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This Handbook is a state-of-the-art exploration of the multidisciplinary field of gender and cities scholarship, providing in-depth assessments of the latest research within key areas of feminist urban academia. Editors Linda Peake, Anindita Datta and Grace Adeniyi-Ogunyankin have brought together over 60 feminist scholars to present cutting-edge insights into this important field of study.The Handbook on Gender and Cities presents a cross-section of contemporary feminist work, spanning a range of theories and practices associated with urban space. Contributing authors explore key issues including urban policy, planning and politics; the urban economic arena; the urban environment; the urban everyday; feminist imaginaries of urban spaces and places; and feminist and decolonial urban knowledge production. The editors trace numerous crucial themes across the Handbook's chapters, namely patriarchy, social reproduction, gendered violence, and women's agency and the arena of the everyday. Whilst the Handbook celebrates the continually developing field of feminist urban studies, it acknowledges the volume of work still to be done and encourages future research to better accept and understand its complex and multiplicitous nature.This forward-thinking Handbook is a vital resource for students, scholars and researchers in the fields of urban studies, geography, sociology, anthropology, women's and gender studies and development studies. Its discussion of contemporary issues in urban settings will also appeal to professionals and practitioners working in public policy, urban design and planning.

We've never had better access to movies than we do today. Thanks to streaming services, video-on-demand, boutique physical media, repertory theaters, and the wild frontiers of the internet, we have ready access to a huge range of titles—Hollywood classics, art films from around the world, and audacious contemporary works are all right at our fingertips.Yet, despite this embarrassment of riches, most of us gravitate to the popular and familiar, barely scratching the surface of what's available. According to philosopher Matthew Strohl, we're doing ourselves a disservice by overlooking the range of so-called “difficult” movies. Hard to Watch is a joyous celebration of cinema that might seem boring, pretentious, or offensive at first glance but that offers its own distinctive rewards when we give ourselves over to it. Writing with infectious enthusiasm—and a refreshing lack of condescension—Strohl discusses everything from the challenging late works of beloved directors like Terrence Malick and David Lynch to such visionary but divisive films as Alain Resnais's Muriel, or the Time of Return, Chantal Akerman's Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles, and Julia Ducournau's Titane, evocatively showing why they're worth the time and effort to engage with, and how to get the most out of them.Whether you're a film lover looking to step up your game or just someone who's bored with Netflix, Hard to Watch is a brisk and accessible guide to expanding your horizons.

Emmanuel Falque is one of the foremost philosophers working in the continental philosophy of religion today. This is the first English-language anthology to bring together extracts from Falque's major works, key essays and even some previously unpublished material. Spanning his entire career to date, The Emmanuel Falque Reader is organised thematically and showcases the vast array of Falque's interests, from his early work on medieval philosophy to his methodology, anthropology and Christian phenomenology. It also includes an Editor's Introduction, which situates Falque within phenomenology's so-called'theological turn'and provides a comprehensive overview of his philosophy. Falque's thinking urges more careful consideration of human finitude, atheism in a secular age, and the interaction between philosophy and theology. Featuring a foreword by esteemed scholar Kevin Hart, this essential collection explores the new directions in which Falque is taking continental philosophy of religion.

An exploration of the emerging quantum technological paradigm and its effects on human consciousness and cultures.In Quantum Ecology, Stefano Calzati and Derrick de Kerckhove identify three technological ecologies—linguistic, digital, and quantum—to better understand today's shattered globalized contemporaneity and navigate the impact of soon-to-come quantum information technologies. Today's societies, based as they are on language and writing, face disruption brought on by digital transformation, which is not predicated on sharing meaning but on sheer computability. This produces what the authors call an “epistemological crisis.” From here, the book explores how emerging quantum computers and communication will trigger an even deeper existential shift based on quantum physics'principles of discreteness, uncertainty, and entanglement.Enriched with evidence from biology, anthropology, sociolinguistics, and information and cognitive sciences, the authors draw upon diverse case studies to sustain a convincing philosophical and political argument. The book's chapters move from a discussion about the coevolution of humans and language to the codependence of writing, thinking, and innovation, then proceed to investigate “datacracy,” the power of algorithms. Finally, the authors outline the looming psychocultural effects and geopolitical challenges of the nascent quantum technological paradigm.

