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264 results on '"Eitner A"'

40. The flabellum of Tournus

Author

Eitner, Lorenz., Eitner, Lorenz., Eitner, Lorenz., and Eitner, Lorenz.

Abstract

Electronic access restricted; authentication may be required, American Council of Learned Societies History E-Book Project, (heb) heb06132.0001.001, http://hdl.handle.net/2027/heb.06132, Permission must be received for any subsequent distribution in print or electronically. Please contact info@hebook.org for more information.

Published
1944

41. The 'Age of Neo-Classicism': 1. Painting and Sculpture at the Royal Academy.

Author

Eitner, Lorenz

Abstract

The article discusses the celebration of the opening of a three-pronged art exhibition of the "Age of Neo-classicism" sponsored by the Council of Europe in London, England. According to the author, the exhibition marked the conclusion of the series of collaborative exhibitions sponsored by the Council which have spanned the main periods in the history of Western art. The event includes a section of exhibition devoted to painting and sculpture at the Royal Academy of Arts in which visitors face a Wedgewood-blue perspective into halls filled with Canovan marbles.

Published
1972

44. The Open Window and the Storm-Tossed Boat: An Essay in the Iconography of Romanticism

Author

Lorenz Eitner

Subjects
Literature, History, Painting, Visual Arts and Performing Arts, business.industry, media_common.quotation_subject, Taste (sociology), Art history, Art, Subject matter, Iconography, business, Romanticism, media_common
Abstract

THE history of nineteenth century art is sometimes presented as a struggle between two forces: on the one side, the moribund traditions, the fading grandeur of history painting, the spinners of anecdotes, the painter-poets and painter-journalists; on the opposite side, the pioneers of progress, the visual realists, the experimenters with color and pictorial structure. A fatal obsession with subject matter dooms the party of Delaroche, Meissonier, and the Dusseldorf school; a new vision of form carries forward Delacroix, Manet, the Impressionists, and Cezanne. Literature is the devil of the piece—“c'est le poete qui a fait tomber le peintre dans la fosse,” as Baudelaire summed it up.1 There is no need to point out that this view is a grotesque oversimplification; but it is also a convenient abbreviation of the truth and it expresses very well the profound revolution of taste which separates the twentieth century from the nineteenth. The prevailing attitude toward nineteenth century art is still partisan, r...

Published
1955

46. <scp>fritz novotny</scp>,Painting and Sculpture in Europe, 1780–1880(The Pelican History of Art)

Author

Lorenz Eitner

Subjects
History, Painting, Pelican, Sculpture, Visual Arts and Performing Arts, biology, biology.animal, media_common.quotation_subject, Art history, Performance art, Art, media_common, History of art
Abstract

(1961). fritz novotny, Painting and Sculpture in Europe, 1780–1880 (The Pelican History of Art) The Art Bulletin: Vol. 43, No. 4, pp. 351-356.

Published
1961

47. <scp>marcel brion</scp>,Romantic Art

Author

Lorenz Eitner

Subjects
History, Visual Arts and Performing Arts, media_common.quotation_subject, Monochrome, Performance art, Art, Romanticism, media_common, Visual arts
Published
1961

49. �ber die funktionelle Trennung des ven�sen und arterialisierten Blutes im Froschherzen

Author

H. D. Eitner and F. J. Haberich

Subjects
Physiology, Physiology (medical), Clinical Biochemistry, Human physiology, Biology, Molecular biology
Abstract

1. Bei Froschen (Rana esculenta, Rana temporaria) werden nach Curare und Dezerebrierung in die V. cava post. und V. pulmonalis, sowie in alle sechs Arterien (A. carotis, Aorta, A. pulmocutanea) feine Schlauche eingebunden.

Published
1965

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