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I sketch those characteristics of the mise en scène at the Ring of Brodgar stone circle and associated sites that might solicit within the visitor something like a dynamic performance. Drawing on surrealism, Robert Smithson and archaeology, I argue that themise en scène at Brodgar -- and the visitor's response to it -- is characterized by a sense of presence which exists in a dialectical tension with the perception of that which is absent. Brodgar is indexical (like a photograph) and hauntological, in semiotic terms. The Neolithic site is, at some level, unknowable. The visitor becomes aware of coincident yet incompatible manifestations of time and space (heterochronia) and imagines the potential return of unknown, cryptic ritual performances (metatheatre). This solicits within the viewer something akin to Max Erns's model of frottage. As Breton put it, 'The imaginary ... tends to become real'. [ABSTRACT FROM AUTHOR]

This article examines how Protestant and Catholic elites in early seventeenth-century France memorialized the Wars of Religion in purpose-built picture galleries. Postwar France remained a divided nation, and portrait galleries offered a sectarian memory of the conflict, glorifying party heroes. Historical picture galleries, on the other hand, promoted a shared memory of the wars, focusing on King Henry IV's successful campaign against the Catholic League to unite the kingdom. This article argues that postwar elites made a sincere effort to manage religious tensions by allowing partisan memories to circulate in private while promoting a consensual memory in public. [ABSTRACT FROM AUTHOR]

Today, millions of migrant workers, some of them caught in debt bondage, some victims of fraud or forced migration, and others simply desperate for a better life elsewhere but instead finding themselves working for below subsistence wages or no pay at all, could be called modern-day slaves. Campaigns to end modern-day slavery have taken many forms. Most visibly, what is sometimes called “the new abolitionism,” constitutes a strand of modern antislavery and antitrafficking movements that draws often on the analogy between these workers’ plight and chattel slavery in the Atlantic world. [ABSTRACT FROM PUBLISHER]

This study looks at the crucial features of Cambodian and Burmese monumental architecture at the peak of the two empires. By necessity, the overwhelming majority of sites are religious, as residential structures of almost any type, with the exception of some monastic buildings, were made of perishable materials and do not survive. [ABSTRACT FROM PUBLISHER]

The interpretation of history is often a complex task. All too often, sources are misinterpreted because of historians’ preconceptions. This article takes issue with one such misinterpretation, the anachronistic view that the Strait of Melaka has been the principal sea route connecting the Indian Ocean with the South China Sea throughout most of recorded history. Beginning at a period when an overland journey across the Malay Peninsula was an essential link in the routes connecting South, Southeast and East Asia, it is suggested that the first entirely maritime itinerary to be used regularly passed through the Sunda Strait. Changes in itineraries affected the fortunes of the states of Southeast Asia, particularly of Funan and Srivijaya. [ABSTRACT FROM PUBLISHER]

This paper examines the architectural renderings of the round city of Baghdad built by the Abbasid caliph Abu Jaʻfar al-Mansur as visualized by archaeologists and historians. Although nothing of the historic city has survived, descriptions by Arab and Persian authors have provided a guide to its appearance. From an architectural perspective, the work of Ernst Herzfeld and K.A.C. Creswell may be considered the most significant. A study of the details of their architectural drawings reveals inconsistencies with the written descriptions. Reconstructions by other scholars are also examined with special reference to the work of Jacob Lassner. The focus is on the first faṣīl (intervallum) and raḥba (entrance courtyard), the majālis (audience halls) over the four city gates, the maṣʻad (gangway) to the audience halls, the ṭaqāt (arcades) and finally the caliph's palace and the congregational mosque, to suggest a revised reconstruction of al-Mansurʼs Baghdad. [ABSTRACT FROM PUBLISHER]

The northernmost regions of Fennoscandia attracted attention of travellers and geographers for centuries. These regions were often imagined in ambivalent terms as homelands of evil and dearth or as places of true happiness. From the seventeenth century onwards, Sápmi (Lapland) became a destination of regular exploration undertaken by Swedish and foreign travellers. These travels made it possible to verify, dismiss, or authorize all that what was previously only speculated about, and ultimately led to the construction of new sets of representations. This paper studies the modes of imagining Sápmi in early modern writing, explores how these were intertwined with state programs in the region, and how the rhetoric and ideological underpinnings of the representations authored by the domestic authors differed from the visions of Sápmi produced by contemporaneous foreign travellers. [ABSTRACT FROM PUBLISHER]

