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1. Cosway Street Bell Phillips.

2. Microsoft Rare: LOM architecture and design.

3. Kim Courrèges.

4. In nature's embrace.

5. Terraced House.

6. A RETROFIT IN THE HEART OF DICKENS LAND.

7. TO.

8. POoR COLLECTIVE WATCHLIST.

9. ARCHITECTURAL ANTAGONISTS THE NEW RADICALS HOLDING A MIRROR UP TO THE INDUSTRY AND SOCIETY.

10. Site Verrier: As this glass factory in France's rural Moselle continues to evolve and host new activities, SO-IL and Freaks Architecture's rehabilitation consolidates the site's identity.

11. New Museum of Architecture and Design, Helsinki.

12. Hoskins Architects.

13. THREE PRACTICES, THREE WAYS OF PRACTISING.

14. Cartwright Pickard's pioneering prefab.

15. The Energy Hub: Morris+Company.

16. BlueSky Barn: 31/44 Architects.

17. UNIT ADS4, RCA.

18. Brutalism dramatised: studies of the National Theatre.

19. Hackney New Primary School and 333 Kingsland Road housing.

20. Participation as pedagogy: Collaborative processes in architecture are tools for social transformation in the face of patriarchal and colonial structures.

21. A local character.

22. CUSTOMS MADE: Creating spaces in Niger that both respect traditions and turn them on their head is just one of the specialities of Atelier Masomi's Mariam Kamara.

23. APEC BPN.

24. Three of a different kind.

25. Tropical tropes: Irish missionaries in West Africa in the 20th century embraced the Tropical Modern of Maxwell Fry and Jane Drew while encouraging the substantial input of indigenous builders, writes Lisa Godson.

26. Retrospective: Paulo Mendes da Rocha: The architectural language of the most well known member of the Paulista school was intentionally used as a political weapon.

27. INNER CALM.

28. Competitions.

29. Lower ground floor plan, Pimlico School, by John Bancroft.

30. Civic presence.

31. The new lore of physics.

32. Taking care of business.

33. A chip off the block.

37. HUNGARIAN RHAPSODY.

38. TALES OF THE UNEXPECTED.

39. HUMAN NATURE.

43. Impractical genius: The Sydney Opera House and Can Lis, both completed in 1973, are two of Jørn Utzon's masterworks yet the products of a catalogue of errors.

44. FASHION VICTIMS: Buildings such as Venturi, Scott Brown and Associates' Museum of Contemporary Art in San Diego should not be embalmed, but pursuing fads can be equally compromising.

45. Reputations: Minoru Yamasaki 1912-1986.

47. Telling stories.

49. Site solutions: With a deft reworking of the plot's layout, DRDH has given Sheffield's Site Gallery a large new gallery space and bold street frontage.

50. Reputations Rem Koolhaas: Born 1944.

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