs," performed by Richard Strauss.

The article reviews the classical music release of "Verklärte Nacht," composed by Arnold Schoenberg, "15 moments musicaux," composed by Rudolf Kelterborn, and "Prásence," composed by Bernd Alois Zimmermann.

The article reviews the classical music release "Symphony No. 9," composed by Alfred Schnittke and "Nunc dimittis in memoriam Alfred Schnittke," composed by Alexander Raskatov conducted by Dennis Russell Davies.

The article reviews the classical music album release of the chamber opera "What Price Confidence?" "3 Sauter Songs," and additional songs composed by Ernst Krenek, performed by Ilana Davidson, Susan Narucki, and Richard Clement.

The article reviews the music release "Tosca," composed by Giacomo Puccini and conducted by Erich Leinsdorf.

The article reviews the music release "Turandot," composed by Giacomo Puccini and conducted by Alain Lombard.

The article reviews the music release "Manon Lescaut," composed by Giacomo Puccini and conducted by Nello Santi.

The article reviews several music releases including "The Peace of Jerusalem," "Sanctus and Benedictus," and "A Thousand Years," by Anthony Pitts.

The article reviews the music release "The Hotel Casablanca," by Thomas Pasatieri and conducted by John Nordolillo.

The article reviews several music releases including "The Flight of Icarus," "The Spindle of Necessity," and "Channel Firing," by John Pickard and conducted by Martyn Brabbins.