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In this retrieval study David Van Brugge addresses how the current understanding of a homiletical use of imagination for expository preaching might be strengthened. The current need for strengthening becomes apparent when the various understandings of imagination and their implications for practical theology are realized. This is compounded as trends in homiletics seem to minimize the imagination or embrace it in modern or postmodern ways. The original contribution of this study is recognizing that the homiletical use of imagination can be strengthened by retrieving the Puritan baroque characteristics of Jonathan Edwards'imagination as evidenced in his sermons to the Stockbridge Indians of 1751–1758. Edwards drew on a rich background to display an imagination that synthesized thoughts and ideas, thought beyond the senses, and that, by the grace of God, transformed thought and practice. Through that creative thought, Edwards maintained Biblical exposition and appeal to the affections. Van Brugge further develops and evaluates the idea of Puritan baroque characteristics, concluding that it is a helpful characterization of Edwards'Stockbridge Indian sermons. In these sermons Edwards imaginatively used imagery, light, space, movement, and glorification for the ultimate goal of directing the affections of his audience towards God. Such a use of imagination for affective purpose becomes a key for the strengthening of a homiletical use of imagination today.

Provides a detailed, strategic account of VC actions, complemented by maps, photographs, and biographies.In the past, while visiting the First World War battlefields, the author often wondered where the various Victoria Cross actions took place. He resolved to find out. In 1988, in the midst of his army career, research for this book commenced and over the years numerous sources have been consulted.Victoria Crosses on the Western Front – The Final Advance in Picardy is designed for the battlefield visitor as much as the armchair reader. A thorough account of each VC action is set within the wider strategic and tactical context. Detailed sketch maps show the area today, together with the battle-lines and movements of the combatants. It will allow visitors to stand upon the spot, or very close to, where each VC was won. Photographs of the battle sites richly illustrate the accounts. There is also a comprehensive biography for each recipient, covering every aspect of their lives warts and all parents and siblings, education, civilian employment, military career, wife and children, death and burial/commemoration. A host of other information, much of it published for the first time, reveals some fascinating characters, with numerous links to many famous people and events.

This collection of chapterss investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue.The book explores photographic images used in the study of art, as well as the implications of placing European images of non-European cultures in an archive, album, library, or museum. It also addresses questions of digital space, which renders images more visually accessible, but further complicates issues relating to location. The contributors consider these issues through case studies based on a variety of archives, institutions, and disciplines. Just as photographs are conceived as unstable objects, so conventional borders between disciplines and locations are challenged and opened up with chapters drawing on a range of disciplinary theories and practices. The focus of the individual chapters is global, as seen in contributions not only on Euro-American topics, but also on Orientalizing approaches to photographing the Ancient Near East, photographic archives of Bedouin subjects, and digital photographic archives in an Iranian context.This book will be of interest to scholars of art history, visual and cultural studies, anthropology, and archaeology, as well as those working on the history and theory of photography, and histories and theories of the archive.

In Politics Unseen, Ellen Macfarlane radically reframes the'pure photographs'of California art photography society Group f.64, known for depicting Western landscapes, fruits and vegetables, flowers, and faces. By foregrounding f.64 members'and their prints'alliances across commercial, political, and artistic domains, the book shatters entrenched understandings of the group as disinterested in contemporary events and unseats conceptions of its prints as icons of modernist purity. Instead, Politics Unseen argues the politics of f.64's photographs become visible when interwar ideas about'purity'in the areas of eugenics, racial essence, nutrition, colonialism, and horticulture are interrogated. Ultimately, Politics Unseen alters perceptions not only of f.64, but also of what constituted a political image in 1930s America.

This volume collects 19 of the author's essays on eighteenth-century accounts of self-consciousness, personal identity and related issues, covering over a hundred years of a philosophical debate that has shaped the way in which these topics are discussed today. After a detailed analysis of the seventeenth-century background, the essays analyze and critically evaluate French, British and German contributions, ranging from Claude Buffier early in the century to Kant and aspects of the Post-Kantian debate. The essays deal with a large number of diverse sources, including the views and arguments of well-known philosophers such as Hume and Kant, as well as lesser-known thinkers, such as LeLarge de Lignac and Thomas Cooper, organized around four, partly overlapping main themes: a) the self and its identity as a matter of a special'feeling'(sentiment intime, Selbstgefühl) in thinkers such as Condillac, Rousseau and Feder, b) materialist treatments of these issues in, for example, Priestley and Hißmann, c) Scottish Common Sense accounts, with a special focus on Reid, and d) Kant's analysis and the philosophical context in which it was developed, with a particular　emphasis on the German debate (Wolff and his critics, Lossius, Tetens and others).