Gitksan (git) is an Interior Tsimshianic language spoken in northwestern British Columbia, Canada. It is closely related to Nisga'a, and more distantly related to Coast Tsimshian and Southern Tsimshian. The specific dialect of Gitksan presented here is what can be called Eastern Gitksan, spoken in the villages of Kispiox (Ansbayaxw), Glen Vowell (Sigit'ox), and Hazelton (Git-an'maaxs), which contrasts with the Western dialects, spoken in the villages of Kitwanga (Gitwingax), Gitanyow (Git-anyaaw), and Kitseguecla (Gijigyukwhla). The primary phonological differences between the dialects are a lexical shift in vowels and the presence of stop lenition in the Eastern dialects. While there exists a dialect continuum, the primary cultural and political distinction drawn is between Eastern and Western Gitksan. For reference, Gitksan is bordered on the west by Nisga'a, in the south by Coast Tsimshian and Witsuwit'en, in the east by Dakelh and Sekani, and in the north by Tahltan (the latter four of these being Athabaskan languages). [ABSTRACT FROM AUTHOR]

Using court decisions, interviews with legal actors, and ethnographic observations, this paper analyzes the development of sexual identity classifications for sexual minorities seeking asylum in the United States and argues that the adjudication of such claims works to consolidate and regulate sexual identities but also creates possibilities for recognizing marginalized queer identities. Asylum seekers must prove their sexual identities, and immigration officials must classify claimants as belonging to a protected group. At the inception of queer asylum law in 1990, protected categories were highly circumscribed, but the indeterminacy of the law allowed advocates and asylum seekers to challenge existing categories and stake out new claims based on their sexualities. Against the backdrop of extant criticisms of the asylum process for queers, this paper suggests that the way asylum law has been elaborated, adapted, and interpreted, particularly in approximately the past decade, offers possibilities for making unique identity claims that are not recognized in existing scholarship. [ABSTRACT FROM AUTHOR]

The paper is a bibliographical and critical survey of the archaeological research on ancient Ostia and Portus in the decade 2004–2014. The first part deals with some general themes, such as cults, architectural typologies and urban history, decoration: wall-paintings, mosaics and marble, the guilds and their seats, trades, etc. The second part is a survey of individual monuments and buildings which have been the subject of recent excavations and interpretations. The critical problem of late antique Ostia is treated separately, as well as the archaeology of Isola Sacra and Portus, with the Imperial harbours. [ABSTRACT FROM PUBLISHER]

Holocaust museums record and memorialize deeply affecting historical events. They can nevertheless be described and criticized using standard categories of museum analysis. This paper departs from previous studies of Holocaust museums by focusing not on ethical or aesthetic issues, but rather on ontological, epistemic, and taxonomic considerations. I begin by analysing the ontological basis of the educational value of various objects commonly displayed in Holocaust museums. I argue that this educational value is not intrinsic to the objects themselves, but rather stems from the extrinsic relations established between objects in museum exhibitions and displays. Next, I consider the epistemic, or knowledge-creating, function of Holocaust museums. I argue that the structure of public displays in such museums reflects the particular, document-based epistemology that continues to characterize Holocaust historiography and other fields of Holocaust research. Finally, I turn to examine taxonomic features of Holocaust museums. As I explain, both professional and ‘artefactual’ networks link the activities and display strategies of national, regional, and local Holocaust museums. A brief conclusion sketches some implications of my analysis for ongoing debates about the ethical function of Holocaust museums. [ABSTRACT FROM AUTHOR]

Lightweight concrete was widely used and mainly spread during the Roman period. This technology was used in the West Church, Umm el-Jimal, Jordan. The date of construction of the West Church is debated and different dates have been suggested based on its architectural styles and comparisons with other churches. This research aims to radiocarbon date the construction of the dome (church), archaeometrically characterize the mortar, and determine the source of the scoria. Three charcoals and two broken pieces comprising scoria from the mortar of the fallen dome and six large scoria samples from Quais cone were collected. The research used different analytical methods including accelerator mass spectrometry 14C, X-ray diffraction, petrographic microscopy, inductively coupled plasma mass spectrometry, and scanning electron microscopy-energy dispersive X-ray spectroscopy. 14C determinations dated the dome (church) to the Late Roman–Early Byzantine periods, which contradicted the archaeological data. Analytical results showed that the mortar is lime-based and hydraulic. The similarities in the mineralogical composition, macroscopic and microscopic features, and chemical composition (compared statistically) of the scoria samples and the short distance between Umm el-Jimal and the Quais volcanic cone very likely indicate that the Quais volcanic cone is the source of the scoria used in the fallen dome. [ABSTRACT FROM PUBLISHER]

