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A tender and wickedly funny portrait of England told through four generations of one family. Bournville is a quiet village in the heart of England famous for its chocolate. For eleven-year-old Mary, it is the center of her world, the place where most of her family's friends and neighbors have worked for decades and where the streets smell faintly of chocolate. During the next three-quarters of a century, Mary will have children and grandchildren and great-children. She will live through the Coronation of Queen Elizabeth II and the 1966 World Cup final (the last time England won), royal weddings and royal funerals, Brexit and Covid-19. Parts of the chocolate factory will be transformed into a theme park, and Bournville itself will gradually disappear into the sprawl of the growing city of Birmingham. As we travel through seventy-five years of social change, from James Bond to Princess Diana, and from wartime nostalgia to the World Wide Web, one pressing question starts to emerge: will these changing times bring Mary's family—and their country—closer together, or leave them more adrift and divided than ever before? Bournville is a rich and poignant new novel from the bestselling, Costa award-winning author of Middle England. It is the story of a woman, of a nation's love affair with chocolate, of Britain itself.

A NEW YORK TIMES EDITORS'CHOICE FROM THE AWARD-WINNING AUTHOR OF THE ROTTERS'CLUB AND MIDDLE ENGLAND In the heady summer of 1977, a naïve young woman called Calista sets out from Athens to venture into the wider world. On a Greek island that has been turned into a film set, she finds herself working for the famed Hollywood director Billy Wilder, about whom she knows almost nothing. But the time she spends in this glamorous, unfamiliar new life will change her for good. While Calista is thrilled with her new adventure, Wilder himself is living with the realization that his star may be on the wane. Rebuffed by Hollywood, he has financed his new film with German money, and when Calista follows him to Munich for the shooting of further scenes, she finds herself joining him on a journey of memory into the dark heart of his family history. In a novel that is at once a tender coming-of-age story and an intimate portrait of one of cinema's most intriguing figures, Jonathan Coe turns his gaze on the nature of time and fame, of family and the treacherous lure of nostalgia. When the world is catapulting towards change, do you hold on for dear life or decide it's time to let go? “Outstanding... In a sense, the novel toward which Coe's fiction has always been heading.”—Los Angeles Review of Books

A comedy for our times” (The Guardian), Middle England is a piercing and provocative novel about a country in crisis. From the frenzy of the 2012 Olympics to the aftermath of the Brexit referendum, here Jonathan Coe chronicles the story of modern Britain by way of a cast of characters whose world is being upended.There are newlyweds who disagree about the country's future and, possibly, their relationship; a political commentator who writes impassioned columns about austerity from his lavish town house while his radical teenage daughter undertakes a relentless quest for universal justice; and Benjamin Trotter, who embarks on an apparently doomed new career in middle age, and his father, whose last wish is to vote to leave the European Union. A sequel to The Rotters'Club and The Closed Circle that stands entirely alone, Middle England is a darkly comic look at our strange new world.

Can desire really transform reality? From award-winning novelist Jonathan Coe and distinguished Italian artist Chiara Coccorese comes The Broken Mirror, a political parable for children, a contemporary fairy tale for adults, and a fable for all ages. One day Claire, to escape her quarrelsome parents, takes refuge in the dump behind her house. There she finds a broken mirror, a nasty piece of sharp glass… yet she is strangely drawn to it. She soon discovers it has the power to transform even the most drab reality into a fairy-tale world: the grey sky is reflected blue, and Claire's modest, suburban house is transformed into the most beautiful castle. As Claire grows older, always accompanied by her magic mirror, she can see her face without her teenage acne, and her town before it fell victim to thieving property developers. But, in reality, libraries are being turned into luxury flats wherever she looks, and the boy Claire loves is instead her worst enemy. Frustrated and angry with the mirror's illusions, Claire is about to destroy it when the mysterious Peter steps in: he has also found a shard of broken mirror, and so begins their journey to piece together the larger puzzle… Previously published in Italian, French, Greek and Dutch, The Broken Mirror comes to life in English for the first time, to be read with equal pleasure by children and adults.

Beginning in the early years of this century, Number 11 follows two friends, Alison and Rachel, as they come of age. As the narrative progresses from the aftermath of the Iraq War to the present day, its scope broadens to include others who are variously connected to these two girls: Alison's mother, a has-been singer, competes on a grisly reality TV show; Rachel's university mentor finally confronts her late husband's obsessive search for a German film he saw as a child; a young police constable investigates the seemingly unrelated deaths of two stand-up comedians; and a giant spider lurks in the darkness beneath one of London's most staggeringly expensive neighborhoods. Combining his signature humor, psychological insight and social commentary, Jonathan Coe holds up a disquieting, unforgiving mirror in which to reflect a world where the systems are broken and everyone can—and perhaps must—name his or her own price.

