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Članak donosi transdisciplinarni pristup crkvenim vratnicama kao umjetničkom djelu za liturgiju. Vratnice se najprije dovodi u odnos prema njihovoj univerzalnoj antropološko-kulturnoj osnovi, a potom se razlažu teološki slojevi tradicije koji su definirali to mjesto – simbol crkve i njima u znatnoj mjeri obogatili kršćansku kulturu. Osim toga u članku je riječ o specifičnim arhitektonskim i umjetničkim procesima simbolizacije povezanim s oblikovanjem svetoga praga koji se raščlanjuju u trostrukoj perspektivi: tijelo, prijelaz, prisutnost. U tom pogledu vratnice artikuliraju specifično simboličko-obredno djelovanje i percepciju koja inicira čovjeka u susretu sa svetim. Potom se analiziraju vratnice hvarske katedrale suvremenoga hrvatskoga kipara Kuzme Kovačića, u kojima se plodno objedinjuju vjera i kultura, suvremenost i tradicija, svetost i ljepota., The article brings a transdisciplinary approach to church doors as works of art for the liturgy. Doors are first brought into relation according to their universal anthropological-cultural basis, and then there is a breakdown of the theological layers of tradition which defined that place – the symbol of the church and thus significantly enriched the Christian culture. In addition, the article deals with specific architectural and artistic processes of symbolization associated with the formation of the sacred threshold, which are broken down in a triple perspective: body, transition, presence. In this regard, the doors articulate a specific symbolic-ritual action and perception that initiates man in the encounter with the sacred. Then, there is an analysis of the doors of the Hvar Cathedral by a contemporary Croatian sculptor Kuzma Kovačić, in which religion and culture, modernity and tradition, sacred and beauty are fruitfully united.