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Repetitive vector patterns are common in a variety of applications but can be challenging and tedious to create. Existing automatic synthesis methods target relatively simple, unstructured patterns such as discrete elements and continuous Bézier curves. This paper proposes an algorithm for generating vector patterns with diverse shapes and structured local interactions via a sample-based representation. Our main idea is adding explicit clustering as part of neighborhood similarity and iterative sample optimization for more robust sample synthesis and pattern reconstruction. The results indicate that our method can outperform existing methods on synthesizing a variety of structured vector textures. Our project page is available at https://phtu-cs.github.io/cvt-sig22/. [ABSTRACT FROM AUTHOR]

We learn a latent space for easy capture, consistent interpolation, and efficient reproduction of visual material appearance. When users provide a photo of a stationary natural material captured under flashlight illumination, first it is converted into a latent material code. Then, in the second step, conditioned on the material code, our method produces an infinite and diverse spatial field of BRDF model parameters (diffuse albedo, normals, roughness, specular albedo) that subsequently allows rendering in complex scenes and illuminations, matching the appearance of the input photograph. Technically, we jointly embed all flash images into a latent space using a convolutional encoder, and -conditioned on these latent codes- convert random spatial fields into fields of BRDF parameters using a convolutional neural network (CNN). We condition these BRDF parameters to match the visual characteristics (statistics and spectra of visual features) of the input under matching light. A user study compares our approach favorably to previous work, even those with access to BRDF supervision. Project webpage: https://henzler.github.io/publication/neuralmaterial/. [ABSTRACT FROM AUTHOR]

Assigning textures and materials within 3D scenes is a tedious and labor-intensive task. In this paper, we present Magic Decorator, a system that automatically generates material suggestions for 3D indoor scenes. To achieve this goal, we introduce local material rules, which describe typical material patterns for a small group of objects or parts, and global aesthetic rules, which account for the harmony among the entire set of colors in a specific scene. Both rules are obtained from collections of indoor scene images. We cast the problem of material suggestion as a combinatorial optimization considering both local material and global aesthetic rules. We have tested our system on various complex indoor scenes. A user study indicates that our system can automatically and efficiently produce a series of visually plausible material suggestions which are comparable to those produced by artists. [ABSTRACT FROM AUTHOR]

This paper presents a novel structure-preserving image decomposition operator called bilateral texture filter. As a simple modification of the original bilateral filter [Tomasi and Manduchi 1998], it performs local patch-based analysis of texture features and incorporates its results into the range filter kernel. The central idea to ensure proper texture/structure separation is based on patch shift that captures the texture information from the most representative texture patch clear of prominent structure edges. Our method outperforms the original bilateral filter in removing texture while preserving main image structures, at the cost of some added computation. It inherits well-known advantages of the bilateral filter, such as simplicity, local nature, ease of implementation, scalability, and adaptability to other application scenarios. [ABSTRACT FROM AUTHOR]

Many natural phenomena consist of geometric elements with dynamic motions characterized by small scale repetitions over large scale structures, such as particles, herds, threads, and sheets. Due to their ubiquity, controlling the appearance and behavior of such phenomena is important for a variety of graphics applications. However, such control is often challenging; the repetitive elements are often too numerous for manual edit, while their overall structures are often too versatile for fully automatic computation. We propose a method that facilitates easy and intuitive controls at both scales: high-level structures through spatial-temporal output constraints (e.g. overall shape and motion of the output domain), and low-level details through small input exemplars (e.g. element arrangements and movements). These controls are suitable for manual specification, while the corresponding geometric and dynamic repetitions are suitable for automatic computation. Our system takes such user controls as inputs, and generates as outputs the corresponding repetitions satisfying the controls. Our method, which we call dynamic element textures, aims to produce such controllable repetitions through a combination of constrained optimization (satisfying controls) and data driven computation (synthesizing details). We use spatial-temporal samples as the core representation for dynamic geometric elements. We propose analysis algorithms for decomposing small scale repetitions from large scale themes, as well as synthesis algorithms for generating outputs satisfying user controls. Our method is general, producing a range of artistic effects that previously required disparate and specialized techniques. [ABSTRACT FROM AUTHOR]

The appearance of a particular fabric is produced by variations in both large-scale reflectance and small-scale texture as the viewing and illumination angles change across the surface. This article presents a study of the reflectance and texture of woven cloth that aims to identify and model important optical features of cloth appearance. New measurements are reported for a range of fabrics including natural and synthetic fibers as well as staple and filament yarns. A new scattering model for woven cloth is introduced that describes the reflectance and the texture based on an analysis of specular reflection from the fibers. Unlike data-based models, our procedural model doesn't require image data. It can handle a wide range of fabrics using a small set of physically meaningful parameters that describe the characteristics of the fibers, the geometry of the yarns, and the pattern of the weave. The model is validated against the measurements and evaluated by comparisons to high-resolution video of the real fabrics and to BTF models of two of the fabrics. [ABSTRACT FROM AUTHOR]