An expressive book of prose and photographs that reveals the powerful ways our everyday places support our shared belonging.Where would you take someone on a guided tour of your neighborhood? In The Cities We Need, photographer and urbanist Gabrielle Bendiner-Viani introduces us to the complex, political, and eminently personable stories of residents who answered this question in Brooklyn, New York, and Oakland, California. Their universal stories and Bendiner-Viani's evocative images illuminate what's at stake in our everyday places—from diners to churches to donut shops. In this culmination of two decades of research and art practice, Bendiner-Viani intertwines the personal, historical, and photographic to present us with placework, the way that unassuming places foster a sense of belonging and, in fact, do the essential work of helping us become communities.In this unique book, Bendiner-Viani makes visible how seemingly unimportant places can lay the foundation for a functional interconnected society, so necessary for both public health and social justice. The Cities We Need explores both what we gain in these spaces and what we risk losing as they are threatened by gentrification, large-scale development, and most recently the COVID-19 pandemic. Ultimately, Bendiner-Viani shows us how to understand ourselves as part of a shared society, with a shared fate; she shows us that everyday places can be the spaces of liberation in which we can build the cities we need.

Finnegans Wake – Human and Nonhuman Histories opens new ground by exploring the productive tension between anthropocentric and non-anthropocentric readings of James Joyce's final modernist masterpiece. Drawing on the most up-to-date theories and methodologies (the Anthropocene, new materialism, petroculture studies, the blue humanities, animal studies, ecofeminism, ecomedia), twelve leading Joyce scholars offer valuable new insights into the interwoven historical and planetary dimensions of Finnegans Wake. The volume's focus allows the contributors to read the Wake's nonhuman imaginary in original, often surprising comparative contexts (colonialism, the Irish Revival, the Free State's energy policies, the invention of television) and to spotlight enlightening nonhuman themes in Joyce's circular history (bogs, storms, rivers, bodily fluids, skin, wolves, mourning, DNA, atoms, labour, music). As these chapters show, a century later, Finnegans Wake remains a vibrant and vital text in which to interrogate the limits, exploitations and common plight of human and nonhuman life in the 21st-century.

Debate still rages over some of the questions Doreen Massey provoked in the classic first edition of Spatial Divisions of Labor, such as the nature of theory, the importance of contingency and uniqueness, and the relationship of Marxism. This second edition addresses these controversies, and also reflects on other debates which have taken place over the last decade. It contains a new first chapter and a lengthy additional concluding essay in which Massey takes up the issues of the book's relation to Marxism, its position on explanation, its argument about the conceptualization of social space and its relation to gender and feminism.

Nature belongs in cities, but how do we put nature first without pushing people aside? Nature-First Cities reveals the false dichotomy of that question by recognizing that people and nature are indivisible. Western urbanization has meant the ongoing expulsion of nature, which is engendering biodiversity loss and inequality, thwarting economic potential, and affecting health. This volume instead applies the science and practice of nature-directed stewardship to cities. Tested through case studies, this methodology for urban ecosystem restoration is uniquely effective at revitalizing our strained cities. Nature is woven into networks, distributed equitably across neighbourhoods, and partnered with the urban density that is essential for addressing the climate crisis. Nature-First Cities offers a practical framework for urban planning that reinforces our place in nature both physically, by ensuring that cities are replete with biodiversity and intact ecosystems, and conceptually, by rebalancing our relationships with the planet and with one another

Part of James Joyce's genius was his ability to find the poetry in everyday life. For Joyce, even a simple object like a table becomes magical, “a board that was of the birchwood of Finlandy and it was upheld by four dwarfmen of that country but they durst not move more for enchantment.” How might we learn to regain some of the child-like play with language and sense of delight in the ordinary that comes so naturally to Joyce? The Joyce of Everyday Life teaches us how to interpret seemingly mundane objects and encounters with openness and active curiosity in order to attain greater self-understanding and a fuller appreciation of others. Through a close examination of Joyce's joyous, musical prose, this book shows how language provides us with the means to revitalize daily experience and social interactions across a huge, diverse, and everchanging world. Acclaimed Joyce scholar Vicki Mahaffey demonstrates how his writing might prompt us to engage in a different kind of reading, treating words and fiction as tools for expanding the boundaries of the self with humor and feeling. A book for everyone who loves language, The Joyce of Everyday Life is a lyrical romp through quotidian existence.