Thomas Foley e un mărunt funcționar britanic, plictisit de munca lui la Biroul Central de Informații. Însă un eveniment neașteptat îi schimbă radical destinul: în anul 1958 este trimis la Bruxelles, ca să supravegheze activitatea pubului tradițional construit în pavilionul britanic cu ocazia Expoziției Internaționale din Belgia. Thomas descoperă la Bruxelles o lume diversă și dezinhibată. Flirtează cu o frumoasă însoțitoare de la Expo, se împrietenește cu un pretins jurnalist rus, iar la un moment dat e implicat într-o afacere de spionaj internațional. Vor trece decenii până când va ajunge să înțeleagă ce a făcut el de fapt în Bruxelles, dar e deja prea târziu ca să mai schimbe ceva.

Intr-un oras deturnat de la ritmurile sale obisnuite actiunea se incheaga in jurul catorva liceeni aflati la varsta ingrata a primelor amoruri aspiratii si tradari. Captivati de ideea unei cariere umaniste in plin disconfort industrial acestia descopera pe cont propriu ceea ce parintii si scoala s-au ferit sau n-au stiut sa le spuna. Lumea lor cunoaste schimbari spectaculoase de la o zi la alta adevarul din carti corespunde tot mai rar celui din viata de zi cu zi iar elanul tineretii incaseaza corectii cand usturatoare cand de-a dreptul comice.

'I could recommend The Winshaw Legacy as I a superb political novel, or as a fiendishly clever meta-novel, or as a unique modern historical novel, or as a riveting family saga, but I'm afraid that would drive everyone, yawning in terror, straight out of the bookstore. So let's just say it has naked pictures of Natasha Richardson...Can't say that? Well, let's say it's a nasty farce with lots of bathroom humor and violence which reminds me at least as much of Fawlty Towers as it does of Midnight's Children.'-- Jay McInerneyA postmodern detective story, a scathing send-up of the rapacious eighties, a macabre Gothic -- all rolled up in a bravura tragicomic entertainment.The Winshaw family, as their official biographer is warned by old Mortimer Winshaw himself, is the meanest, greediest, cruellest bunch of backstabbing penny-pinching bastards who ever crawled across the face of the earth.'Bankers, industrialists, politicians, arms dealers and media barons -- they rule Britannia, more or less. They also have a guilty secret in the shape of a mad aunt stashed away in a remote asylum, convinced of familial treachery during World War II and determined to effect the ruin of her entire clan.In the summer of 1990, while Saddam Hussein is provoking yet another war, the Winshaws'biographer (a severely depressed young novelist) is piecing together the truth of their sordid legacy, and discovers that it converges bizarrely with the plot of a film he's been obsessed by since childhood. Moreover, it seems that all of this, dynasty and cinema alike, has some mysterious connection with his own troubled history. Of course whether he -- or anybody else -- will be alive when this compound riddle is solved remains to be seen.Savagely funny, hugely inventive and passionately political. The Winshaw Legacy assumes Dickensian proportions as it excoriates the modern age of greed -- and heralds the American debut of an extraordinary writer. As The Economist concluded: Talented comic novelists are rare [but] that exclusive club -- Thomas Love Peacock, Evelyn Waugh and P. G. Wodehouse are among its members -- has admitted a newcomer, an Englishman called Jonathan Coe.''A remarkable achievement; intelligent, funny, and important.'-- The Times Literary Supplement'An extravagant literary blockbuster...A grand and intelligent novel, so full of accomplishment and pleasure.'-- New Statesman & Society'Really, something to get excited about...his big, hilarious, intricate, furious, moving treat of a novel.'-- The Guardian