Sardinian Neolithic rock-cut tombs are not merely underground repositories, but complex and dynamic ritual architectures whose sequence of chambers was designed to host elaborate programmes of death ritual. The internal walls of about 250 of these tombs are decorated with carvings and paintings depicting architectural structures, cattle-head motifs and geometric designs. Research has often focused on classifying the motifs into typo-chronological categories, and little attention has been paid to their architectural setting and how art actually interacts with the spaces and structures of the tombs. How were art and architecture combined to create a setting appropriate for deathways? The present article results from a systematic review of this art and discusses patterns in the distribution and position of the motifs inside the tombs. Motifs were repeatedly placed at a few specific locations, suggesting that they played an active role in standardized ritual uses of the tombs. It is argued that art significantly contributed to structure spaces, sequence rituals, shape the ceremonial experience of the tombs, and was therefore a key agent in Late Neolithic deathways. [ABSTRACT FROM AUTHOR]

Cryoconite holes can be important sources and stores of water and nutrients on cold and polythermal glaciers, and they provide a habitat for various forms of biota. Understanding the hydrological connectivity of cryoconite holes may be the key to understanding the transport of nutrients and biological material to the proglacial areas of such glaciers. This paper aims to characterize and explain spatial variability in the connectivity of ice-lidded cryoconite holes on a small, piedmont glacier in the McMurdo Dry Valleys through geochemical analysis of cryoconite hole waters. Solute concentrations in both surface and near-surface ice and cryoconite holes, vary greatly along the glacier centerline, and all sample types displayed similar spatial patterns of variability. Using chloride as a tracer, we estimated variations in cryoconite hole connectivity along the glacier centerline. We found that a previously used mass transfer method did not provide reliable estimates of the time period for which cryoconite hole waters had been isolated from the atmosphere. We attribute this to spatial variability in both the chloride content of the surface ice and surface ablation rates. The approach may, however, be used to qualitatively characterize spatial variations in the hydrological connectivity of the cryoconite holes. These results also suggest that ice-lidded cryoconite holes are never truly isolated from the near-surface drainage system. [ABSTRACT FROM AUTHOR]

Marine-terminating outlet glaciers discharge most of the Greenland ice sheet's mass through frontal ablation and meltwater runoff. While calving can be estimated by in situ and remote sensing observations, submarine melting and subglacial meltwater transport are more challenging to quantify. Here we investigate the subglacial hydrology of Rink Isbræ, a fast-flowing West Greenland tidewater glacier, using time-lapse photography, modeled runoff estimates and daily satellite imagery from 2007 to 2011. We find that sediment plumes appear episodically at four distinct locations across the terminus, and last between 2 h and 17 d. This suggests short-term variability in discharge and the existence of persistent pathways. The seasonal onset of sediment plumes occurs before supraglacial lake drainages, shortly after the onset of runoff, and only after the wintertime ice mélange has begun disintegrating. Plumes were also visible after the cessation of runoff (23 ± 5 d), which is indicative of subglacial storage. The lack of either a seasonal velocity change or a correspondence between meltwater availability and plume occurrence suggests that the subglacial system persists in a state of inefficient drainage. Subglacial hydrology at tidewater glaciers is of critical importance in understanding dynamics at the ice front. [ABSTRACT FROM PUBLISHER]

Martin Arnold is an experimental composer currently residing in Toronto, Canada. His unique approach to composition originates in the close relationship that he developed with Czech-Canadian composer Rudolf Komorous while Arnold was a doctoral student at the University of Victoria. Martin Arnold's desire to create music both familiar and unfamiliar, known and unknown, generates paradoxical listening experiences that reside on the edges of things. In this article, the author explores a number of these edges and meeting places, especially as they occur within the composer's very singular string quartet, Contact; Vault. [ABSTRACT FROM AUTHOR]

When feminists interrogate the symbolic realm of religion, they often expose much of theological discourse as an idealized projection of a masculine subjectivity. In response to androcentric theological discourse, some feminists’ approaches have reframed religion in support of feminine subjectivity. For example, Luce Irigaray experienced an important, constructive turn to religion in her writings in the 1980s and 1990s following her early criticism of phallogocentric Western philosophy. She argued provocatively: Monotheistic religions speak to us of God the Father and God made man; nothing is said of a God the Mother or of God made Woman, or even of God as a couple or couples. Not all the transcendental fancies, or ecstasies of every type, not all the quibbling over maternity and the neutrality (neuterness) of God, can succeed in erasing this one reality that determines identities, rights, symbols, and discourse. Elsewhere, she contends: “as long as woman lacks a divine made in her image she cannot establish her subjectivity or achieve a goal of her own. She lacks an ideal that would be her goal or path in becoming.” For Irigaray, “to become divine” means to become a subject, as opposed to being a term that defines the other. Fertility, motherhood, and female genealogies are central to Irigaray's divine woman as a way to establish female subjectivity. [ABSTRACT FROM PUBLISHER]