“We, the Barbarians” embarks on a careful and exhaustive reading of three of the most prominent authors in the latest wave of Mexican fiction: Yuri Herrera, Fernanda Melchor, and Valeria Luiselli. Originally published in Mexico in 2021, this work is divided into three parts, one for each author's narrative production. The book analyzes all of the literary works published by Herrera, Melchor, and Luiselli from the beginning of their writing careers until 2021, allowing for a diachronic interpretation of their respective narrative projects as well as for comparative approaches to their aesthetic and ideological contours. Characterized by the fragmentation of civil society and the decomposition of the myths that accompanied the consolidation of the modern nation, Mexican visual and literary arts have explored a myriad of representational avenues to approach the phenomena of violence, institutional decay, and political instability. The critical and theoretical approaches in “We, the Barbarians” explore a variety of alternative symbolic representations of topics such as nationalism, community, and affect in times impacted by systemic violence, precariousness, and radical inequality. Moraña perceives the negotiations between regional/local imaginaries and global scenarios characterized by the devaluation and resignification of life, both at individual and collective levels. Though it uses three authors as its focus, this book seeks to more broadly theorize the question of the relationship between literature and the social in the twenty-first century.

Introducing Human Geographies is a ‘travel guide'into the academic subject of human geography and the things that it studies. The coverage of the new edition has been thoroughly refreshed to reflect and engage with the contemporary nature and direction of human geography. This updated and much extended fourth edition includes a diverse range of authors and topics from across the globe, with a completely revised set of contributions reflecting contemporary concerns in human geography. Presented in four parts with a streamlined structure, it includes over 70 contributions written by expert international researchers addressing the central ideas through which human geographers understand and shape their subject. It maps out the big, foundational ideas that have shaped the discipline past and present; explores key research themes being pursued in human geography's various sub-disciplines; and identifies emerging collaborations between human geography and other disciplines in the areas of technology, justice and environment. This comprehensive, stimulating and cutting-edge introduction to the field is richly illustrated throughout with full colour figures, maps and photos.The book is designed especially for students new to university degree courses in human geography across the world, and is an essential reference for undergraduate students on courses related to society, place, culture and space.

“You must go on. I can't go on. I'll go on.” These are some of the most quoted lines written by Samuel Beckett, which speak to the impulse of persevering in times of crisis and impossibility. Yet few readers of Beckett agree about what this paradoxical formula could mean, let alone what mode of engagement it would seem to indicate, be it committed, autonomous, or something else entirely. This volume of essays explores what that mode of engagement could be, all the while elucidating the ethical and political stakes of the “ongoing” in both Beckett's life and work. Across multiple disciplines in the humanities, the authors delve into questions of political subjectivity and representation, the ethics of powerlessness and refusal, the aesthetics of syncopation and destitution, multimedia experiments between genre, as well as Beckett's wider impact on transnational itineraries of modernism and philosophy up to the contemporary.

Surveying the full breadth of J. M. Coetzee's career as both academic and novelist, this book argues for the necessity of rethinking his profound indebtedness to literary modernism in terms of a politics of life. Isolating a particular strain of late modernism, epitomised by Kafka and Beckett, Farrant claims that Coetzee's writings consistently demonstrate an agonistic engagement with the concept of life that involves an entanglement of politics and ethics, which supersedes the singular theoretical frameworks often applied to Coetzee, such as postcolonialism, posthumanism and animal studies. Running throughout his engagement with questions of modernity and colonialism, storytelling and life writing, human and non-human life, religion and post-Enlightenment subjectivity, Coetzee's politics of life yield a new literary cosmopolitanism for the twenty-first century; a powerful commentary on our interrelatedness that emphasises finitude and contingency as fundamental to the way we live together.

Honouring the memory of the late Bernard Stiegler, this edited collection presents a broad spectrum of contributions that provide a complex and coherently articulated image of Stiegler's thought which reached beyond the boundaries of academic, artistic and experimental techno-scientific enclaves where it had been originally received.Stiegler's philosophical work encompassed theorization, social diagnosis, planning, practical and territorial experimentation, politics, and aesthetics. In its wake, the essays in this volume celebrate and explore the wealth of this multi-dimensional legacy. They examine the conditions of human life in general, its foundational intermittence, and carry forward Stiegler's post-phenomenological unfolding of the distinctive spatio-temporalities that weave together the epoch we call'present'. Engaging closely with Stiegler's original impetus for the creation of technologies of care, as well as of communities of knowledge and artistic practice,

'What I love, and those whom I love, you, that is to say us in so far as we are capable of forming a we, all this I love, and I love them, and I love you infinitely'(Bernard Steigler April 1952- August 2020).When Bernard Stiegler writes'I love you'in the quote above, he openly provokes us to question or experience the meaning or contact of these words. He also invites us to question the relationship between a thinker's life and their thought. For Stiegler, they were inextricable. His life was one that focused on friendship but not friendships at a purely social level but ones that produced philosophy, politics, and existential truths.Bringing together scholars who knew Stiegler, including Shaj Mohan, Achille Mbembe, Divya Dwivedi, Peter Szendy, and Emily Apter, this volume provides an original - and personal - insight into his life and philosophy. Each piece gives a sense of the wide range of Stiegler's work and how it affected the praxis of the philosopher in different parts of the world.

