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This paper analyses the functions of represented speech and thought (RST) in narratives in Umpithamu, a Pama-Nyungan language of Cape York Peninsula (Australia). The paper first surveys the different mechanisms available for marking a shift from the narrator's deictic centre to a narrative participant, including a number of constructions that use perception and motion predicates to signal RST. The analysis then focuses on the narrative functions of RST, showing that it has a macrostructural function beyond the representation of a specific participant's speech and thought, more specifically highlighting the central episodes of a narrative. The evidence comes from an analysis of three genres with a different macrostructure: one (personal history) for which the classic Labovian schema of complication–resolution works well and two others (both dealing with the supernatural world) that rely on different structuring principles. It is shown that RST is systematically associated with central episodes across the three genres, and that the location and nature of RST co-vary with the different location and nature of these episodes in the three genres. In narratives of supernatural encounter, for instance, RST conveys modal negotiation about the interpretation of the central events in terms of the supernatural world. [ABSTRACT FROM AUTHOR]

Mbarrumbathama is a clan-named variety of Lamalama, a language of Cape York Peninsula, in the northeast of Australia. Together with Umbuygamu (Ogilvie 1994, Sommer 1998, Verstraete 2017) and Rimanggudinhma (Godman 1993), Lamalama forms the Lamalamic subgroup of Paman languages (Laycock 1969, Rigsby 1997, Verstraete 2018), themselves a subgroup of Pama-Nyungan (Hale 1964, 1966; see also Bowern & Atkinson 2012). The language is no longer spoken, but it is traditionally associated with about 20 clans (as reconstructed by Rigsby 1999, 2014) belonging to the southern shores of Princess Charlotte Bay, on the east coast of Cape York Peninsula (see Figure 1). The clans' estates are mainly coastal, extending from the Normanby River mouth in the east to about 10 km west of the North Kennedy River mouth, but they also include some inland estates (see Rigsby 1992: 356). [ABSTRACT FROM AUTHOR]

Umbuygamu is a Pama-Nyungan language of the east coast of Cape York Peninsula, in the northeast of Australia. Genetically, the language belongs to the Lamalamic subgroup (Laycock 1969, Rigsby 1997) of Paman languages, themselves a subgroup of Pama-Nyungan (as proposed by Hale 1964, 1966; see also Bowern & Atkinson 2012). Umbuygamu is the language of three clans at the southern end of Princess Charlotte Bay, about halfway up the east coast of Cape York Peninsula. Their estates are centred on a lagoon called Emanha (or Dinner Hole in English); they extend inland into the upper Running Creek system, and include the Cliff Islands group along the coast; see Rigsby 1992 for more details, and Verstraete & Rigsby (2015: 2) for a map of the region and its languages. Neighbouring languages are the Middle Paman language Umpithamu, along the coast to the north (see, for instance, Verstraete 2010, 2012) and two Lamalamic languages, Rimanggudinhma to the southwest (located inland; Godman 1993, Sommer 1999b), and Lamalama to the southeast (along the coast; Sommer 1999a). [ABSTRACT FROM AUTHOR]

This study provides a linguistic perspective on the structure and the interpretation of a key historical narrative in Umpithamu (a Pama-Nyungan language of Cape York Peninsula, Australia), against the background of a larger corpus of narrative texts in Umpithamu. The analysis focuses on the role of participant tracking devices in the macro-structure of the narrative, and the role of case marking in the build-up of narrative motifs. It is argued not only that marked types of participant tracking serve to mark the boundaries of episodes, as often noted in the literature, but also that some types have additional functions within episodes, which leads to a proposal for refinement of Fox's (1987) Principle of Morphosyntactic Markedness. On a micro-structural level, it is shown how a rare system of case marking is used by the narrator to construe white-Aboriginal interactions as events in which the Aboriginal participants experience an extreme lack of control. [ABSTRACT FROM AUTHOR]