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In the past few years a real advance has been made in the appreciation of Cynewulf's shortest signed poem, the Fates of the Apostles, extant in the Vercelli Book. For most of the century and more since this poem was first published critical opinion has been almost unanimously unfavourable about its literary merit and until recently scholarly attention has been limited mainly to textual and source investigations. Today, however, illuminating studies, such as those by James L. Boren and Constance B. Hieatt, have made us aware of the poem's subtleties of image and structure. In particular, now that we have begun to apprehend the depth of the poem's meaning, I believe that we can use this understanding to gain further insight into the thematic concerns of Cynewulf's other three signed poems. This can be achieved, I suggest, through recognizing how the basic theme of the Fates reappears as a motif linking Cynewulf's epilogues. [ABSTRACT FROM PUBLISHER]