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Focuses on the principles underlying creative formulation and understanding in the U.S. Comparison of the importance of the principle of understanding than to the beauty of the form; Consideration of the accent of psychic engagement; Lack of description exists n analytical literature; Disclosure of the element of personality.

This paper surveys the use of the computer in the humanities and fine arts, and indicates the relevance of available hardware and software for those applications areas. The first section covers (a) pattern recognition and analysis in art, architecture, music, and literature (with an emphasis upon the latter), and (b) pattern construction, or synthesis, in art, architecture, music, and language. In the second section, data representation and manipulation are described with reference to: first, transformation of the artifact into a form suitable for the computer; second, internal data storage and manipulation; and, third, output. The three types of artifacts dealt with are: aural, or auditory; visual, including both nonalphameric and alphameric forms; tactile. A discussion of data structures and of data manipulation occupies the subsection on internal data storage and manipulation, and the brief commentary on output concentrates on aural and visual modes. [ABSTRACT FROM AUTHOR]