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'An authoritative, beautifully illustrated study.'—Kirkus ReviewsThe first comprehensive study of Cassatt's life, work, and legacy through the prism of a transatlantic framework. This book re-envisions Mary Cassatt in the context of her transatlantic network, friendships, exhibitions, politics, and legacy. Rather than defining her as either an American artist or a French impressionist, author Ruth E. Iskin argues that we can best understand Cassatt through the complexity of her multiple identifications as an American patriot, a committed French impressionist, and a suffragist. Contextualizing Cassatt's feminist outlook within the intense pro- and anti-suffrage debates in the United States, Iskin shows how these impacted her artistic representations of motherhood, fatherhood, and older women. Mary Cassatt between Paris and New York also argues for the historical importance of her work as an advisor to American collectors, and demonstrates the role of museums in shaping her legacy, highlighting the combined impact of gender, national, and transnational dynamics.

In a series of incisive readings, Francisco E. Robles provides a literary history of midcentury US multiethnic literature, tracing the shift from coalitional aesthetics to multiculturalism by focusing on how migrancy and labor politics shape literary innovation. Along the way, Robles shows how writers kept the Popular Front's legacy of coalitional aesthetics alive through literary practices of what he calls speaking with, whereby authors undo their authority as scribes, audiences become participatory interpreters, and texts emerge as places of communal and collaborative work. Beginning with significant, unexpected connections between Zora Neale Hurston and Muriel Rukeyser, and delving deeply into the work of Sanora Babb, Woody Guthrie, Gwendolyn Brooks, poets of the Memphis Sanitation Strike, Carlos Bulosan, Tomás Rivera, and authors included in This Bridge Called My Back, Robles examines texts whose range of experimental strategies deliberately engage figurations of movement, migration, and coalition. The experimentation these works display emerges from the particular methods of speaking with that they contain, whether it's overcoming exclusion by finding new ways of representing migrants through word and sound, or in the astonishing ways these authors conceive of migrancy as neither static nor statistical but as a modality that necessitates writerly innovation. The result is a genealogy of coalitional aesthetics as a significantly important branch of American midcentury multiethnic writing that sustained and indeed extended the Popular Front and its legacies.

Envisioning queer futures where we lovingly wager everything for the world's children, the planet, and all living beings against all odds, and in increasingly precarious times. Queering Families traces the shifting dominant meanings of queer family from the late twentieth century to today. With this book, Tamara Lea Spira highlights the growing embrace of normative family structures by LGBTQ+ movements—calling into question how many queers, once deemed unfit to parent, have become contradictory agents within the US empire's racial and colonial agendas. Simultaneously, Queering Families celebrates the rich history of queer reproductive justice, from the radical movements of the 1970s through the present, led by Black, decolonial, and queer of color feminist activists. Ultimately, Spira argues that queering reproductive justice impels us to build communities of care to cherish and uphold the lives of those who, defying normativity's violent stranglehold, are deemed to be unworthy of life. She issues the call to lovingly wager a future for the world's children, the planet, and all living beings against all odds, and in increasingly perilous times.