1. Supervivencias para reinventar el mundo en la producción visual de Adriana Varejão.
- Author
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Herrero, Mariela
- Abstract
:This article analyzes certain works making up the series Folhas (2015) by the Brazilian artist Adriana Varejão will be analyzed. The analysis starts from the notion of survival(s), understood in two senses: on the one hand, as a recursive temporality, which does not respond to a linear and progressive structure, and which, therefore, does not merely advance forward, nor is exhausted, but remains latent. On the other hand, the idea of survival is considered in dialogue with studies that address the current ecological crisis. Where the world seems to have been completely lost or is projected to be lost, the notion of survival(s) has a unique connotation: global warming, destruction of nature, loss of biodiversity are some of the factors that, combined with a demographic and civilizational crisis would lead to the time we live in resulting in a present without a future. In this sense, survival(s), the temporal modality proposed here, might be useful to attend to and redefine other non-human temporalities linked to the layers of the earth, to organic and non-organic matter, as well as to other living beings; to alter, or desynchronize the human temporal experience in order to synchronize it with a different temporality through which it is possible to think, imagine, suppose and invite areas, regions, affective territories crossed by contradictions and tensions to emerge. That is, to propose hospitable alternatives, expanded and expansive forms for being in the world that are affective rather than essentialist. [ABSTRACT FROM AUTHOR]
- Published
- 2024
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