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This paper deals with, in a diachronic perspective, the Italian verb-noun compounds of the type portalettere and covers the time span that goes from the Origins well into the beginnings of the Twentieth century. On the basis of a rich dataset drawn from diachronic corpora and lexicographic sources, the article presents the history of this word-formation process, emphasizing the semantic and categorial nature of these compounds. The main claim is that the current semantic variability (person, instrument, event, period of time etc.) has always been available in the linguistic history of Italian as well as, to a minor extent, the categorial ambiguity by which VN compounds also function as adjectival modifiers. It is shown that this last function is much of a diachronic innovation. This paper, which stems from the theoretical premises of Construction Morphology, reveals that the productivity of the Construction [V-N]A|N is due to both the semantic and formal flexibility shown from the earliest attestations of the language, and to the productivity of some semi-specified subschemas, which have served as models for the creation of new VN compounds, especially over the past few decades.

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This paper contributes to the study of evaluative morphology by investigating an emerging morphological construction in Italian within the framework of Construction Morphology. The schema in question, which contains the string simil- (related to the adjective simile 'similar') plus a nominal or adjectival base, is analyzed as a newly-created construction that conveys a number of closely-related senses (i.e., fakeness, imitation, resemblance, vagueness, and kin-categorization) revolving around the functional domain of approximation, which has received much less attention than other domains within evaluative morphology. Beside discussing the formal, semantic and usage properties of simil- expressions on the basis of corpus data, we propose a constructional network that accounts for their behavior. Finally, we discuss the nature of simil- as an affixoid and explore its relationship with other competing (morphological and, more marginally, analytic) strategies in Italian. [ABSTRACT FROM AUTHOR]