Search

Decades of decline, disinvestment, and racism have left Detroit with an abundance of abandoned buildings, ruins, vacant lots, and illicit trash dumps. Though these structures and materials might have forfeited their previous purposes, they can act as catalysts, substances, and co-creators of artworks. The paper is thus interested in examining the intricate interplay between art, space, and materiality in Detroit further. Drawing from the practices of local artists Olayami Dabls and Scott Hocking, the paper adopts a new materialist framework to investigate the dynamic agency of matter in the artistic process. By considering materials as active participants in the production of art and space, the paper seeks to add to the emerging interest in the emancipation and meaning making of material in art as well as cultural geography's engagements with new materialism. [ABSTRACT FROM AUTHOR]

Copyright of Revista Tamoios is the property of Editora da Universidade do Estado do Rio de Janeiro (EdUERJ) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper analyzes the emergence of micro-cultural material worlds in marginal rural areas of Spain from the viewpoint of postmodern rural cultural geography. The methodology is qualitative and geo-ethnographic, based on the study of three cases that suggest a renewed relevance of place as cultural capital in the production and consumption pattern of new or renovated rural materialities. The main conclusions suggest that two sides characterized the renovated houses: externally linked with traditional spirit and style of the area and internal with an individual and cosmopolitan design These represent a new dialectic similarity/difference. [ABSTRACT FROM AUTHOR]

The article provides evidence for the opening of Polish culture in the last four decades, focusing on incoming translation flows, i.e., the books translated from foreign languages to Polish. It answers the question of whether the circulation of cultural goods has followed the same pattern as the economy, i.e., a shift towards Western European influences. It shows, with quantitative data completed with qualitative data, that the Polish culture has opened up to Western culture but also to an increasingly global culture. The article explains the differences between both databases used for the research. The evidence further demonstrates that the sociology of translation influences the geography of translation flows. [ABSTRACT FROM AUTHOR]

Copyright of Revista de Estudios Andaluces is the property of Revista de Estudios Andaluces and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Territorial brands are present in several discussions, place branding and tourism being one of them. The aim is to analyze territorial brands and their materiality’s from the category "territorial brands by representation", contained in the TRbrand classification model proposed by Almeida & Cardoso (Sustainability, 14, 6669, 2022). Using the cultural studies approach method, the study resorts to critical research analysis in the discussion of territorial brands by representation (material / immaterial). In all, eleven territorial brands were analyzed, regardless of their geographical scale. The results found led to the brands that use the materiality of the territory in their logos being aligned, mainly, with the tourism development of cities, regions, and countries, exposing symbolic power relations. At the same time, there is a cut in the territory, being chosen a fragment of this cut to be present in the territorial brand. It is concluded that the materiality of the territory influences the construction of the graphic representation (logo) of the territorial brand, being this representation a form of symbolic power. Simultaneously, the graphically displayed fragment creates a visual storytelling that aims to foster tourism and local development. [ABSTRACT FROM AUTHOR]

Viewed through the lens of new cultural geography, a geographical landscape is a symbolic system showing the beliefs and values of society, as in the case of the home landscape. The article employs Mike Crang's concepts of landscape and home to examine different homes in Han Suyin's Till Morning Comes (1982). From leaving homes, searching for homes to returning homes, Stephanie, an American woman in diaspora, is exposed to different cultures, experiencing a sense of home in China, a sense of homelessness in both China and America, and a sense of being between worlds. In the process of searching for a home, Stephanie constructs her identity as a Chinese and eventually as a world citizen. The home in the novel is more than just a dwelling place; it is a place signifying cultural identity and a meaningful space that influences the identity transformation of a diasporic woman. The article therefore uses a textual analysis approach to explore how homes are represented and how a diasporic woman's identity is affected by the home landscape she experiences in Till Morning Comes. This novel's exploration of home illuminates the unique experience of a diasporic woman, highlighting the importance of re-evaluating Han's work within the framework of contemporary cultural geography. [ABSTRACT FROM AUTHOR]

Copyright of Legado de Arquitectura y Diseño is the property of Universidad Autonoma del Estado de Mexico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)