Development of shale gas by hydraulic fracturing (‘fracking’) is opposed by campaigners who propose (inter alia) that freshwater aquifers could be polluted by upward migration of fractures and any fluids they contain. Prima facie hydrogeological analysis of this proposition has been undertaken. For it to occur, two conditions must be satisfied: (i)sufficient hydraulic interconnection (i.e., a continuous permeable pathway); and(ii)a sustained driving head, oriented upwards.With regard to (i), shale gas developers have a major vested interest in avoiding creating such hydraulic connection, as it would result in uneconomically excessive amounts of water needing to be pumped from their wells to achieve gas production. In relation to (ii), nominal upward hydraulic gradients will typically only be developed during fracking for periods of a few hours, which is far too brief to achieve solute transport over vertical intervals of one or more kilometres; thereafter, depressurisation of wells to allow gas to flow will result in downward hydraulic gradients being maintained for many years. The proposition is therefore found to be unsupportable. Albeit for contrasting motivations, developers and environmental guardians turn out to have a strong common interest in avoiding inter-connection to aquifers.A powerful illustration of the potential long-term effects of fracking is provided by the hydrogeological history of underground coal mining in the UK. Where large-scale mining proceeded from the surface downwards, major hydraulic inter-connection of shallow and deep zones resulted in widespread water pollution. However, where new mines were developed at depth without connections to shallow old workings (as in the Selby Coalfield, Yorkshire), complete hydraulic isolation from the near-surface hydrogeological environment was successfully maintained. This was despite far greater stratal disruption and induced seismicity than shale gas fracking could ever produce. The lesson is clear: without hydrogeological connectivity to shallow aquifers, shale gas fracking per se cannot contaminate shallow ground water. [ABSTRACT FROM PUBLISHER]

Fourteenth-century Italian humanists discussed the properties of tragedy while considering the value of Latin versus vernacular literature. Boccaccio was interested in these discussions because humanists were promoting classicizing tragic and epic literatures at the expense of vernacular writing. This article explores Boccaccio's role in these debates by examining the tragic stories of the Decameron. It suggests that Boccaccio highlighted the virtues of his erotic tales by contrasting them to the tragic stories of day 4, a strategy inspired by Ovid's elegiac poems. Boccaccio thus underscored the dignity of his low, Ovidian-inspired Decameron, and counterbalanced humanist fascination with high tragic-epic literatures. [ABSTRACT FROM AUTHOR]

Using a socioeconomic rights framework, this article will evaluate government policy relating to housing welfare in Hong Kong. In particular, it will explore the alarming plight of cage tenants in Hong Kong, a highly marginalized group estimated to be as many as 200,000 in number, who live day to day in cramped, dank dwellings averaging 15 square feet in size. It will argue that current government policies are incompatible with the International Covenant on Economic, Social and Cultural Rights (ICESCR) and the International Covenant on Civil and Political Rights (ICCPR). It will further look at strategies for domesticating these international human rights treaties. In doing so, this article will contribute to the ongoing debate concerning the legal nature of socioeconomic rights. [ABSTRACT FROM AUTHOR]

Post-mortem manipulations of the body were common at Mesolithic–Neolithic sites along the Danube River. During assessment of disarticulated human remains from Lepenski Vir, an unusual set of incisions (notches) were observed on the diaphysis of a human left radius along with a few cut-marks. Very few studies have attempted to distinguish clearly the characteristics of these modifications. All incisions were examined using a Scanning Electron Microscope and a Focus Variation Microscope that generated measurable three-dimensional digital models. Our results indicate that, on the basis of their micro-morphometric features, qualitative and quantitative distinctions can be made between cut-marks and notches, a methodology which can be applied to other engraved bones. Cut-marks, accidentally produced during flesh removal, were more irregular, longer, narrower and shallower than the notches. The notches, produced by a ‘nick and slice’ motion (pressure was applied to the bone, then the tool was pulled in one direction), were deliberately engraved. This engraved human bone is a rare example within a Prehistoric European context, possibly a form of notation, marking or counting a series of (important) events. [ABSTRACT FROM AUTHOR]

