Search

The article focuses on the ongoing debate about whether political correctness and "wokeness" are stifling comedy, with prominent comedians like Jerry Seinfeld and Chris Rock expressing concerns about the impact of modern sensitivities on humor. Topics include: the perceived clash between comedy and political correctness, the role of progressive politics in shaping modern humor, and the distinction between censorship and criticism in the context of comedy.

The article discusses the challenges of labeling satire in the online world and argues against the proposal to explicitly label satire. The author emphasizes that satire relies on its audience recognizing it as satire, and if it is mistaken for news, it becomes misinformation. The article also highlights historical examples of satire being misunderstood and the potential risks of relying on artificial intelligence to identify satire. The author concludes that it is the responsibility of citizens to discern between satire and factual information, and that labeling satire may impede the role of satire in providing dissenting narratives. [Extracted from the article]

The National Cartoon Gallery in Coffs Harbour, Australia, has closed down, leaving the future of Australia's valuable cartoon heritage uncertain. The gallery housed over 23,000 originals and prints from renowned Australian and international cartoonists. The closure has sparked controversy, with some blaming the Coffs Harbour Council for discontinuing financial support, although the council denies responsibility. Similar cartoon galleries and museums around the world have also faced funding challenges. The fate of Australia's cartoon heritage may lie in partnerships with institutions like Canberra's Museum of Australian Democracy. [Extracted from the article]