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This monograph investigates the visual construction of migration on the U.S. southern border by the U.S. news industry. This study employs a quantitative (N = 1,050) and qualitative (N = 21) social semiotic analysis to illuminate the pervasive patterns of visual representation by three news agencies: The Associated Press, Getty Images, and Reuters. The analysis reveals levels of symbolic annihilation, social separation, and asymmetrical power dynamics that contribute to the symbolic othering of migrants. In-depth interviews with 21 photojournalists and field observation of an additional five photojournalists on the U.S.-Mexico border in Texas were conducted to analyze the factors that influence the production of images. Photojournalists are subject to myriad physical, social, and ideological influences from politicians, law enforcement, news organizations, non-governmental organizations, drug cartels, and border residents that constrain the depiction of migration. These complex conditions of production are marked by a scarcity of time, money, and autonomy that ultimately result in conventionalized imagery. The findings suggest that more comprehensive, nuanced, and humanizing accounts of migration can occur when external entities do not intercede in the interaction between photographers and migrants. Unconventional imagery, however, is no guarantee of empathetic reception from audiences who are steeped in hegemonic migration discourses produced by institutions that profoundly profit from a perpetual migration "crisis." [ABSTRACT FROM AUTHOR]

Copyright of Potestas: Estudios del Mundo Clásico e Historia del Arte is the property of Potestas Estudios del Mundo Clasico e Historia del Arte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of ModaPalavra e-periódico is the property of Universidade do Estado de Santa Catarina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of GeSec: Revista de Gestao e Secretariado is the property of Sindicato das Secretarias e Secretarios do Estado de Sao Paulo (SINSESP) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Tropelías: Revista de Teoría de la Literatura y Literatura Comparada is the property of Prensas Universitarias de Zaragoza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

China is one of the most dynamically developing countries that experienced rapid and tumultuous modernization in the second half of the twentieth century. This modernization consisted of the sports organization improvement and appropriate target-setting in Olympic sports. Sport is the most important sphere of international communication, and gymnastics pertains to the expression of semiotic units by the movement itself. The purpose of this research is to study a semiotic construct embracing the victories, behaviour patterns and organization of the Chinese gymnastics team at the 2008 Olympic Games in Beijing, where China demonstrated its highest achievements in gymnastics. Another reason for selecting these Olympic Games is that semiotically significant elements of the athletes' behaviour differ from other contexts and Olympics. Consequently, the latter feature facilitates the segregation of these elements through phenomenological research. [ABSTRACT FROM AUTHOR]

The phenomenon of disinformation is characterized by being a way of telling the facts in a distorted way that modifies the perception of what is «real». In this sense, it deserves the attention of being analyzed by semiotics, since its look makes it possible to approach the problem of truth from a strategic point of view. For this discipline, the concept «truth» is not understood as a correspondence between what is said and the facts, but as an effect of meaning that is created in the discourse. In this regard, it is proposed that one way to deal with fake news is to revalue the figure of the journalist, as long as his job is to produce information that, in addition to being truthful, is credible. Likewise, the need to train the journalist to be able to master different enunciation and persuasion strategies present in any discursive configuration is emphasized. [ABSTRACT FROM AUTHOR]

Copyright of Odeere is the property of Edicoes UESB and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Question (1669-6581) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This essay shares a series of intuitions about certain paradoxes that artificial intelligence reveals when confronted with the Turing test. Using chess as an example, we ask about the feasibility of distinguishing intelligent behaviour from the ability to simulate, or even the impossibility of discrimination by the average human. We offer sense-making and corporeity, as opposed to mere computations, as the central attribute of living beings. And in attempting to discern the limits of these simulations, we even consult ChatGPT's own opinion. [ABSTRACT FROM AUTHOR]

Copyright of ANIAV: Revista de Investigación en Artes Visuales is the property of Universidad Politecnica de Valencia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