In this accessible guide for activists, scholar Lisa Mueller translates cutting-edge empirical research on effective protest to show how to make movements really matterWe are in the middle of a historic swell of activism taking place throughout the world. From Occupy Wall Street and the Arab Spring, to pro-democracy uprisings in China, Black Lives Matter, the Women's March on Washington, and more recent pro-choice protests; folks everywhere are gathering to demand a more just world. Yet despite social engagement being at record highs, there is a divide between the activist community and the scientists—like Lisa Mueller, PhD—who study it.In The New Science of Social Change, Mueller highlights what really works when it comes to group advocacy, to place proven tools in the hands of activists on the ground—in the U.S. and abroad. Drawing on both her decade-long career researching the science of protest and the work of other scholars, she stresses such things as the ingredients of collective action and how protests with cohesive demands are significantly more likely to win concessions than protests with mixed demands. Incorporating interactive exercises and the voices of experienced activists with her analysis, Mueller shows how a working knowledge of social science can help activists implement more effective strategies to create the real-world changes we want to see.

Critical posthumanism is a theory paradigm that has become hugely influential across the humanities and social sciences in the last twenty years. This volume collects essays written over the last decade by one of the founders and leading figures of this movement. Originally a reaction to accelerated technological and media change that challenges traditional notions of what it means to be human, posthumanism (as opposed to transhumanism) has developed into a general critique and reappraisal of life after humanism and anthropocentrism. The essays collected here are dealing with aspects of education, technology, politics, media and art, and share a focus on how to critique and unlearn traditional understandings of humanness and (re)learn what it means to be human differently.

A study of Soviet factography, an avant-garde movement that employed photography, film, journalism, and mass media technologies. This is the first major English-language study of factography, an avant-garde movement of 1920s modernism. Devin Fore charts this style through the work of its key figures, illuminating factography's position in the material culture of the early Soviet period and situating it as a precursor to the genre of documentary that arose in the 1930s. Factographers employed photography and film practices in their campaign to inscribe facts and to chronicle modernization as it transformed human experience and society. Fore considers factography in light of the period's explosion of new media technologies—including radio broadcasting, sound in film, and photo-media innovations—that allowed the press to transform culture on a massive scale. This theoretically driven study uses material from Moscow archives and little-known sources to highlight factography as distinct from documentary and Socialist Realism and to establish it as one of the major twentieth-century avant-garde forms. Fore covers works of photography, film, literature, and journalism together in his considerations of Soviet culture, the interwar avant-gardes, aesthetics, and the theory of documentary.

Reading, writing and the influence of Harold Bloom takes the work of the world's best-known living literary critic and discovers what it is like to read ‘with', ‘against'and ‘beyond'his ideas. The editors, Alan Rawes and Jonathon Shears, introduce the collection by assessing the impact of Bloom's brand of agonistic criticism on literary critics and its ongoing relevance to a discipline attempting to redefine and settle on its collective goals. Firmly grounded in, though not confined to, Bloom's first specialism of Romantic Studies, the volume contains essays that examine Bloom's debts to high Romanticism, his quarrels with feminism, his resistance to historicism, the tensions with the ‘Yale School'and his recent work on Shakespeare and genius. Crucially, chapters are also devoted to putting Bloom's anxiety-themed ratios into practice on the poetry of Wordsworth, Shelley, Keats and D. H. Lawrence, amongst others. The Harold Bloom that emerges from this collection is by turns divisive and unifying, marginalised and central, radical and conservative.

