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Does economic interdependence generate and foster positive attitudes among people? Few studies in the existing literature deal directly with this question. To fill this gap, this paper examines the economic relationships among China, Japan and South Koreaandthe resulting public opinions. We find that economic interdependence in Northeast Asiahas negatively influenced public opinion and hence increased tension and conflict among these states. Then, we draw some important political and theoretical implications from our findings. [ABSTRACT FROM AUTHOR]

The creation of painting in Taiwan in the early twentieth century was first inspired by Japanese art teachers. The new idea of "realistic painting" introduced at the time allowed the discovery of "local colors." However, the Taiwanese painters who employed the artistic ideal of "painting one's intent" were able to escape the limitation imposed by the concept of "local colors." How did the painters explore the artistic styles offered by the new global contexts through the colonization of Japan is an important issue that requires in-depth investigation. This issue is further complicated by painters who were not only influenced by the Japanese arts but also the traditional Chinese arts, as some of the Taiwanese painters moved to China after their training in Japan in order to search for a new style that conflates the Eastern and the Western arts. Taking several painters, Liu Jintang, Chen Chengpo, and Guo Bochuan as examples, this paper explores issues of identity, cultural impacts, and stylistic developments of the arts in the early twentieth century. [ABSTRACT FROM AUTHOR]