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The historically unequal grazing industry in Cape York Peninsula, far northeast Queensland, gave rise to intercultural relationships between Aboriginal stock workers and settler-descended graziers. However, in recent decades, Aboriginal employment on cattle stations has fallen. Nowadays, many younger Aboriginal people work in government-funded jobs which settler-descended graziers frame as 'hand-out style' work. Settler-descended graziers have come to value an ethic of hard work related to both the Protestant work ethic and aspects of pioneer mythology which are entwined with graziers' senses of belonging. Contemporary Aboriginal people are positioned by settler-descended graziers as having a 'different' relationship to work and lacking the valuation of hard work that graziers deem a moral good. In their discussions of Aboriginal people as lacking a valuation for 'hard work', graziers seek to critique what they perceive as government overreach in the form of land rights and government-funded jobs. [ABSTRACT FROM AUTHOR]

Objective: This paper describes the background to, implementation of and evaluation challenges associated with an innovative, arts-based, wellbeing and mental health recovery project in a remote Indigenous setting. Results: Creative Recovery is a community-based arts initiative for Indigenous people with mental health problems. It has been rolled out as a pilot project in a remote Cape York community and is aimed at promoting wellbeing and recovery. The theoretical basis for the initiative is modelled on ideas of the role that social capital plays in improving mental health. This involves both the beneficial impact community participation and the social cohesion it creates can have, not only on an individual's mental health, but also on the social and emotional wellbeing of the communities they are part of. Such initiatives have already been adopted as an integral part of mental health promotion in countries such as the UK, and in other Australian states such as Victoria and Western Australia. The following paper will locate Creative Recovery in the current field of mental health promotion theory and Indigenous social and emotional wellbeing, and will discuss some of the evidence for and challenges inherent in adopting such initiatives. [ABSTRACT FROM AUTHOR]

Objectives: This paper describes the challenges in implementing an innovative arts-based mental health project in a remote Indigenous community. Method: The author (the Art Centre Manager) presents a personal narrative of the development of the Aurukun Creative Livelihoods project. Results: A partnership between an existing arts and mental health project (Creative Recovery) and the Wik and Kugu Arts and Craft Centre is described. This collaboration aims to enhance the emotional and social wellbeing of vulnerable Aboriginal people in a remote Indigenous community in Cape York - Aurukun. [ABSTRACT FROM AUTHOR]