Performing a historicized analysis of John Dos Passos's Manhattan Transfer (1925), this essay returns this understudied author to the center stage of modernist studies and includes the popular stage in accounts of the technologized mechanisms of modernist writing. By disclosing a deep correlation between the composite narrative tactics of Dos Passos's multilinear novel and the mass entertainments of this period, particularly Florenz Ziegfeld's annual Follies revues, it supplies new parameters for theorizing strategies of narration and characterization in modernist fiction vis-a-vis the technologies of popular entertainment and display in the early twentieth century. The discussion of Dos Passes s broad critique of the gendered specular economy of the modern metropolis in the era of Taylorism repositions his early writing as integral to the development of high modernism in the 1920s. [ABSTRACT FROM AUTHOR]

Based on an analysis of three literary texts about Dayaks--the indigenous peoples of Kalimantan (Borneo) in Indonesia--this essay argues that strategic submission can play an important role in indigenous peoples' attempts to obtain and maintain agency under the shadow of dominant discourse. Discussions foundational to the field of postcolonial studies have tended to focus on the importance of subversion, resistance, and counterdiscourse in liberating the oppressed subject. Taking reading cues from anthropological and sociological accounts of Dayak compliance with various constructions of Dayaks, this essay looks at how the writing of literature about Dayaks (by both non-Dayaks and Dayaks) functions as an enactment of and meditation on the application of dominant discourse to indigenous peoples and the opportunities that such discourse affords for carving out spaces of autonomy. [ABSTRACT FROM AUTHOR]

US government reports describe Chinese-conceived “island chains” in the Western Pacific as narrow demarcations for Chinese “counter-intervention” operations to defeat US and allied forces in altercations over contested territorial claims. The sparse scholarship available does little to contest this excessively myopic assertion. Yet, further examination reveals meaningful differences that can greatly enhance an understanding of Chinese views of the “island chains” concept, and with it important aspects of China's efforts to develop as a maritime power. Long before China had a navy or naval strategists worthy of the name, the concept had originated and been developed for decades by previous great powers vying for Asia-Pacific influence. Today, China's own authoritative interpretations are flexible, nuanced and multifaceted – befitting the multiple and sometimes contradictory factors with which Beijing must contend in managing its meteoric maritime rise. These include the growing importance of sea lane security at increasing distances and levels of operational intensity. [ABSTRACT FROM PUBLISHER]

The article reviews the exhibition "Sherlock Holmes: The Man Who Never Lived and Will Never Die," held at the Museum of London in England.

The use of apotropaic practices, that is, of magic to protect against evil, is sometimes included in archaeological interpretations on the basis of similarities between archaeological objects and objects used in historically documented or present-day apotropaic practices. The present article attempts to develop the archaeological study of apotropaism by focussing on apotropaic ritual, in addition to apotropaic devices. The case study is a burial in ad 834 of a high-ranking Viking Age woman in the Norwegian Oseberg ship grave. Drawing on cognitive magic ritual theory, the study focuses on identifying both a repeated ritual core and a counter-intuitive, magic element in the series of actions that led to the deposition of five elaborately carved wooden animal heads in the burial, each combined with a rattling device probably related to horse driving. The study demonstrates that apotropaism provides a viable explanation for this rather puzzling aspect of the burial. In a wider perspective it emphasizes the importance of the contextual, in addition to the functional, interpretation of objects in graves. It also suggests that the use of animal figures and animal style in Viking Age artwork may have been more intimately connected with apotropaic beliefs than previously suggested. [ABSTRACT FROM PUBLISHER]

We present the first snow/ice chemistry and ice radar results ever collected from South Georgia as part of an initial reconnaissance with the ultimate goal of assessing the feasibility of a South Georgia ice core to reconstruct past climate in the South Atlantic. South Georgia is well situated to capture a record of past atmospheric chemical composition over the South Atlantic and of past variability in the position and intensity of the austral westerlies. The question is how well preserved an ice core record can be recovered from a region experiencing accelerated melting? The results presented in this paper offer only a preliminary step in determining the feasibility of future deep ice coring on South Georgia. However, this initial reconnaissance does provide some basic information including: the chemistry of the atmosphere over South Georgia relative to other Southern Hemisphere ice coring sites; the potential for preservation of ‘annual layers’ in old ice on the island; a possible age for deep ice in the region; and an estimate of glacier health in the lower elevation regions of the island. [ABSTRACT FROM PUBLISHER]

A long-standing misreading of Jane Eyre is that Rochester's wife, Bertha Mason, is locked in the attic of Thornfield Hall. In fact, she resides on the third floor. This mistake has implications for readings of the novel and for recent critical methodologies such as "surface," "denotative," and "dialectical" reading strategies. Jane Eyre associates the spaces of Thornfield with psychological registers that are in turn associated with types of meaning making. This essay delineates these registers by mapping them onto the Lacanian schema of imaginary, symbolic, and real orders, thus drawing out the novel's engagement with a nascent nineteenth-century depth psychology while noting how the novel itself militates against so-called surface reading. [ABSTRACT FROM AUTHOR]

