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This article explores the idea of 'play' as a metaphor to understand the world as an always presupposed frame of all experiences and appearances. A large part of it is devoted to the work of Eugen Fink, who developed a notion of the world as play, as a speculative idea beyond phenomenology. This article argues firstly in favor of such an effort to understand the world as play, as an alternative to onto-theological metaphysics. However, it argues secondly, that a stronger and more convincing concept of play can be found by elaborating on the views of Hans-Georg Gadamer and Jan Patočka. Gadamer discussed 'play' as a metaphor for art, while Patočka worked on the notion of 'world' as a phenomenological idea that serves as a frame for all experiences. A combination of these two ideas may result in a better alternative to both Fink's approach and to traditional onto-theological metaphysics. [ABSTRACT FROM AUTHOR]

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