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Reconstructing the face from the skull is important not only for forensic identification but also as a tool that can provide insight into the appearance of individuals from past populations. It requires a multidisciplinary approach that combines anthropological knowledge, advanced imaging methods, and artistic skills. In the present study, we demonstrate this process on the skull of an early medieval warrior from Croatia. The skeletal remains were prepared and scanned using multi-slice computed tomography (MSCT) and examined using standard anthropological and radiological methods. The analysis revealed that the remains belonged to a 35–45-year-old male individual who had suffered severe cranial trauma, probably causing his death. From MSCT images, we reconstructed a three-dimensional (3D) model of the skull, on which we digitally positioned cylinders demarking the soft tissue thickness and created the face with a realistic texture. A 3D model of the face was then optimized, printed, and used to produce a clay model. Sculpturing techniques added skin textures and facial features with scars and trauma manifestations. Finally, after constructing a plaster model, the model was painted and refined by adding fine details like eyes and hair, and it was prepared for presentation in the form of a sculpture.

This study investigates a series of antemortem injuries in the skeletal remains of a 36-45-year-old male from the medieval site of Rižinice. It presents the injuries comprising a fractured sternum, spinal hyperflexion, multiple rib fractures, and a non-union fracture to the olecranon process of the left ulna and a patella cubiti, a rare anomaly, which until now has not been reported in a paleopathological context. The research aims to uncover the causes, timing, and effects of these traumata, providing insight into the challenges of life in the mid-9th to mid-10th century.