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The article focuses on the periodical's annual list of 25 dancers, choreographers, directors and companies poised for a breakout in 2024. Topics include Clarissa Rivera Dyas, a freelance dancer and choreographer challenging norms and disrupting expectations in her work; Danielle Swatzie, a versatile dancer & filmmaker, creating dance films that explore emotional landscapes; and Grace Rookstool, soloist with Pittsburgh Ballet Theatre known for her commanding stage presence and technical prowess.

Focuses on Tulsa Ballet. Contributions of artistic director Marcello Angelini to the ballet company; Qualities that Angelini looks for a dancer; Reason of soloist Ashley Blade-Martin for joining the ballet company.

The article presents a profile of Laura Morton, a dancer with the Terminus Modern Ballet Theatre in Atlanta, Georgia.

The article focuses on several dance companies in Atlanta, Georgia. The Atlanta Ballet and the Georgia Ballet are cited as the ballet companies that laid the groundwork for the dance community in the city. The contemporary dance company Several Dancers Core in Decatur is known for its creative innovation for three decades. Jazz classes and performance opportunities are offered by Ruth Mitchell Dance Theatre artistic director Lisa A. Toups.

The article features Atlanta Ballet, founded as the regional ballet company Dorothy Alexander Dance Concert Group in Georgia and its current artistic director John McFall. He was trained by Kansas City Ballet founder Tatiana Dokoudovska and spent 18 years as student, dancer and choreographer at the San Francisco Ballet. McFall and the Atlanta Ballet Centre for Dance Education dean Sharon Story employed an inclusive approach. The company will relocate to its new headquarters in Atlanta in August 2010. INSET: Christine Winkler & John Welker.

The article offers information on ballet dancer Airi Igarashi at Atlanta Ballet, her dancing and her performance in choreographer Yuri Possokhov's "Nutcracker."

The article profiles Emily Carrico, lead dancer of Atlanta Ballet, and mentions her training, childhood medical condition and artistic director Gennadi Nedvigin's thoughts about her.

The article previews a performance "The Nutcracker" choreographed by Yuri Possokhov to be held from December 8-24, 2018 at The Fox Theatre in Atlanta, Georgia.

The article reviews a dance performance by Kiara Felder at Atlanta Ballet.

The article profiles ballerina Karina González and discusses several of her major dance roles. It is reported that González hails from Caracas, Venezuela and that she began her dance education at the age of seven at the Gustavo Franklin Ballet School. González has reportedly danced with the Ballet Nacional de Caracas and the Tulsa Ballet in several major roles including Odette/Odile in "Swan Lake," Aurora in "Sleeping Beauty," and Juliet in "Romeo and Juliet."

The article profiles dancer Heath Gill, discussing his work with the Atlanta Ballet company and performances in productions such as "Carmina Burana," "Dracula," and "Minus 16."

The article profiles married couple Tolbert Yilmaz, owner of dance apparel manufacturer Tolbert Yilmaz Manufacturing Inc, and Nancy Tolbert Yilmaz, owner of the Tolbert Yilmaz School of Dance in Roswell, New Mexico and how the success of their respective businesses have benefited the other.

The article profiles dancer and choreographer Juel D. Lane from Atlanta, Georgia, who created the dance pieces "Touch and Agree" and "Moments of Dis."

The article features dancers, choreographers and dance companies included in the magazine's annual "25 to Watch" list. It includes dancer Dandara Veiga of Ballet Hispánico, Cameron Catazaro of the Miami City Ballet, dancer Adelaide Clauss of The Washington Ballet, the Ishida Dance Company, dancer and choreographer Vidya Patel, and commercial dancer Becca Robinson.

The article discusses the Ballets Russes Archive at the University of Oklahoma (OU) which was created to preserve materials related to the three ballet organizations of the Ballets Russes. The author comments on the efforts of the project's principal researcher Camille Hardy and Ballet Russe ballerina Yvonne Chouteau. Other topics explored include incorporating the archive into dance education, collaboration with the OU School of Library and Information Studies, and the archival photographs.

The article presents a brief profile of the ballet dancer Rachel Van Buskirk, commenting on her ability to add emotion to her dancing in her work with the Atlanta Ballet and previewing her performances in ballets from Jorma Elo, James Kudelka, and Christopher Wheeldon from February 10-19, 2012.

The article reports on a program between the Kennesaw State University and the Atlanta Ballet Centre for Dance Education, which allows students at the former to acquire a Bachelor of Arts by working at the latter.

The article informs about works of various artists. Topics include choreographer Ogemdi Ude, in "Living Relics," a collaboration with visual artist Sydney Mieko King for making solo "Nothing Like That Is Ever Going to Happen to Me Again"; and Adriana Pierce's career like a jack-of-all-trades, master-of-many laundry list dancing in Miami City Ballet, the 2018 Broadway revival of "Fosse/Verdon" and choreographic opportunities that continue to grow in scale.