What does the incessant return of the Brazilian national team jersey between June 2013 and the government of Jair Bolsonaro mean? What is its role? What does football have to do with Brazil's public life in the early 21st century? Does its intervention in the recent political and social history of the country limit itself to the appearance of the national team jersey and its appropriation by extreme-right movements and parties? These are some of the questions that this article seeks to answer. To do so, the analysis mobilizes the theoretical-methodological framework of Greimas' discursive semiotics and Jurij Lotman's semiotics of culture, combining micro analyses of specific texts, practices, and discourses with macro analyses of broader and transversal sociocultural configurations, revealing the links between the semiospheres of football, politics, media, and religion. [ABSTRACT FROM AUTHOR]

The article explores the semiotic construction of consumer identity through the stylistics and pragmatics of Harley-Davidson discourse, actualizing semiotic codes of its advertising. The findings provide evidence of the role of metaphorical expressions encoded in slogans and other stylistic devices in actualizing the hermeneutic code of the brand's advertising. The antitheses underlying the juxtaposition of brand values against mainstream ones underlie the symbolic code of the slogans' messages. The actional code relies on directives that stimulate the behavioral model, and implicit commissive acts, promising to fulfill the consumers' needs. The obtained data demonstrate the semiotic function of the key signified Freedom and its derived sub-concepts in constructing the target brand identity. [ABSTRACT FROM AUTHOR]

Participation in public problems involves diverse strategies, including the challenging and transformation of hegemonic affective configurations. By exposing and disrupting the established emotional norms, actors gain affective agency, enabling resistance against the prevailing status quo and facilitating active engagement in democratic deliberation. To explore this idea, we present a sociocultural analysis of the Empty Spain Revolt (Revuelta de la España Vaciada) as a compelling case study. Employing semiotic-enunciational discourse analysis, we focus on the affective-emotional dimension, utilizing the movement’s Manifesto and photographs of banners from the March 31, 2019, demonstration in Madrid as our primary sources. Our research reveals the emergence of affective agency through three gestures: 1) Indignation as a Catalyst: Indignation serves as a driving emotion, stemming from frustration due to perceived neglect. This emotion fosters the assignment of responsibility to political parties and fuels demands for immediate action. 2) Pride and Urban-Rural Dynamics: The appeal to urban subject emphasizes the interdependence between urban and rural areas, advocating for justice, equality, and rural dignity. 3) From Resignation to Obstinance: The transition from a resigned figure to an obstinate figure shifts the enunciative agency. The resolute voices of the obstinate subject sustain a collective identity and enable a politically active subject. Our analysis underscores the pivotal role of affects and emotions in shaping public problems and in the articulation of actor. The process of dismantling existing affective configurations and presenting alternative ones not only influences encyclopedias and imaginaries but also impacts collective agency and power structures. This study offers insights into the intricate relationship among affect, discourse, and sociopolitical change. [ABSTRACT FROM AUTHOR]

This work seeks to discursively and semiotically analyze the incipit and some key sequences of the documentary Los reyes del pueblo que no existe by Betzabé García, with the aim of critically observing, on the one hand, how the causes and effects of the violent reality suffered by contemporary Mexico; and, on the other hand, to reflect on the emergence of new ways of perceiving, explaining, living and making sense of the physical and social spaces disrupted by this violence, in this case, those relating to the town of San Marcos, in the municipality of Mazatlán, Sinaloa. It is particularly interesting to realize how this violence exercised by both the State-government and criminal groups seems to coexist and reshapes collective and individual spaces and spheres of identity in an exercise of resistance and social resilience. [ABSTRACT FROM AUTHOR]

Copyright of Paradigma is the property of Universidad Pedagogica Experimental Libertador and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Arcos: Design, Cultura e Visualidade is the property of Editora da Universidade do Estado do Rio de Janeiro (EdUERJ) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Signa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Signa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Signa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Temas de Comunicacion is the property of Biblioteca Central de la Universidad Catolica Andres Bello (UCAB) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)