Urban archaeology in Scandinavia has long been dominated by a processual understanding of medieval urban development. The author proposes that the concept of urbanity in the sense of ‘urban living’ should replace the processual and functionalist-oriented concept of ‘urbanization’, and that instead focus should be directed towards social processes, practices and materiality. He perceives the emergence of urbanity in the Middle Ages in the light of the formation of specific urban patterns of practice that can be analysed with the aid of theoretical tools from recent social-practice theory. Against this background, the potential of recent social-practice theory is examined as a possible analytical tool in an urban archaeological approach to medieval urban communities. Through concepts such as interaction, event, leakage and creativity, the medieval urban landscape can be reformulated as a dynamic social space in which diverse everyday routines were intertwined in patterns, bundles and complexes. [ABSTRACT FROM PUBLISHER]

I would like to thank the commenters for spending their time on critical and constructive responses to my paper ‘Performing towns’. The comments add valuable insights, knowledge, viewpoints and ideas, which significantly elucidate the possibilities as well as the limitations of approaching medieval urban communities from a social-practice theoretical perspective (SPT). The commenters have pointed at theoretical questions too superficially treated, the need for a more extensive knowledge base and, most importantly, the need for a broader discussion of the methodological and empirical consequences of an SPT approach in analysing everyday life in a Scandinavian urban community based on archaeological empirical data. Rather than giving individual feedback, I instead centre my reply around four topics that the commenters have raised and which relate closely to the paper's paramount issue and development potential. [ABSTRACT FROM PUBLISHER]

In his illuminating article, Christophersen rethinks concepts in and approaches to the archaeological study of urban living, focusing especially on medieval urban towns in Scandinavia. He recruits various concepts – interaction, event, leakage and creativity – from a materially imbued social-practice theory to explore the urban landscapes as a complex of dynamic social spaces. Christophersen draws from scholars (Hodder 2012; Reckwitz 2002; Schatzki 1996; Shove, Pantzar and Watson 2012) who emphasize that practice is routinized behaviour through which actions and events are performed, that practices are tied to a place and timescape, that social actors live with and interact with materials, and that materials may be the media of interaction with others. Following Hodder (2012), he emphasizes that the nature and quality of social and material relationships lead to the formation and stabilization of practices. In turn, this practice constitutes the town or city. [ABSTRACT FROM PUBLISHER]

The contribution by Axel Christophersen aims to present new perspectives for the archaeology of medieval and post-medieval towns. In enlisting ‘social-practice theory’, the author would like to view the town as a dynamic, ever-changing network of social and cultural practices which is registered in the archaeological data. This perspective on the town lies, therefore, somewhere between structure-centred and agent-centred approaches. As such, Axel Christophersen's contribution can be seen as more comprehensive. I assess the piece also as a programmatic contribution to the development of theory in the apparently long-term conflict between ‘processual and postprocessual archaeology’. It should be said in advance that he was successful in this. At the same time, however, his contribution makes it clear that it is not easy to transfer or apply current cultural-studies concepts to historical periods and the materiality of archaeological data. [ABSTRACT FROM PUBLISHER]

In this paper, Axel Christophersen does three important things. First, he addresses the way in which the inhabitants of premodern cities created an urban ethos through their cumulative daily actions. Second, he provides the opportunity to address a long-standing definitional challenge in the study of cities by examining what it means to undergo a process of ‘urbanization’. Finally, he focuses our attention on medieval Scandinavia as a region that has had a considerable amount of archaeological research but with which many readers may not be familiar compared to other historical periods in Europe. [ABSTRACT FROM PUBLISHER]

I welcome Axel Christophersen's effort to offer a new approach to the study of Scandinavian medieval urban communities, and his outline of an ‘urban archaeology of social practice’. His presentation of a theoretical framework and language offers many insights as to how archaeologists can analyse the way people constructed their social lives through practice. It is exciting to see studies that grapple with the complexities of everyday life in urban settings. This article makes a significant contribution in its explicit approach to a theory of practice that archaeologists can use to explore and describe social change. Christophersen draws heavily on the work of Shove, Pantzar and Watson as detailed in their 2012 book The dynamics of social practice. Everyday life and how it changes; I was unfamiliar with this work until reading this essay and I am impressed with the way this framework offers a language and a concrete approach to understanding how practices emerge, evolve and disappear. My goal here is not to revisit the details of this argument, but rather to push on some select issues raised in the paper. I first discuss the way that Christophersen frames his arguments against a processual archaeological approach, suggesting that his effort to provide an alternative might be unintentionally minimizing a more critical approach to everyday life. Next, I discuss the role and place of unintended consequences in Christophersen's argument. And finally I examine the way that Christophersen's approach might be more fully operationalized with data, providing some examples from my own work in eastern Africa. [ABSTRACT FROM PUBLISHER]

