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The cleaning of modern and contemporary paintings is a delicate and challenging operation. Many contemporary paintings exhibit rough, clotted and pitted surfaces, where the removal of soil is difficult. Gels are among the most efficient tools to achieve controlled and efficient cleaning of works of art. However, most gels used in the conservation practice are too rigid to adapt rough surfaces, or too mechanically weak to be removed without leaving polymer residues. Several formulations of physically cross-linked poly(vinyl alcohol) (PVA)-based hydrogels, obtained by cast-drying or freeze-thawing of aqueous polymeric solutions, were formulated and characterized. The viscoelastic properties, porosity, and crystallinity of the gels were studied, along with the behavior of water inside the polymeric network. It was shown that the properties of the gels were improved through blending with poly(vinyl pyrrolidone) (PVP). The most promising gel formulation, in terms of mechanical properties and water retentiveness, was assessed for the removal of soil from an alkyd painting mock-up. A traditional gel, gellan gum, was also tested as a reference system. The effectiveness of soil removal was investigated by 2D Fourier transform infrared (FTIR) microscopy, using a Focal Plane Array (FPA) detector. In conclusion, it was shown that the newly developed formulation grants the residue-free removal of soil from rough and irregular artistic surfaces, overcoming the limits of traditional cleaning methods., (Copyright © 2018 Elsevier Inc. All rights reserved.)

Hypothesis: Due to their highly retentive properties, innovative recently developed, semi-interpenetrated hydrogels made up of poly(vinyl pyrrolidone) (PVP) chains embedded in a poly(2-hydroxyethyl methacrylate) (p(HEMA)) network should be efficiently used as cleaning material for fragile and degraded paper artworks. In restoration practice, indeed the wet cleaning of these artworks is usually performed by immersion of paper in water, a procedure which may lead to several drawbacks, including paper fibers swelling and dissolution of water-soluble original components., Experiments: This class of gels were yet presented in literature, but their interactions with paper materials and ability to be spiked with active enzymes (as cleaning agents), have not been analyzed. To establish the suitability of these hydrogels as paper cleaning materials, first, a rheological and microstructural characterization of the gels was performed. Moreover, diffusion of macromolecules inside gels was studied using fluorescence microscopy, to check if these innovative hydrogels can be used as carriers for hydrolytic enzymes. Indeed, pastes and glues are usually found in old paper artworks, and their removal is a very delicate operation that requires a selective action, which is granted by specific hydrolytic enzymes. At the same time, spectroscopic analyses on paper samples under investigation before and after cleaning treatment has been performed, thus assessing the capabilty of these gels as cleaning materials., Findings: With the aim of demonstrating the versatility of these hydrogels, several case studies, i.e., the removal of grime and water-soluble cellulose degradation byproducts, the removal of animal glue and the removal of starch paste from real samples, are presented. Results obtained with these gels have been compared to those obtained by using another gel used for paper artworks cleaning, i.e., Gellan gel., (Copyright © 2017 Elsevier Inc. All rights reserved.)