A dream of a novel.'--Erica Wagner, The Times (London)Following The Winshaw Legacy--Coe's ecstatically reviewed American debut, winner of the John Lewellyn Rhys Prize in England and France's coveted Prix du Meilleur Livre Étranger--comes this beguiling, eccentric entertainment. Ashdown--a vast clifftop manor on the English coast--was once a university residence, where a group of students met briefly before going their separate ways. Twelve years later, it has been transformed into a clinic for sleep disorders, and a series of strange coincidences and ostensible synchronicities draws the same group of people together once again, each of them in different ways plagued by sleep. Sarah is narcoleptic, and her inability to distinguish between dreams and waking reality gives rise to a great many misunderstandings--one of which is to change Robert's life forever, as he persists for years (and then some) in his attempt to win her love. For Terry, a disillusioned film critic whose career has been derailed by Sarah's affliction, sleep is merely a memory, for his insomnia is complete and he can only yearn for the tantalizing dreams he enjoyed in youth. And for the increasingly deranged Dr. Dudden, who has made the subject the focus of his medical practice, sleep is nothing less than a global disease. With panache worthy of Nabokov, and with the heart to match his sophistication, Jonathan Coe has written a breathtakingly original comedy about the powers we acquire--and those we relinquish--when we fall asleep, or fall in love.'This is a remarkable book, most impressive for its subtle narrative patterning, like a dapple of light and shade, allowing us to indulge the illusion of understanding its characters, until, all at once, the darkness, the isolation and the mystery return. Perhaps most strange of all, for a novel about insomniacs, The House of Sleep is a wonderful bedtime read.'--David Nokes, Sunday Times

„O universitate este transformată peste ani într-o clinică pentru insomniaci, ai cărei pacienți sau medici sunt studenții de odinioară. Locul se numește Ashdown și are o mohoreală victoriană. Între zidurile sale trăiesc, în trecut și în prezent deopotrivă, Gregory Dudden, medicinistul riguros și vag dement care consideră somnul o boală ce ronțăie o treime din viața fiecăruia; narcoleptica Sarah Tudor, o ființă fragilă, dilematică, incapabilă să distingă între vis și realitate; Robert Madison, prietenul sfâșiat de iubiri nerostite și de drame identitare care-l trimit în cele din urmă pe masa de operație a unui chirurg specializat în schimbările de sex; în fine, Terry Worth, cinefilul împătimit și insomniac care poate recunoaște orice actor în orice poză, fără a-și aminti în schimb de personalul medical cu care tocmai a stat de vorbă. Așa arată cvartetul pe care își sprijină Coe întreaga construcție.” (Radu Paraschivescu)

Maxwell Sim can't seem to make a single meaningful connection. His absent father was always more interested in poetry; he maintains an e-mail correspondence with his estranged wife, though under a false identity; his incomprehensible teenage daughter prefers her BlackBerry to his conversation; and his best friend since childhood is refusing to return his calls. He has seventy-four friends on Facebook, but nobody to talk to.In an attempt to stir himself out of this horrible rut, Max quits his job as a customer liaison at the local department store and accepts a strange business proposition that falls in his lap by chance: he's hired to drive a Prius full of toothbrushes to the remote Shetland Islands, part of a misguided promotional campaign for a dental-hygiene company intent on illustrating the slogan “We Reach Furthest.”But Max's trip doesn't go as planned, as he's unable to resist making a series of impromptu visits to important figures from his past who live en route. After a string of cruelly enlightening and intensely awkward misadventures, he finds himself falling in love with the soothing voice of his GPS system (“Emma”) and obsessively identifying with a sailor who perpetrated a notorious hoax and subsequently lost his mind. Eventually Max begins to wonder if perhaps it's a severe lack of self-knowledge that's hampering his ability to form actual relationships.A humane satire and modern-day picaresque, The Terrible Privacy of Maxwell Sim is a gently comic and rollickingly entertaining novel about the paradoxical difficulties of making genuine attachments in a world of advanced communications technology and rampant social networking.

As a young girl, Rosamond is sent to Shropshire to escape the Blitz. Here, in the countryside, she forms a close bond with her older cousin, Beatrix, a young woman haunted by anger and resentment.Sixty years later, just before her death, Rosamond records her memories on cassettes, addressing them to a distant cousin—a near stranger-named Imogen. As Gill, her beloved niece, listens to these tapes, a heart—stopping family saga is revealed. In this masterful portrait of three generations of woman, Jonathan Coe exposes the profound reserves of hope and loss within the lives of ordinary woman.

The characters of The Rotters'Club–Jonathan Coe's beloved novel of adolescent life in the 1970s–have bartered their innocence for the vengeance of middle age in this incisive portrait of Cool Britannia at the millennium.

Birmingham, England, c. 1973: industrial strikes, bad pop music, corrosive class warfare, adolescent angst, IRA bombings. Four friends: a class clown who stoops very low for a laugh; a confused artist enthralled by guitar rock; an earnest radical with socialist leanings; and a quiet dreamer obsessed with poetry, God, and the prettiest girl in school. As the world appears to self-destruct around them, they hold together to navigate the choppy waters of a decidedly ambiguous decade.