Any reader expecting yet another contribution on the urbanization of Scandinavia will be misguided reading Axel Christophersen's contribution on ‘performing towns’. As the author makes very clear, he focuses on urbanity in the sense of urban social practice rather than on urbanization itself. The latter concept is straightforwardly dismissed as belonging to processual archaeology, and was trying to understand the town as a being structure and neglecting the dynamic role of its individual inhabitants as a ‘crucial historical driving force’ (p. 110). Christophersen also omits the classic discussion – actually besides Christianization one of the two most prominent topics in early medieval archaeology – on the designation and character of the earliest towns in the north, where early towns are merely defined as population centres ‘larger than a village and smaller than a city’ (p. 112). Instead, with the adoption of practice theory, Christophersen picks one heuristic approach from modern social theory (mentalism (subjectivistic/objectivistic), intersubjectivism, textualism and practice theory itself) for the analysis of social phenomena as routinized body/knowledge/things complexes (Reckwitz 2002, 257–58). [ABSTRACT FROM PUBLISHER]

Ellen Wood's East Lynne (1861) exhibits the exhilarating characteristics of a Victorian sensation novel and then some: degenerate aristocracy, a sneering villain, flight, adultery, a child born out of wedlock, disfigurement, disguise, extended deathbed scenes, murder, and more (e.g., fake accents, false identities, an electrifying homicide trial, and a spectacular train wreck). But at the center of all the disaster, transgression, pathos, coincidence, and extremity, East Lynne is (mainly) the story of the aptly-named Isabel Vane, the beloved but patently bored wife who abandons her husband and children to run away with a handsome seducer. Overcome by remorse (and conveniently both disfigured and presumed dead), she returns to the home of her remarried husband to act as governess to her own children and to witness (at length and in painful detail) the life she might have had if she had denied her perpetually irrepressible but inappropriate feelings — feelings not so much of lust for another man, but of annoyance and tedium with the man she actually has. East Lynne urges (usually in the form of multiple diatribes from the third person narrator) that the wives and mothers of mid-Victorian England be content with their lot, employing a moral didacticism that insists on female domestic responsibility — and the attendant obligation of female suffering — with sadistic pleasure. And yet, when not lingering over the agonies of Isabel, the narrative gushes, seemingly despite itself, with sympathy for the heroine's life of monotony and misery. Indeed, East Lynne's compelling power comes in large part from the novel's skillful, lingering walk on a ledge of its own making and its protracted vacillation between condemnation and empathy for an unhappy heroine gone astray. [ABSTRACT FROM PUBLISHER]

A literary criticism of the "Peace," by Aristophanes, regarding the evidence of physical audience-actor contact is presented. It outlines the scene at the end of the play that serves to strengthen the seriousness of the pro-peace message of the poet. The author mentions that Aristophanes looks to be probing the limits of the theatrical space.

This paper examines the language of power and authority in the Italian Alps, after the Roman pacification of the area in 14 b.c. The focus of the examination is an arch set up at Segusio to Augustus by a local dynast named Cottius, which allows us to consider how the incorporation of the region into the Roman Empire was perceived and presented from a ‘local’ point of view, and how we might use our interpretations to construct ideas of identity and power relationships integral to early imperial provincial administration. [ABSTRACT FROM PUBLISHER]

Concrete is regarded as a quintessentially Roman achievement. The spread of the technology is usually dated to the fourth or third centuries b.c., and interpreted as a symptom of Rome's early expansion in Italy. In this paper I offer a reappraisal of the available evidence for early concrete construction in Rome. On the basis of stratigraphic evidence, I conclude that a later date should be assigned to most of the remains. I situate the origins of the technological innovation within the radical change in architectural styles that unfolded in the middle of the second century b.c., affecting both domestic architecture and public building. The new chronology has an impact on current models of cultural diffusion in Roman Italy, linking the development of Late Republican architecture with the broader debate on the cultural implications of the Roman conquest. [ABSTRACT FROM PUBLISHER]