Aus Beiträgen der Ringvorlesung „Die Welt retten!? Ein kritisch-interdiszi-plinärer Blick auf die Nachhaltigen Entwicklungsziele der Vereinten Nationen (SDGs)“ sowie der 17. Entwicklungspolitischen Hochschulwochen „Reduce Inequalities. Global denken, nachhaltig handeln“, die beide im WS 2019/20 an der Universität Salzburg durchgeführt wurden, entstand dieser Band. DieAnliegen dieser globalen Ziele, die im September 2015 von der UN verabschiedet wurden, sind aktueller und drängender denn je: Armut, Hunger, unzulängliche Bildung, die Verletzung von Menschenrechten, Ungleichheit und Diskriminierung, Unterdrückung von Frauen und Minderheiten, Krankheiten, Kriege und nicht zuletzt der Klimawandel fordern dazu heraus, Lösungen für eine gute Zukunft aller Menschen zu finden.Oft bleiben die UN-Nachhaltigkeitsziele nur eine Vier-Buchstaben-Randnotiz, SDGs. Dem wirkt der Sammelband entgegen, indem die Beiträge lebensnah auf einzelne Ziele eingehen. Dass hier Wissenschafter:innen, Studierende und die Zivilgesellschaft zu Wort kommen, wird der Vielfalt unserer globalen, nationalen und regionalen Entwicklungen noch besser gerecht.(Martina Berthold, Projektmanagerin, Abgeordnete zum Salzburger Landtag)

This volume explores the state of literary theory today, decades after the repeatedly proclaimed end of theory. It builds on the idea that theory is historically constituted as it is “always becoming something else” as Leslie Fiedler claimed in the 1950s, arguing that the historical constitution of theory relies on theory's procedural nature. In order to assess theory's procedural challenge to the fundamental notions that all the disciplines within an episteme have brought to the fore, it addresses these questions: What are the procedures theory has relied on? Are they a secret to its resistance, or is resistance its primary procedure? And if so, a resistance to what? Secondly, if resistance were theory's principal vehicle, at which point does resistance, conceptualized only procedurally (as resisting something, questioning anything, criticizing whatever), display hallmarks of a disciplinary closure that must call for new resistances, and perhapsfor a fundamentally another kind? The book turns to what theory does in order to avoid a partial answer to what theory is.

Jacques Derrida explores the ramifications of what we owe to others. Hospitality reproduces a two-year seminar series delivered by Jacques Derrida at the École des hautes études en sciences sociales in Paris between 1995 and 1997. In these lectures, Derrida asks a series of related questions about responsibility and “the foreigner”: How do we welcome or turn away the foreigner? What does the idea of the foreigner reveal about kinship and the state, particularly in relation to friendship, citizenship, migration, asylum, assimilation, and xenophobia? Central to his project is a rigorous distinction between conventional, finite hospitality, with its many conditions, and the aspirational idea of hospitality as something offered unconditionally to the stranger. This volume collects the second year of the seminar, which considers an Islamic problematic of hospitality, the relevance of forgiveness, and the work of Emmanuel Levinas.

Since 1790, the U.S. census has been a recurring, essential civic ceremony in which everyone counts; it reaffirms a commitment to equality among all, as political representation is explicitly tied to population counts. Assessing the 2020 Census looks at the quality of the 2020 Census and its constituent operations, drawing appropriate comparisons with prior censuses. The report acknowledges the extraordinary challenges the Census Bureau faced in conducting the census and provides guidance as it plans for the 2030 Census. In addition, the report encourages research and development as the goals and designs for the 2030 Census are developed, urging the Census Bureau to establish a true partnership with census data users and government partners at the state, local, tribal, and federal levels.

This book responds to a growing interest in death, dying and the dead within and beyond the field of death studies. The collection defines an understanding of ‘difficult death'and examines the differences between death, dying and the dead, as well as exploring the ethical challenges of researching death in mediated form. The collection is attendant to the ways in which difficult deaths are imbricated in power structures both before and after they become mediatised in culture. As such, the work navigates the many political and social complexities and inequalities ­– what might be deemed the difficulties – of death, dying and the dead. The book seeks to expand understandings of the difficulty of death in media and culture through a wide range of chapters from different contexts focused on literature, film, television, and in online environments, as well as several chapters examining news reportage of difficult deaths.

This timely new edition of Kenneth A. Small's seminal textbook Urban Transportation Economics, co-authored with Erik T. Verhoef, has been fully updated, covering new areas such as parking policies, reliability of travel times, and the privatization of transportation services, as well as updated treatments of congestion modelling, environmental costs, and transit subsidies. Rigorous in approach and making use of real-world data and econometric techniques, it contains case studies from a range of countries including congestion charging in Norway, Singapore and the UK, light rail in the Netherlands and freeway tolls in the US.Small and Verhoef cover all basic topics needed for any application of economics to transportation: forecasting the demand for transportation services under alternative policies measuring all the costs including those incurred by users setting prices under practical constraints choosing and evaluating investments in basic facilities designing ways in which the private and public sectors interact to provide services. This book will be of great interest to students with basic calculus and some knowledge of economic theory who are engaged with transportation economics, planning and, or engineering, travel demand analysis, and many related fields. It will also be essential reading for researchers in any aspect of urban transportation.

