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At the close of the fourth century, the ideal shape of Christianity was hotly contested. The veneration of saints and their relics, the significance of celibacy and asceticism, the nature of Christ, and many other aspects of faith and spirituality were disputed. A profusion of literary works, extant and not, explicitly addressed the intricate web of debated topics; Prudentius's Peristephanon 1, however, has been understood in isolation from this cultural and ideological contest. This article identifies Ambrose's Hymn. 10 as a significant source for Peri. 1; the former provided Prudentius with a framework upon which he built a narrative of martial martyrdom and of saintly identity for the unstoried relics in his hometown of Calagurris. Peri. 1 repurposes Hymn. 10's vocabulary, concepts, classical allusions, and a dynamic of envy (inuidia) directed by the historical persecutor against the contemporary audience. The purpose of the poet's renouatio , however, is more than hagiographical expansion; Prudentius replicates Ambrosian tropes to define his local Christian community in relation to its patronal martyrs. Peri. 8 builds on the foundation of Peri. 1, portraying the martyrs of Calagurris as not only patrons but also imitable models for the city's residents. Emeterius and Chelidonius become the exemplars of both historical and contemporary Calagurran Christianity. Thus, Prudentius uses an Ambrosian exemplar to provide a localized response to the discourse of the day, deliberated throughout the empire. [ABSTRACT FROM AUTHOR]

For scholars and students of Late Antiquity, the stylite's column exerts a special appeal. Scholars have examined literary representations of stylites and sought out visual parallels for the phenomenon of column-standing. This article shows that topographical contexts were central to establishing the potency of the column as a holy object and the trajectory of stylitism in history. I employ the term topography broadly to encompass the physical characteristics of an area, the ways in which humans augmented physical characteristics through the built environment, and specific architectural organizations. I examine three topographical contexts and make three interconnected arguments. By selecting the hill adjacent to Telanissos as the location for his columns, the premier stylite Symeon (d. 459) participated in a long-standing regional tradition of activating the numinous power of high places and stone through cultic activity. The monumental pilgrimage complex built after Symeon's death made the column a relic and integrated veneration of Symeon into liturgical ritual. The incorporation of stylites into northern Syria's cenobitic communities circumscribed stylitism as a distinctly monastic vocation. These three contexts illustrate that the significance of the column was located in processes of production and reception. At the same time, stylite columns were not passive objects. They faced the gods of old; they enriched ecclesiastical rituals; they molded the bodies of those who activated them; they proclaimed the ascendancy of monastic institutions. As both products of their topography and agents within it, stylite columns constructed a distinctive Christian landscape in Syria's limestone massif. [ABSTRACT FROM AUTHOR]