The walls of Zuwila constitute one of the most impressive defensive enceintes among Libyan Saharan oasis towns, but hitherto their construction date has been uncertain. A new AMS radiocarbon date now offers the strongest support for an association with the establishment of the Banu Khattab dynasty at Zuwila in the early tenth century AD, as some previous commentators had suspected. The walls relate to a fortress of approximately 4.5 hectares built on the north flank of an already long-established Saharan town. No detailed account of these walls has ever been published before, though Charles Daniels did carry out a survey of them in 1968 and a summary description was included in the work of the Fazzan Project. Now that these walls can be more securely dated, a full description is merited. The present study is partly based on the unpublished notes and photographs of Charles Daniels. The walls of Zuwila can now firmly be included among Libya's most important medieval monuments. [ABSTRACT FROM PUBLISHER]

Exclusion fencing is a common tool used to mitigate a variety of unwanted economic losses caused by problematic wildlife. While the potential for agricultural, ecological and economic benefits of pest animal exclusion are often apparent, what is less clear are the costs and benefits to sympatric non-target wildlife. This review examines the use of exclusion fencing in a variety of situations around the world to elucidate the potential outcomes of such fencing for wildlife and apply this knowledge to the recent uptake of exclusion fencing on livestock properties in the Australian rangelands. In Australia, exclusion fences are used to eliminate dingo (Canis familiaris dingo) predation on livestock, prevent crop-raiding by emus (Dromaius novaehollandiae), and enable greater control over total grazing pressure through the reduction of macropods (Macropodidae) and feral goats (Capra hircus). A total of 208 journal articles were examined for location, a broad grouping of fence type, and the reported effects the fence was having on the study species. We found 51% of the literature solely discusses intended fencing effects, 42% discusses unintended effects, and only 7% considers both. Africa has the highest proportion of unintended effects literature (52.0%) and Australia has the largest proportion of literature on intended effects (34.2%). We highlight the potential for exclusion fencing to have positive effects on some species and negative effects on others (such as predator exclusion fencing posing a barrier to migration of other species), which remain largely unaddressed in current exclusion fencing systems. From this review we were able to identify where and how mitigation strategies have been successfully used in the past. Harnessing the potential benefits of exclusion fencing while avoiding the otherwise likely costs to both target and non-target species will require more careful consideration than this issue has previously been afforded., (© 2020 Cambridge Philosophical Society.)

Stigmaria is one of the iconic plant fossils of the Carboniferous and fragments of the narrower parts of the rhizomorph are found in most museum collections. However, very few almost entire specimens have been found and preserved. A new specimen of Stigmaria from Brymbo, North Wales is described and compared with other preserved examples from Europe and North America. The Brymbo specimen shows a large portion of trunk still attached to the large stigmarian base, which is a rare find, and this specimen supports our ideas of how these impressively large casts were formed. Stigmarias were preserved by the deposition of minerals around them following a sediment inundation, which gave sufficient support while the tissues rotted and filled with sediments. Remnants of the outer tissues were compressed to form a thin surrounding coal layer. [ABSTRACT FROM PUBLISHER]

Sound and media installations are rarely considered from a time-based, formal perspective. In order to enable a greater understanding of temporal form in sound installations, I suggest a cross-disciplinary adaptation of musical form to the installation context. Due to the differences between concert and installation presentation practices – including, but not limited to, the increased agency of the mobile visitor – I re-examine form in installation contexts as the particular temporal experience co-produced by the first-person subject as they navigate in, through and out of the work’s frame. By applying this musical perspective to macro-scale formal structures, a set of tools and concepts become available for the analysis of temporal form in existing sound or audiovisual installations. Using practice-based observation and analysis, I describe several compositional strategies through which musical concepts of material and form can be extended in space and time: each of these strategies provides means with which to shape or constrain the visitor’s co-production of experiential form. Finally, I discuss several strategies that can be used for the creation of large-scale form, with particular reference to algorithmic design principles used in my recent audiovisual installation, Room Dynamics. [ABSTRACT FROM AUTHOR]

The histories of Tijuana and Hollywood have long been deeply intertwined, leading critics to argue that American cinema was instrumental in constructing the city's reputation as a dark, seedy and amoral space. However, the 1957 film The Tijuana Story presents a clear contradiction between the way in which it is marketed to evoke the “black legend” of Tijuana and its socially conscious content, tracing the real life story of a Tijuanan journalist who was murdered for taking a stand against crime and corruption. Close analysis of The Tijuana Story's paradoxical representation of the city provides a more detailed understanding of Hollywood's relationship with Tijuana and offers a way of discussing the city without reducing it to any one singular mythology. As part of a larger body of films that use images of Mexico to explore left-wing and liberal politics, The Tijuana Story provides further evidence of the persistent connection between Mexico and social revolution in American cinema. [ABSTRACT FROM PUBLISHER]