Erotics of Deconstruction takes advantage of over a decade of publications from Derrida's seminars to creatively demonstrate the deep material range of deconstruction and emphasise its under-recognised erotic nature. It activates psychoanalysis without the long-embedded philosophical trajectory that forged the human, psychic life and sexuality as categorically distinct from ‘the animal'(inherent to dialectics and psychoanalysis). It generates new conversations with Derrida's feminist contemporaries as they encounter pressing questions in current critical thought. From the larger frame of ‘life death'and the broadest auto-affective relation of inside to outside, to the difficult to grasp interface of conceptual and sensible, Erotics of Deconstruction does not retreat to a reparative life force or erotics of the good, but includes the unsettling friction of an originary relation to violence. Parsed by means of case studies from literature, philosophy and visual culture, erotics in this volume lap at every edge.

Who wants to champion the figure of Don Giovanni in the time of Harvey Weinstein and #MeToo? Don Giovanni is a rapist, murderer, serial seducer, and liar. Can he ever be held up as a role model or seen as a figure to be enjoyed? This is the task that the eminent Italian historian and lifelong feminist, Luisa Passerini, sets for herself in In Defense of Don Giovanni. As she developed the long arc of her distinguished career, Don Giovanni surprisingly became not only her role model but also a secret object of research. Taking her method from oral history, Passerini creates a series of characters with whom she discusses the forms and incarnations of the myth of Don Giovanni across time, from its first appearance in early medieval Spain and Commedia dell'Arte to its many European variations and its transposition to the colonial and postcolonial world in the Middle East, the Americas, and Africa. Pivoting round Don Giovanni's best known incarnation in Mozart's opera, Passerini and her interlocutors meet in different locations from Venice and Bern to Paris and Turin. They discuss plays, films, and operas and talk about art, novels, and psychoanalytic interpretations of the myth while also sharing their own life stories, in which Don Giovanni often plays a part that is, by turns, destructive, mischievous, and full of the joy of life. From his early beginnings in the Iberian Peninsula to recent analysis of the sexuality of colonial conquest and postcolonial revenge and return, Don Giovanni shape-shifts between rapacious hypermasculinity, comic trickster, and morally vacuous loser whose annoyingly persistent nemesis Don Ottavio emerges as an alternative and ultimately better object of desire. As she tracks Don Giovanni's image across the world and through the centuries, however, Passerini comes to see that it also plays another role, that of a mirror, in which women can see themselves emerge as individuals with their own life force.

The Presence of Absence: Meditations on the Unsayable in Writing is about writers navigating the unspeakable through image, sound, and structure. Each chapter focuses on a specific text, exploring the ways that four writers look to visual and auditory materials and metaphors as passageways to understanding and expressing the ineffable qualities of relationships, identity, and grief. Through gorgeously slow and close readings, Rogers explores absence and excess, fragmentation and translation, and — above all — the push and pull between presence and absence, with absence carrying as much significance as presence (and sometimes more). The Presence of Absence crosses languages and disciplines, working in French and English across poetry, photography, history, and literary theory. Through investigations of Nox by Anne Carson, Quelque chose noir by Jacques Roubaud, Wayward Lives, Beautiful Experiments by Saidiya Hartman, and Le livre des questions by Edmond Jabès, Rogers explores various truths — about loss but also about knowledge, beauty, even higher education — that are difficult to articulate and yet resonate deeply with lived experience.

Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary.Who can travel freely? Whose mobility is restricted? What other inequities contribute to and arise from these differences in movement? Taking a truly global approach, this Research Agenda tackles these questions in settings from London to Hanoi, and Chicago to eThekwini, and transport modes from motorbikes to cars to pedestrians to cyclists.With a look towards new technologies and transitions, this Research Agenda encourages deep thinking about how traditional ways of providing mobility create power imbalances and entrench existing inequalities. By considering individual experiences and questioning long-held assumptions, chapter authors suggest how we can transform our transport systems to be more just, and to deliver their economic, social, and environmental benefits more widely and equitably.This book is a critical read for those across the social sciences interested in transport and mobilities including human geography, urban planning, anthropology and sociology scholars, as well as those working in the field of transport more broadly looking to better understand the importance of transport equity.